Sentences with phrase «data deluge»
The phrase "data deluge" refers to a situation where there is an overwhelming amount of data being generated or available. It means that there is an excessive flood or abundance of information that can be difficult to manage, analyze, or make sense of. Full definition
Educational programs for Data Deluge supported by Texas Commission on the Arts, Meyer Levy Charitable Foundation and H - E-B, San Antonio, TX.
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Friday, 25 May 2012 ・ Cocktail reception at Ballroom Marfa and viewing of Data Deluge exhibition ・ Chuck Wagon Dinner by John Welder at the home of Ballroom Marfa's Executive Director Fairfax Dorn
Listen to Marfa Public Radio's Talk at 10 interview with Data Deluge curators, Rachel Gugelberger and Reynard Loki, from 2 March 2012.
Ballroom Marfa was pleased to have Data Deluge artist Jennifer Dalton visit with art students at Marfa Senior High School as part of our Making Art Work program.
Independent curatorial projects have focused on the intersection of information, data, and art, and include: Once upon a Time, There Was the End at Center for Book Arts (New York, NY); Data Deluge at Ballroom Marfa (Marfa, TX); and Library Science at Artspace (New Haven, CT).
Big Data and the Retail Revolution will provide a glimpse into the future of retail by examining this new and amazing data deluge and how pioneering brands around the world are turning it into a new world of opportunity.
But with all these AI touchpoints come data deluge and complexities — making it impossible for humans alone to analyze, optimize and execute on it.
And around $ 20 million not yet awarded will fund software to handle the genome data deluge.
Data Deluge features work by Rebeca Bollinger, Jon Brunberg, Anthony Discenza, Scott Hug, Loren Madsen, Michael Najjar and Adrien Segal that communicates a wide range of concerns, from the development of the world's stock market indices to terrorist - related deaths, from national water use statistics to male responses to photographs of women in online chat groups.
Curator Rachel Gugelberger and Executive Director Fairfax Dorn at the artist walkthrough for Data Deluge, 3 March 2012.
Artist Roberto Pugliese at the opening reception of Data Deluge, 2 March 2012.
Dalton's piece in Data Deluge, Marfa Info Station, offers online data, statistics, and reviews of Marfa, while inviting locals and passers - by to quite literally participate in Marfa's «virtual reality,» and Dalton's visit to the high school art class felt like an extension of this project.
Recent curatorial projects have focused on the intersection of information, data and art, in particular the digital transformation of books and libraries, including: Once upon a Time, There Was the End at Center for Book Arts (New York, NY); Data Deluge at Ballroom Marfa (Marfa, TX); and Library Science at Artspace (New Haven, CT).
Ballroom Marfa was pleased to have Data Deluge artist Jennifer Dalton visit art students at Marfa Senior High School as part of our Making Art Work program.
The benchmark 10 - year yield rose to 2.26 percent after the data deluge.
The data deluge is already overwhelming astronomers, who in the past endured fierce competition to get just a little observing time at a major observatory.
The data deluge is also transforming academia.
«Collectively we are still coming to terms with the data deluge from wearable devices, but it is imperative that we begin to generate value from this data,» says the study's senior author Jared Hawkins, PhD, who is director of informatics at Boston Children's Innovation and Digital Health Accelerator (IDHA).
Collectors of animal sounds are facing a data deluge.
People still care about causation, mechanisms, and coherent theories, but in many disciplines, researchers are looking to supplement those traditional elements of science, harvesting gains from the data deluge by, in effect, learning from Google.
Pantula, a statistician and former president of the American Statistical Association, also noted that statistical techniques are playing an ever - growing role in science and are key to taming the «data deluge» confronting fields such as astronomy, high - energy physics, and social sciences.
Now researchers stand by as machines gush billions of letters of DNA code a day, and struggle to cope with the data deluge.
At the same time, few computer scientists know enough biology to figure out the best ways of mining important nuggets from the data deluge.
«Managing the data deluge for national security analysts: Research rethinks finding patterns in motion, makes sensor images searchable.»
He viewed the accumulation, organization, and utilization of this data deluge as the next step in the evolution of scientific exploration, and was utterly dedicated to the idea that data - intensive computing would help solve some of society's greatest challenges.
Our 2012 spring visual arts exhibition, Data Deluge, curated by Rachel Gugelberger and Reynard Loki, celebrates the beauty of information through sculpture, furniture, painting, photography, video and sound.
The ongoing dialogue between the digital and physical worlds provides the backdrop for Data Deluge, an exhibition that presents a selection of sculpture, furniture, painting, photography, video, sound and works on paper by artists who shape Web - based and software - generated data into art.
Data Deluge has been made possible through the support of the National Endowment for the Arts, the Foundation for Contemporary Arts and the Brown Foundation, Inc., Houston, with generous contributions by Lacey Neuhaus Dorn & Tucker Dorn, Brooke & Daniel Neidich, Joseph & Esther Varet and Ballroom Marfa members.
The opening of Data Deluge, 2 March 2012, with curator Rachel Gugelberger, Anna Von Mertens, Jennifer Dalton, Anthony Discenza, Rebeca Bolinger, Adrien Segal, Scott Hug, and curator Reynard Loki.
In March 2012, we had the pleasure of hosting students from Marfa Studio of the Arts to our spring visual arts exhibition, Data Deluge.
Data Deluge and its musical performances have been made possible through the support of the National Endowment for the Arts, the Foundation for Contemporary Arts and the Brown Foundation, Inc., Houston, with generous contributions by Lacey Neuhaus Dorn & Tucker Dorn, Brooke & Daniel Neidich, Joseph & Esther Varet and Ballroom Marfa members.
As part of the opening celebration for Data Deluge, the conceptual new media artist, programmer and performer R. Luke DuBois and multi-instrumentalist, composer and performer Bora Yoon, both based in New York, will perform an experimental work at the Capri on 2 March 2012.
Friday evening, Ballroom Marfa hosted a reception for the exhibition «Data Deluge» featuring work by Rebecca Bollinger, Jon Brunberg, Anthony Discenza, and Hans Haacke among others, before attendees relocated to the home of co-founder Fairfax Dorn for a Chuck Wagon dinner and margaritas by the bucketful.
Curatorial projects include «Once upon a Time, There Was the End» at Center for Book Arts (New York, NY); «Data Deluge» at Ballroom Marfa (Marfa, TX); and «Library Science» at Artspace (New Haven, CT).
Fortunately, the author, Francine Berman, who is Director of the San Diego Supercomputer Center, has put up on her website a version of the piece in PDF, «Surviving the Data Deluge.»
This is the most sustained attempt to deal with the long - term problem of data deluge to ensure that researchers and scholars in the future can access our knowledge heritage in the same way that can now be done at the Bodleian or the Library of Congress.
Nicola Lettieri of ISFOL has posted a prezi of a presentation entitled Law under the data deluge: From legal implications to legal applications of Big Data (and backward), given at DySES 2014: International Conference on Dynamics of Socio - Economic Systems, held... Continue reading →