Sentences with phrase «david opens the film»

David opens the film with a discussion about creativity and Creation, and has taken that concept to heart, seeking to create life itself and become his own concept of a God.

Not exact matches

It's teamed up with photographers (Ellen von Unwerth, David LaChapelle), designers (Karen Walker, Giles Deacon), DJs (Miike Snow, Steve Aoki), retailers (Opening Ceremony, Barneys New York) and dozens of others — some on product alone and others on mixed - media projects, such as the short film «Sin City»'s Robert Rodriguez produced to accompany his collaboration.

Some things I like - Wes / PT Anderson films, Tilda Twinton in I Am Love, glasses, photography, David Shrigley, Manhattan opening sequence, Morrissey, art, Thom Yorke's Lotus Flower video, vintage, Steve Martin in The Jerk..

After some opening images — a shadowy blond figure, complete with trench coat and heels, dumping a corpse off a bridge — that immediately frame its tale of moneyed madness through the greasy lens of B - movie schlock, the film moves to an aging Durst (here renamed David Marks and played by Ryan Gosling) on the witness stand.

Based on Gregory Miller's book Public Enemy No. 1, G - Men was reissued in 1949, with an added prologue featuring David Brian as an FBI trainer who advises his students not to laugh at the old - fashioned costumes and slang in the 1935 film; seen today, it is Brian's superfluous opening comments that seem hopelessly dated, while the film itself is as exciting and entertaining as ever.

Throw in Joss Whedon tackling The Avengers, the first of two Hobbit movies, James Bond's next adventure, the opening chapter of The Hunger Games, new films from Wes Anderson, David O. Russell, Judd Apatow, P.T. Anderson, Alfonso Cuarón, Whit Stillman, the Coen brothers (maybe), and more of our favorite directors, and we can't imagine a better year for movies.

The film's abrupt, ambiguous conclusion leaves David's fate, and that of his parents, open to interpretation, but one hopes our last sight of him is telling.

Director David Yates clearly has his sights set on franchise country again — since rounding off the POTTER cinematic saga he ruffled the BBC's feathers by putting a new Doctor Who film in development, with TARZAN perhaps forming another opening gambit until that can be finalized.

With the New York Film Festival having already announced its opening night (David Fincher's «Gone Girl»), centerpiece (Paul Thomas Anderson's «Inherent Vice») and closing night (Alejando Gonzalez Inarritu's «Birdman») films, the 2014 Toronto International Film Festival today finally unveiled some of its slate.

The film truly opens up when we are knee - deep in the dynamic of David and his family.

The film opens June 2, 2017, and also stars Robin Wright, Connie Nielsen, David Thewlis, Ewen Bremner, Lucy Davis, and Danny Huston.

With today's announcement that David Dobkin's film The Judge will open the 2014 Toronto International Film Festival, I figured that it was a good time to talk about the TIFF lineup.

«Deadpool 2» opens with a bang, and director David Leitch talked to TheWrap about one specific fight scene at the beginning of the film that took a lot of time and effort.

Since «George Washington» (2000) opens with a teenage girl's dreamy, wise - beyond - her - years narration as the camera floats in slow - motion through waving fields of grass and glides along railroad tracks, you probably don't need to be told that first - time feature director David Gordon Green, then just twenty five and fresh out of film school, was a big Terrence Malick fan.

The film stars Naomi Watts, Jacob Tremblay, Oliver Platt and David Cubitt, Shut In is directed by Farren Blackburn (Luther, Doctor Who) and will open on November 11th.

Additionally, there's a new featurette on the film's visual effects, new interviews with composer Alan Howarth, actor Joe Unger, still photographer Kim Gottlieb - Walker and filmmaker David DeCoteau, as well as a previously released featurette and the original opening bank robbery sequence.

The film opens with thirtysomething David (Colin Farrell)-- Joseph K.'s screen double — being left by his wife for another man and subsequently taken to a fancy seaside resort.

Directed by Peyton Reed, Ant - Man stars Paul Rudd, Michael Douglas, Corey Stoll, Evangeline Lilly, David Dastmalchian, Michael Pena, Bobby Cannavale, Abby Ryder Fortson, Judy Greer, Wood Harris John Slattery and Gregg Turkington with multi-hyphenate T.I., and the film opens July 17, 2015.

