Sentences with phrase «david tudor»

Upon being honorably discharged in the summer of 1945, Rauschenberg enrolled at the Kansas City Art Institute (1947) and later at the Académie Julien in Paris (1948) before studying with Josef Albers at Black Mountain College in North Carolina, where he formed life - long friendships with John Cage, Merce Cunningham and David Tudor.

VanDerBeek's association with Rauschenberg dated to their overlapping student days at Black Mountain College in Asheville, N.C. Theater Piece No. 1, a 1952 event there simultaneously combined poetry readings atop ladders by John Cage, M.C. Richards and Charles Olson; Rauschenberg's pre-minimalist White Paintings hanging from the ceiling while he played scratched records; a piano composition by composer David Tudor; and a spare dance performance by Merce Cunningham.

Released by David Tudor.

A David Tudor Performance of Musics at the Water Front Auditorium.

Along with Cage, Feldman developed relationships with like - minded composers Earl Brown, Christian Wolf, and David Tudor.

These figures, among the most influential in American postwar culture, include Trisha Brown, John Cage, Merce Cunningham, Sari Dienes, Morton Feldman, Jasper Johns, Billy Klüver, Paul Taylor, Jean Tinguely, David Tudor, Cy Twombly, Susan Weil, and many others.

Her second husband, a social scientist, was invited that year to join the faculty of the experimental Black Mountain College, near Asheville, N.C. Black Mountain was a short - lived laboratory for innovative teaching and art whose faculty and students included Josef and Anni Albers, John Cage, Merce Cunningham, David Tudor, Robert Rauschenberg and Charles Olson.

In June of that year, Tinguely and Rauschenberg participated in a performance at the American Embassy in Paris, in conjunction with composer David Tudor and artists Niki de Saint Phalle and Jasper Johns.

Beginning in the early 1950s, Rauschenberg worked closely with the composers and performers associated with the New York School, including such pioneering experimental figures as Earle Brown, John Cage, Morton Feldman, David Tudor, and Christian Wolff.

Featured works are John Cage's 4» 33» (1952) performed by Todd Reynolds; John Cage's Atlas Eclipticalis (1961) performed by The New School's Ensemble 4» 33» and directed by Todd Reynolds; and After David Tudor (Homage to Fluorescent Sound)(2017) performed by Jody Elff and David Lang.

These figures include John Cage, Merce Cunningham, Sari Dienes, Jasper Johns, Billy Klüver, Yvonne Rainer, Paul Taylor, David Tudor, Cy Twombly, Susan Weil, and many others.

John Cage's Theatre Piece No. 1, from 1952 and considered by most the first «happening», included poetry read by M.C. Richards and Charles Olson, paintings and sound by Robert Rauschenberg, dance by Merce Cunningham, and music by David Tudor and John Cage.

Inspired by the exhibition SOUNDINGS at the Neuberger Museum located at Purchase College, re: SOUNDINGS is a highly energetic piece featuring appearances and sounds by John Cage, Alvin Lucier, David Tudor, Liz Phillips, John Driscoll, Max Neuhaus, Doug Hollis, Meredith Monk, Vito Acconci, and Laurie Anderson.

Cage lectured throughout; David Tudor played the piano, though what he performed is uncertain; Charles Olson and M.C. Richards read poetry from a ladder; Robert Rauschenberg's «White Paintings» were hung from the ceiling and he played records on an old wind - up phonograph; film and slides were projected on opposing walls and possibly on Rauschenberg's paintings; and Merce Cunningham danced, at one point followed by a dog.

The Music for Magnetic Tape Project was formed by members of the New York School (John Cage, Earle Brown, Christian Wolff, David Tudor, and Morton Feldman), [56] and lasted three years until 1954.

The exhibition presents Cunningham's work and that of his network of collaborators through rare and never - before - seen moving image presentations and installations of décor and costumes from the MCDC Collection as well as pieces by his lifelong collaborator, composer John Cage, and Trisha Brown, Tacita Dean, Jasper Johns, Morris Graves, Robert Morris, Bruce Nauman, Isamu Noguchi, Nam June Paik, Yvonne Rainer, Robert Rauschenberg, Frank Stella, David Tudor, Stan VanDerBeek, Andy Warhol, and many others.

Currently regarded to be the nation's most successful and influential art school, an «American Bauhaus,» at the time BMC attracted a seemingly bottomless pool of vanguard artists that were to influence the course of American post-war art: painters Cy Twombly, Robert Rauschenberg, Joseph Albers, Franz Kline, Wilhelm DeKooning; poets Robert Creeley, Jonathan Williams, M. C Richards; filmmaker Arthur Penn; architect Buckminister Fuller; sculptors John Chamberlin and Ruth Asawa; and musicians John Cage, David Tudor, Morton Feldman and Earle Brown.

