Sentences with phrase «darkroom with»

• Digital lab with Epson Stylus Pro 4900s, 7800, 9600, 9800, and 9900 digital inkjet printers, profiling systems and large print viewer • Hasselblad Imacon high resolution negative scanner, scans up to 4 × 5 sheet film • 18 27 ″ iMacs with a full suite of Adobe Creative Cloud software • Black and white darkroom with 18 enlargers (4 × 5, medium and 35 mm formats) • 16 mm Elmo slimline projector with 800 ′ looper, Full HD Cinema Projectors in all studios and classrooms w / Blu - ray player • Photographic and filmmaking peripherals, such as lenses, microphones, tripods and light kits available for checkout

Performances include Gallery Vela, London, IBID Projects, London, and Darkroom with Eddie Peake, Vogue Fabrics, Take Courage London.

«Pia Howell uses a camera-less process to create photographs by manipulating raw, color - filtered light in a darkroom with stencils and transparencies.

He created surreal images the hard way — not with digital shortcuts, but working in a darkroom with seven enlargers and multiple negatives.

Then there are the entirely abstract photographs, experiments in the darkroom with light sources and chemicals.

Created in the darkroom with the help of a Van de Graaff generator, sheets of unexposed film are subjected to electrical discharges, creating sparks of light that scar the film with patterns reminiscent of organic life forms and tree - filled landscapes.

The fest launches June 5 with a party presented by the folks at Tumblr (who know how to throw a party), continues the next day with family - friendly arts and wellness performances and demos in Maria Hernandez Park (if you're looking for a less healthy, family - friendly option, check out this rooftop barbecue that Sugarlift is throwing with Arrogant Swine), and closes down Sunday at Bushwick Community Darkroom with a party where there'll be a screening of shorts by local filmmakers.

Number of cakes eaten: 4.7 (v. bad) Number of times run up and down stairs: 6 (invalidating the above) Number of minutes spent in darkroom with sexy postdoc: 8.2 (oh heaven!!)

Not exact matches

Jules is a Caltech graduate who now makes his living as a professional photographer; he combines an artistic talent with his scientific abilities in the darkroom to produce some astonishingly beautiful images of nature that now adorn his living room.

However, 20 years ago when my children were babies mothers who attempted to breastfeed while they were traveling in other than a darkroom were treated with the very same contempt as criminals, so it is so nice to see articles such as this one.

And with the advent of digital detectors, computers have replaced darkrooms.

It's heartbreaking to read, in New York editor Chris Bonanos's account, how the technology company that fit the workings of an entire darkroom inside a pouch of film fell to pieces with the rise of digital cameras.

In Stalin's day, such phony images required long hours of cumbersome work in a darkroom, but today anyone with a computer can readily produce fakes that can be very hard to detect.

Soon after turning to photography, he built a darkroom in the basement of his house and later opened a portrait studio in his hometown Ravenna, a seaport jewel in the provinces of central Italy with deep historic links to the East, as exemplified by the opulent Byzantine mosaics and the orientalist architecture of its Sant «Apollinare church.

The use of photographs - within - film to freeze characters in a milieu while defining it in modern terms was already a worn idea when George Roy Hill claimed it for Butch Cassidy and the Sundance Kid, and here it's handled with even less integrity, by way of a photographer whose 19th - century camera and anachronistic darkroom give him in a few short hours prints of a quality no photographer achieved before about 1920.

Amazon has also setup a small darkroom, where people can try out the Kindle Paperwhite with Frontlight and also see how the tablets perform in low light conditions.

As a photographer who lived and breathed film, so - to - speak, that was my cue to enrol in a graphic design program where I could manipulate images with my expert photography skills in a digital darkroom — Photoshop!

This week, we present 5 Questions with Tracey Casciano, author of «Out of the Darkroom, Into the Light,» — her memoir of overcoming an abusive childhood to live an inspiring life of Faith.

No eyestrain and easy darkroom reading crisp and clear presentation with a light weight one hand control design make this reader a joy to use.

The kit includes a spare medium format spool, reclaimed from some of the best darkrooms in London, and a precision laser - cut 0.4 mm pinhole, along with instructions and everything else required to make your very own Videre.

Over 60 % funded with about 4 days to go, you can still head over to BCD's crowdfunding campaign to donate and receive some great perks in return - such as 10 hours darkroom time ($ 80 + donation).

The exhibition at the Society Club in Soho features 18 limited edition darkroom prints taken from Griffin's highly sought after out - of - print book, © Brian Griffin 1978, which was created in collaboration with artist Barney Bubbles, who had achieved cult status for his illustrations of punk record sleeves.

For a year she experimented with darkroom techniques before discovering a 19th - century process that would allow her to use gunpowder as a pigment.

This intimate, immersive film hub space will feature three chambers; beginning with an extensive library, engaging in film history and theory, curated attentively by participating artists from their personal book collections and intended for browsing and perusing; leading further on to a single screen darkroom, a pulsating digital heart, showcasing a sequence of 115 imaginative short films programmed to play on a continuous loop; and on to the final imaginary space, the Virtual Reality port which will evolve over time in collaboration with various artists.

Through meticulous darkroom printing, we are confronted with glowing yellow trees, glistening orange foliage and soft green waters that challenge our perception of natures» colors.

