Sentences with phrase «day film competition»

In Antrim, Northern Ireland: From the EA TV studios in Antrim the finalists of the Safer Internet Day film competition organised by of the C2K were interviewed and awarded their prizes, this being broadcast to schools across Northern Ireland.

Not exact matches

Still, while Guardians of the Galaxy has vaulted past its summer of 2014 competition, the movie is still barely inside the top 20 grossing Disney films of all - time and it entered Labor Day weekend slightly behind Captain America: The Winter Soldier for the company's (and the industry's) best - performing film of the year.

Two days with lectures, discussions, the opening of an exposition of works of art inspired by synthetic biology, and a film competition.

Add to this new films, split across the Venice Days, Orrizzonti and Out of Competition sidebars, from an array of interesting names including Chantal Akerman («Almayer's Folly»), Mary Harron («The Moth Diaries»), Al Pacino («Wilde Salome,» the cast of which includes — you'll never guess — Jessica Chastain) and even James Franco (here furthering his friendship with American gay culture with a biopic of 1950s teen idol Sal Mineo) and there should be more than enough to explore even once the festival has blown its pre-Toronto load.

In addition to film screenings, LVFF hosts multiple premiere parties, cocktail mixers, dinners, red carpets, VIP parties, interactive and specialty panels, a screenplay competition and a closing night award reception over the course of the four - day event.

The release of The Kite Runner was held over into the New Year after originally being slated for Boxing Day, and for once this decision seems sound — competition for attention among the major releases may have meant this remarkably moving film was overlooked by most of those who hadn't read the Khaled Hosseini novel.

Berlin International Film Festival - Day 2February 8, 2008A few hours of sleep and five films later... Two standouts amongst the offerings thus far, the Competition title «In Love We Trust» and the European Film Market title «Phoebe in Wonderlan..

The distinction for bringing the highest body count and the most excessive amount of gore to the competition goes to Scottish director Lynne Ramsay for «You Were Never Really Here,» the very final film in the festival competition to be previewed for the press today, after a long ten days of screenings.

Last week, Fox finally greenlit Independence Day 2, and has set the film for June 24, 2016 (which is just wrong; you can only place it on one weekend, competition be damned).

The dearth of opportunities for female filmmakers is one of Hollywood's biggest problems these days, so it's cheering to note that fully half of the films in the U.S. Dramatic Competition were directed by women, including Stacie Passion's Concussion, Lake Bell's In A World..., Jill Solloway's Afternoon Delight, Cherien Dabis's opening - night selection, May in the Summer, and...

And lo, on Day 8 Hou Hsiao - hsien descended from on high to save the day with his long - gestating wuxia period drama The Assassin, which immediately became almost everybody's favorite Competition film (mine included), even if many professed themselves as much mystified as entrancDay 8 Hou Hsiao - hsien descended from on high to save the day with his long - gestating wuxia period drama The Assassin, which immediately became almost everybody's favorite Competition film (mine included), even if many professed themselves as much mystified as entrancday with his long - gestating wuxia period drama The Assassin, which immediately became almost everybody's favorite Competition film (mine included), even if many professed themselves as much mystified as entranced.

Did it mean anything that Mad Max: Fury Road, which screened out of competition on Day 2, was still being cited as one of the festival's truly great films on Day 11 (the festival's clôture)?

Just the other day, via Deadline, the Sundance Institute unveiled the films set to compete in the U.S. and World Cinema Dramatic and Documentary competition from January 19th to the 29th.

Analysts and the studio said the difference can be attributed to the first film opening on a holiday weekend, and could easily be made up with Memorial Day coming, despite the looming competition from «Solo: A Star Wars Story.»

To counter the common rap that he makes the same film over and over, The Day After, which competed for the Palme d'Or, is one of his most melancholic works, filmed in moody black and white, while Claire's Camera, shown out of competition, is its tonal opposite, a light and sunny divertissement shot on the fly during last year's Cannes.