In the 1952 «event», the Black Mountain lecturer MC Richards and the poet Charles Olsen read poetry from ladders; Rauschenberg's «White Paintings» hung overhead while he played Edith Piaf records on an old phonograph; David Tudor played the piano; Merce Cunningham danced in and around the audience (chased by a barking dog); and Cage sat on a step - ladder for two hours - sometimes reading a lecture on the relation of music to Zen Buddhism, sometimes listening silently.

David Tudor (1926 — 1996) was a virtuoso pianist and a pioneering composer and performer of electronic music.

Sea Tails is the work of three artists: kite artist Jackie Matisse, composer David Tudor, and filmmaker Molly Davies.

Sea Tails (1983) is a six - screen, three - channel video installation that combines electronic music by David Tudor with footage taken by Molly Davies of Jackie Matisse's kites moving through the ocean.

In the State of Flux Gallery: John Driscoll (USA), «Slight Perturbations» In the Main Gallery: Sonia Paço - Rocchia (QC), «Sentier Sonore» Composers Inside Electronics: John Driscoll and Phil Edelstein» [CIE is] a pioneering collective of musicians and sound artists centered around David Tudor, who is best - known for his collaborative relationships with composer John Cage and choreographer Merce Cunningham.»

The exhibition «Common Time» presents Cunningham's work and that of his network of collaborators through rare and never - before - seen moving image presentations and installations of décor and costumes from the MCDC Collection as well as pieces by his lifelong collaborator, composer John Cage, and Trisha Brown, Tacita Dean, Jasper Johns, Morris Graves, Robert Morris, Bruce Nauman, Isamu Noguchi, Nam June Paik, Yvonne Rainer, Robert Rauschenberg, Frank Stella, David Tudor, Stan VanDerBeek, Andy Warhol, etc..

fig. 2: Robert Rauschenberg creating First Time Painting as part of Homage to David Tudor, Paris, 1961.

40 x 27.5 cm.; staple bound; black - and - white; edition size unknown; unsigned and unnumbered; offset - printed Oversize program for a series of performances held over nine evenings — October 13, 14, 15, 16, 18, 19, 21, 22 and 23, 1966 — of collaborative works between engineers and artists including John Cage, Lucinda Childs, Oyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton, Yvonne Rainer, Robert Rauschenberg, David Tudor, and Robert Whitman.

Rainforest (1968) Music: David Tudor Décor: Andy Warhol (Silver Clouds) Costumes: Jasper Johns (uncredited) Lighting: Richard Nelson

Finally, the exhibition includes images and accounts — some unexpected — from a wide range of influential figures of the time, such as Ay - O, John Cage, Johnny Carson, Christo, Ornette Coleman, Philip Corner, Simone Forti, Merv Griffin, Geoff Hendricks, Dick Higgins, Jörg Immendorff, Ray Johnson, Allan Kaprow, Billy Klüver, Alison Knowles, John Lennon, Les Levin, Mayor John Lindsay, Alvin Lucier, George Maciunas, Meredith Monk, Max Neuhaus, Yoko Ono, Nam June Paik, Otto Piene, Yvonne Rainer, Carolee Schneemann, David Tudor, Robert Watts, and La Monte Young.

Among the featured performances are Tristan Perich, a duet of Jacob Kirkegaard with Katinka Fogh Vindelev, a trio of Lesley Flanigan, Maria Chavez, and MV Carbon, a roaming chorus of voices assembled by Audra Wolowiec, and a special performance by Composers Inside Electronics of David Tudor's «Rainforest I.» Additional performers will include Andrew Hurst and Shona Masarin and others to be announced.

Structured as an open monograph, the exhibition will map how other creatives such as John Cage, Merce Cunningham, Sari Dienes, Jasper Johns, Billy Klüver, Yvonne Rainer, Paul Taylor, David Tudor, Cy Twombly, Susan Weil, and many others came to his life and influenced his work.

But she also worked with contemporary composers such as Alvin Lucier and David Tudor, with whom she collaborated on a video piece, Brazos River, together with the artist Robert Rauschenberg.

These signature bodies of work will be preceded by his early experiments at Black Mountain College, a hotbed for innovation in the late 1940s and early 1950s, and his first collaborations with fellow artists and friends John Cage, Merce Cunningham, Jasper Johns, David Tudor and CyTwombly.

These signature bodies of work are preceded by his early experiments at Black Mountain College, a hotbed for innovation in the late 1940s and early 1950s, and his first collaborations with fellow artists and friends John Cage, Merce Cunningham, Jasper Johns, David Tudor and Cy Twombly.