It's only the third film confirmed to appear at this year's LFF, with Amma Asante's A United Kingdom previously announced as the opening night gala and David Oyelowo drama Queen Of Katwe getting a European premiere.

The film opens with a gruesome scene with genre veterans Sid Haig and David Arquette getting a whole lot of blood on their hands.

It may be hard to assess the sheer scope of a festival with over 300 features on offer, but TIFF 2012 looks like a particularly exciting year, opening with Rian Johnson's Looper and continuing with new films by Paul Thomas Anderson (The Master), Brian De Palma (Passion), Terrence Malick (To The Wonder), Joss Whedon (Much Ado About Nothing), Noah Baumbach (Frances Ha), David O. Russell (Silver Linings Playbook), Olivier Assayas (Something In The Air), Sally Potter (Ginger And Rosa), Harmony Korine (Spring Breakers), and many others.

Open Road Films has released the first trailer for director David Ayer «s (End of Watch) new film Sabotage.

The film opens on Joanne's death, and from there rewinds to highlights from their last weeks together, including a trip to New York to see David at work.

The film opens Friday, and also stars James Badge Dale, Max Martini, Pablo Schreiber, and David Denman.

Extras: New audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.»

The film opens on an ominous note, as Will (Logan Marshall - Green) and his girlfriend, Kira (Emayatzy Corinealdi), hit a coyote with their car on the way to a party thrown by Will's hippie ex-wife, Eden (Tammy Blanchard), and her new husband, David (Michiel Huisman).

Like onetime indie darling David Gordon Green (who has since graduated to less reputable mainstream fare) Nichols cut his teeth at the famed North Carolina School of the Arts, and the connection between the two men has never been clearer than in the seductive opening stretches of this film.

Colin Farrell plays David, who at the film's opening scene has been dumped by his wife.

Opening Feb. 27, the AWFJ Movie of the Week is Maps to the Stars, the new film from director David Cronenberg (Videodrome, Cosmopolis, Maps to the Stars).

When a film begins with shots on the yellow lines of a dark road very similar to the iconic opening sequence from David Lynch's Lost Highway, one better start bracing for impact.

The film opens in limited release on December 22nd and also stars Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Matthew Rhys, Alison Brie, Carrie Coon, Jesse Plemons, David Cross, Zach Woods, and Pat Healy.

As the title of the film suggests, the descent of a civilisation is created right from the opening shot, with the camera panning over the treetops like an American eagle descending over Camp David.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening November 7, 2008 BIG BUDGET FILMS The Boy in the Striped Pajamas (PG - 13 for mature themes) Holocaust drama about the 8 year - old son (Asa Butterfield) of a concentration camp commander (David Thewlis) whose forbidden friendship with a Jewish boy (Jack Scanlon) interned on the other side of the fence leads to devastating conseqOPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening November 7, 2008 BIG BUDGET FILMS The Boy in the Striped Pajamas (PG - 13 for mature themes) Holocaust drama about the 8 year - old son (Asa Butterfield) of a concentration camp commander (David Thewlis) whose forbidden friendship with a Jewish boy (Jack Scanlon) interned on the other side of the fence leads to devastating conseqopening November 7, 2008 BIG BUDGET FILMS The Boy in the Striped Pajamas (PG - 13 for mature themes) Holocaust drama about the 8 year - old son (Asa Butterfield) of a concentration camp commander (David Thewlis) whose forbidden friendship with a Jewish boy (Jack Scanlon) interned on the other side of the fence leads to devastating consequences.

During the wide - ranging conversation they looked back at Deadpool's opening weekend and discussed the film's unexpected place in the awards race, where they're at in the pre-production process on Deadpool 2, how the hiring of David Leitch to direct the sequel has impacted the film, the action scenes, collaborating with Ryan Reynolds, how Colossus and Negasonic Teenage Warhead will return in the sequel, the challenge of writing Cable, laying the foundation for an X-Force movie, the budget, and more.

In fact an early scene in which the mythology and back - story of the inhabitants of Barsoom is laid out in voice - over sent shivers up my spine recalling the opening scene of David Lynch's misbegotten 1984 film Dune, a failed big budget adaptation of classic science fiction literature hailed at the time as the «new Star Wars».