Award - winning photographer Ray Germann photographs mainly in black & white, and his twenty - five years experience working in the traditional black & white wet darkroom helps him produce digital prints today with a similar look and quality to the photographic papers of old.

with Melissa Miles and Daniel Palmer), Performance Ritual Document (Macmillan, 2014), LOOK: Contemporary Australian Photography, since 1980 (Macmillan, 2010), Pat Brassington: This is Not a Photograph (Quintus / University of Tasmania, 2006), The Darkroom: Photography and the Theatre of Desire (Macmillan, 2003) and Body and Self: Performance Art in Australian, 1969 - 1992 (Oxford University Press, 1993, Kindle edition 2015).

While he loved the allure of large format photography and the mystical appearance of images in a traditional darkroom, his «discovery of color» via his first digital camera led him to challenge himself to see beyond the natural landscape he had become comfortable with and to explore a new environment, the urban landscape, and seek out color as a vital component of those images.

On the cover — Wolfgang Tillmans: Martin Herbert meets up with the Turner - Prize winning German artist, who has gone from London street and club photography to that of broader cultural eyewitness in New York and Berlin, globetrotting still life and natural photography, abstract photography and, more recently, colour and darkroom experimentations that addresses the history of the medium.

The photographer — who rose to fame in the early 1990s with a modern style characterised by the merging of digital manipulation and darkroom techniques — has since started «composing» his images by integrating an interest in the natural world with concepts typically associated with painting and cinema.

Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.

Sells plays with alchemic processing in the darkroom, helping her large - format photographs bring new life to the arid landscape.

The crescent forms are limned in a white edge that reminds me of the way photographers «solarize» their solid forms with a flick of the darkroom light switch.

Although these new combinations may look at first glance like darkroom mistakes they are actually carefully orchestrated exercises in composition, revealing an ongoing engagement by the artist with the formal concerns of photography.

While darkroom experimentation is largely a thing of the past, the longing to connect with a physical aspect of picture - making remains.

For more than a century, photographers have dealt with the spaces of their studios in strikingly diverse and inventive ways: from using composed theatrical tableaux (in photographs by Julia Margaret Cameron or Cindy Sherman) to putting their subjects against neutral backdrops (Richard Avedon, Robert Mapplethorpe); from the construction of architectural sets within the studio (Francis Bruguière, Thomas Demand) to chemical procedures conducted within the darkroom (Walead Beshty, Christian Marclay); and from precise recordings of motion (Eadweard Muybridge, Harold Edgerton) to playful, amateurish experimentation (Roman Signer, Peter Fischli and David Weiss).

(Schimmel, p. 72) Some of the resulting photographs were straight prints, others were manipulated in the darkroom and still others, like Quetta, Pakistan, were embellished by hand with colorful egg tempera inks and gold and silver paint.

Amongst pictures of friends and photographs taken whilst serving in World War II is a collection of staged self - portraits that reveal an obsessive commitment to body modification, tattooing and his own image: duplicated, repeated and reworked with collage and darkroom revision.

His earliest memories of photography are from when he was 10 years old and would explore West Virginia with his grandparents, taking pictures and then developing them in the darkroom.

Since 2008, the Baxter St at CCNY Workspace Residency Program has provided participating artists with three (3) months of free access to the International Center of Photography's darkrooms, digital work stations, and shooting studio as well as the scanning stations at Baxter St (prior to 2014, all access was in - house at The Camera Club of New York's old 37th street location).

Classically trained in the black and white darkroom, Burns presently works digitally from capture to print and also experiments with different technologies and approaches including infrared photography which he is exhibiting here.

Entering its 10th year, the Baxter St at CCNY Workspace Residency Program provides participating artists with three (3) months of free access to ICP's darkrooms, digital work stations, and shooting studio.

Scènes et Types, a solo exhibition by 2012 Baxter St at CCNY Darkroom Resident Tiana Markova - Gold, highlights a long - term collaborative project with writer Sarah Dohrmann about women on the fringes of society in modern day Morocco.

They range from postwar experiments with darkroom processes, such as photograms and photomontages; to 1970s feminist performances conceived for the camera; to political and documentary engagements with themes of labor history and globalization in the 1980s; to post-appropriative forms of archival and historical reconstitution since 2000.

Initially attracted by the school's low darkroom fees, he was convinced that he wanted to seriously pursue documentary photography within two weeks of studying with its founder, Sid Grossman.

Verses, a solo exhibition by 2012 Baxter St at CCNY Darkroom Resident Joseph Sywenkyj, is a project that documents a Ukrainian family living with HIV for the past decade.

Classically trained in the black and white darkroom and the Zone System, Dave presently works digitally from capture to print and experiments with different technologies and approaches.

Her photography career began in the silence of the darkroom, but later shifted under the influence of critical theory to combine the traditional practice of documentary photography with the impulsive reflections of ordinary experiences.

This volume includes, amongst other series, selections from «Diary / Landscape,» in which Welling matched the writing of his ancestors» letters with Connecticut winter landscapes; «Glass House» a meditation on Philip Johnson's 1949 residence, shot using colored filters; examples from his «Degrades,» pure color photograms created in the darkroom as well as selections from his recent «Wyeth» and «Choreograph» track his early interest in painting and dance.

In addition to photography (shot with a 35 mm disposable camera), Gutiérrez's solo show will also feature videos of her working in the darkroom, animations created from her own prints, and binaural audio tracks of her walking through various environments, welcoming you in on multiple sensory levels.»