International and cross-cultural collaboration is a hallmark of the artistic activities of this period and participants in the many actions at Bauermeister's studio included Sylvano Bussotti, John Cage, Nam June Paik and David Tudor, among others.

The artist's series of computer - generated films, Poemfields (1966 - 1969), exploring early computer graphics and image - processing systems, are included as four multiple screen projections, along with Variations V (1966), VanDerBeek's multi-media collaboration with Merce Cunningham, John Cage, David Tudor, and Nam June Paik.

[46] Avant - garde composer David Tudor created a piece, Reunion (1968), written jointly with Lowell Cross that features a chess game, where each move triggers a lighting effect or projection.

In 1949, after spending a year studying with Josef and Anni Albers at Black Mountain College in North Carolina (where he met his later collaborators John Cage, David Tudor, and Merce Cunningham), Rauschenberg had settled in New York and enrolled at the Art Students League.

Pianist Aron Kallay performs elements from scores Cage collaborated on with David Tudor.

As video technology has evolved, in 2003 I started to experiment with live electronic performance, and I have finally begun to understand what all of David Tudor's black boxes were meant to do.

Next to this core engagement for female artists, BROADWAY 1602 also represents other cultural agents and outstanding personalities of the New York postwar avant - garde, such as The Archive of Experiments in Art and Technology (E.A.T.), David Tudor & Composers Inside Electronics (CIE), and collaborations with the The George and Helen Segal Foundation, Robert Whitman and the Robert Anton collection.

David Tudor was a pianist and experimental music composer who pioneered the creation of live electronic music in the mid-1960s.

1988 14 th Street Dance Center / Emanu - el Midtown YM - YWHA Artists Space Bang on a Can Composers» Forum Gyula Csapó Cunningham Dance Foundation Dance Theater Workshop Dancing in the Streets Danspace Project The Drawing Center En Garde Arts Grand Windows Amy Greenfield John Jesurun The Kitchen The Knitting Factory Robert Kovich Susan Marshall & Company Movement Research Phill Niblock / Experimental Intermedia Foundation Maria Nordman Performance Space 122 The Poetry Project Primary Performance Group PS 1 / Institute for Art and Urban Resources Real Art Ways Susan Rethorst Roulette Ellsworth Snyder / The First Unitarian Society Elizabeth Streb / Ringside Sun & Moon Press Telluride Institute David Tudor White Columns The Wooster Group Bill Young and Dancers

You is also a PhD student in Musicology at NYU, writing a dissertation on the music of David Tudor.

The names connected to the school are dizzying in their subsequent stature as well as their plenitude: Cy Twombly, Aaron Siskind, Jacqueline Gourevitch, David Tudor, Charles Olson, Elizabeth Jennerjahn, Jacob and Gwendolyn Knight Lawrence, Stan VanDerBeek, Hazel Larsen Archer, Elaine and Willem de Kooning, Xanti Schawinsky, Merce Cunningham, M. C. Richards, Ben Shahn, Buckminster Fuller — the list goes on and on.

Experiments in Art and Technology (E.A.T.): Nine Evenings Featuring the work of Robert Rauschenberg, John Cage, Deborah Hayes, David Tudor, Robert Whitman, Oyvind Fhalstrom — Theater - Festival, Armory Hall, New York.

She consulted with architects Diller Scofidio + Renfro on the Blur Building for the 2002 Swiss Expo, and has worked with numerous artists (including Trisha Brown, David Tudor, and Bill Viola) on environments for music and performance.

Avant - garde composer David Tudor created a piece, Reunion (1968), written jointly with Lowell Cross, that features a chess game in which each move triggers a lighting effect or projection.

Between 1963 and 1966, the Foundation sponsored a number of public events, including a series of performances at The Pocket Theater featuring then - emerging artists like Trisha Brown, Robert Morris, Yvonne Rainer, David Tudor, and La Monte Young, among many others; a concert of music by then - emerging composers Morton Feldman and Earle Brown; «Six Lectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performance works.

But then John Cage, David Tudor, and Merce Cunningham performed in Japan as well.

His notion that movement, sound and visual art could share a «common time» remains one of the most radical aesthetic models of the 20th century and yielded extraordinary works by dozens of artists and composers, including Charles Atlas, John Cage, Morris Graves, Jasper Johns, Rei Kawakubo, Robert Morris, Gordon Mumma, Bruce Nauman, Ernesto Neto, Pauline Oliveros, Nam June Paik, Robert Rauschenberg, Frank Stella, David Tudor, Stan VanDerBeek, Andy Warhol and La Monte Young, among many others.

Merce's Rainforest has gorgeous, densely textured electronic music by David Tudor, along with those famous silver helium - filled pillows by Andy Warhol.