«The Big Short» will now open against films like «Star Wars: The Force Awakens» (Dec. 17), the latest David O. Russell and Jennifer Lawrence collaboration «Joy» (Dec. 25), and the Will Smith drama «Concussion» (Dec. 25).

The film opens July 17th, and also stars Paul Rudd, Michael Douglas, Evangeline Lilly, Corey Stoll, Bobby Cannavale, Michael Peña, Abby Ryder Fortson, David Dastmalchian, Wood Harris, Judy Greer, Gregg Turkington, T.I., and John Slattery.

The director behind one of the most acclaimed films of the year, A Ghost Story, explains how David Gordon Green's poetic vision of adolescence opened his eyes to the possibilities of cinema.

The opening sequence featuring outlaws Purvis (David Arquette) and Buddy (horror vet Sid Haig doing his best Slim Pickins imitation) sets the stage for the brutal violence to come in the third act, as well as the film's crackling dialogue that's clearly influenced by The Coen Brothers, Quentin Tarantino, and Elmore Leonard.

Nebraska is filmed in black and white, and in the earliest scenes the plain palette suggests nothing but bleakness — an impression heightened as David drives Woody through the empty country of the heartland with its open spaces and run - down towns.

In Competition Everybody Knows (dir: Asghar Farhadi)-- opening film At War (dir: Stéphane Brizé) Dogman (dir: Matteo Garrone) Le Livre d'Image (dir: Jean - Luc Godard) Asako I & II (dir: Ryusuke Hamaguchi) Sorry Angel (dir: Christophe Honoré) Girls of the Sun (dir: Eva Husson) Ash Is Purest White (dir: Jia Zhang - Ke) Shoplifters (dir: Hirokazu Kore - eda) Capernaum (dir: Nadine Labaki) Burning (dir: Lee Chang - Dong) BlacKKKlansman (dir: Spike Lee) Under the Silver Lake (dir: David Robert Mitchell) Three Faces (dir: Jafar Panahi) Cold War (dir: Pawel Pawlikowski) Lazzaro Felice (dir: Alice Rohrwacher) Yomeddine (dir: AB Shawky) Leto (L'Été)(dir: Kirill Serebrennikov)

With the tempo cooled, director David Yates (back for his third film) and screenwriter Steve Kloves pore over the nuances of character and environmental changes, delighting in the opportunity to kick the kids out of Hogwarts (nowhere to be seen in this installment) and into the treacherous Muggle world, staging much of the action in outdoor locations that open up the scope of the series.

Joseph Gordon - Levitt plays a plucky, intense bike messenger in David Koepp «s Premium Rush, and Columbia has released a new trailer for the film in advance of its August opening.

The film opens November 3rd and stars Mila Kunis, Kristen Bell, Kathryn Hahn, Jay Hernandez, Cheryl Hines, Peter Gallagher, Justin Hartley, David Walton, Christine Baranski, and Susan Sarandon.

David Cronenberg's films of late have stepped away from the gory horror fare that he made his name on and as you'll see, there's little in the way of exploding heads (at least not in the literal sense) in his latest film «A Dangerous Method,» which opens on Wednesday.

The film, also starring Stellan Skarsgard, Daniel Craig, Robin Wright, Max von Sydow, Christopher Plummer, Steven Berkoff, David Dencik, Joely Richardson, and Alexandra Daddario, tells the story of a middle - aged journalist (Craig) who teams up with Lisbeth Salander, a private investigator, to help close a cold missing persons case that has been open for several decades.

The festival will open with A United Kingdom, British director Amma Asante's film about the real - life love story between the King of Bechuanaland (now Botswana) and a London office worker in 1948, starring David Oyelowo and Rosamund Pike.

After Charlize Theron found an opening to shoot the film this fall, David Leitch and Chad Stahelski decided to split up, with Chad Stahelski tackling John Wick 2 and David Leitch taking The Coldest City.

«Take This Waltz» (Toronto — no current US distribution) The fact that this Sarah Polley film (and David Cronenberg's — both Canada natives) didn't pop up as an opening night gala at Toronto makes you wonder if it was due to Telluride scheduling.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.