From a business perspective, though, it's understandable that Paramount would want to cast a wider net with Star Trek Beyond, especially since the competition during Summer 2016 is going to be fierce - with films like the Ghostbusters reboot and Bourne 5 playing in theaters near the same time as Beyond (while sci - fi sequel Independence Day: Resurgence will have opened a month earlier).

This tortuous film has a one - note plot: Terrence Fletcher (J.K. Simmons, «Labor Day»), a music teacher at an elite east coast conservatory where competition is in the DNA, discovers Andrew Neyman (Miles Teller, «The Spectacular Now»), a jazz drumming student with feverish ambitions to be recognized for his greatness.

The France - born Benhaim's 40 - minute film — an evocative mood piece in which a young girl wanders through present - day Morocco surrounded by ghostly voices — was one of three works given the shorts competition's top prize at this year's edition of the Rotterdam International Film Festival (IFFR).

Continuing our coverage of films that will be featured at the Sundance film festival in January, today we bring you two films that will premiere in the out - of - competition category at the prestigious festival: The Devil's Double and Life in a Day.

With the Sundance Film Festival premiering in a little over a month (48 days to be exact), new images from the films in competition have begun to emerge.

As previously announced, Asghar Farhadi's Everybody Knows, also in competition, will kick off the festival on May 8, and Ron Howard's Solo: A Star Wars Story will screen out of competition on May 15, 10 days before the film hits U.S. theaters.

Apologies for yesterday's scarcity of Cannes updates: a bumper day of back - to - back screenings cut unavoidably into my writing time, particularly as «Another Year» — widely agreed, among those I've spoken to, to be the standout film of the Competition so far — merited a more substantial take than most.

The film didn't just top the annual critics» poll conducted by Screen International, which tracks responses to the competition titles day by day.

In Cannes, all of the major US and European trades publish daily news magazines, and some create their own juries tracking favourites for the completion as the festival rolls on at the rate of two competition films a day.

The event kicked off last night with the world premiere of The Five - Year Engagement and now we've got 11 days of films ahead of us, one of which is the World Narrative Competition entry First Winter, and Shockya.com is lucky enough to exclusively host First Winter's poster debut!

Meanwhile, festival audiences who saw the films throughout the 10 days of the festival voted for the Audience Awards in each of the U.S. and World Competitions and NEXT.

Mungiu won the Palme d'Or at Cannes a few years ago for 4 Months 3 Weeks and 2 Days, and this new film also premiered in competition at Cannes last year.

2017 would see nineteen competition films, and from Day 3 and never giving up the lead, Robin Campillo's BPM held onto its lead to win our Cannes Critics» Panel derby with an average of 3.8.

Today looks to be a day of renegades and gangsters from the start, with «Killing Them Softly» by Andrew Dominik, the second American film to premier in competition, first thing in the morning.

Rumors had swirled for days that Huppert's jury was riven by disagreements over the competition films, which were widely perceived by both press and industry attendees to comprise a weaker group than last year's lineup, dominated by such strongly received films as «The Class,» «Gomorrah,» and «Waltz with Bashir.»

Egyptian - born NYU graduate Abu Bakr Shawky's Yomeddine (or Judgment Day), the first debut feature to play in competition at the Cannes Film Festival since Son of Saul in 2015, is a different kind of exploitation film than László Nemes's Oscar winner.

After a ten - day, 23 - film Venice Competition that started slowly but respectably, hit a healthy stride midway through and began wheezing with exhaustion in its closing stages, things have finally ground to a permanent halt with «Texas Killing Fields» (**), the sophomore feature from Ami Canaan Mann — daughter of Michael, who predictably takes a producer -LSB-...]

The Childnet Film Competition, which was founded in 2010 as a way of asking young people to focus on positive use of the internet, invited schools and youth organisations from across the UK to create short, inspiring films using this year's Safer Internet Day theme «Let's create a better internet together».

The competition, which attracted over 2000 entries from schools across the UK, saw pupils take part in a 30 - day film adventure, watching a daily Discovery video clip to learn something new.

The Soixantième Theatre presents feature films Out of Competition, Special Screenings, the Next Day screenings and Tributes.