One, written jointly by six process theologians, led by
David Lull and William Beardslee, is entitled Biblical Preaching on the Death of Jesus (1989).
Two good examples of the confusion of philosophical and systematic concerns occur in a recent issue of Process Studies in articles by John B. Cobb, Jr. and
David Lull.
David Lull responds initially by arguing from Cobb that the idea of creative transformation is a material norm for theology, and that the word «transformation» is a rational statement of the more symbolic terms «creation, redemption, justification, emancipation, or sanctification» (WPH 194).
Hence I close as I began with my appreciation to the scholars, especially
David Lull, who have opened up to me the scriptures.
For this transformation I have been completely dependent on
David Lull and those scholars to whom he guided me.
When
David Lull, who teaches New Testament at...
Not exact matches
The last major Canaanite (Jebusite) city - fortress, Jerusalem, is taken (5:6 - 10) and the Philistines, asleep on their feet or successfully
lulled by the political charm and machinations of
David, suddenly come to (5:17 - 22).
NTIPP — William A. Beardslee and
David J.
Lull, eds., «New Testament Interpretation from a Process Perspective,» JAAR 47/1 (1979), 21 - 128.
IPTNTE — John B. Cobb, Jr.,
David J.
Lull, and Barry A. Woodbridge, «Introduction: Process Thought and New Testament Exegesis,» NTIPP 21 - 30.
For 250 million years between Year 2.16 and 2.26 billion, however, volcanic activity appears to have subsided in a «global magmatic
lull» so that comparatively little carbon dioxide was released into the atmosphere through volcanoes (Condie et al, 2009; and
David Shiga, New Scientist, May 9, 2009).
As schematic as a popular entertainment needs to be yet refreshingly devoid of significant
lulls in the action — for exposition, weapon reloading, lovemaking and the like — the film is fast, smart and single - minded, providing not only a satisfying bang for the ever - beleaguered moviegoing buck but memorable debuts for first - time feature director Mimi Leder and fledgling film studio DreamWorks SKG (Steven Spielberg, Jeffrey Katzenberg and
David Geffen)-- as well as ringing confirmation that George Clooney is indeed a movie star.
Film editors
David Burrows («Happy Feet») and Chris McKay («Robot Chicken») create stop - motion animation that's perfectly paced so the story never
lulls.
Apart from a
lull in act two,
David Ayer's «Fury» is a masterful WWII movie that manages to be both virile and sensitive — a rarity in the genre.
During a considerable service
lull in the ten - course tasting menu, bandleader Glen
David Andrews and the Lazy Six moved over two floors and fourteen dining rooms, raising a napkin - waving, chair - dancing ruckus in one upstairs room, while across the hall, Cameron and Toby Devan Lewis, Sanford Biggers and Jack Shainman, Fred Tomaselli and James Cohan, Julie Mehretu and Christian Haye, John Pilson and Tony Fitzpatrick, Amy Sillman and Brent Sikkema, Marcel Odenbach and Kathy Goncharov, were only a few of the odd couples scattered throughout.
In the red Arena theater, designed (like the rest of the exhibition) by architect
David Adjaye, there was a wonderfully
lulling Charles Gaines musical performance drawn from his «Notes on Social Justice,» followed by the continuing marathon reading of Das Kapital, the undercurrent of this topical show.