Sentences with phrase «de haan»

Supporting this conclusion, various experimental studies have linked the parents» gender, age or different personality dimensions to different parenting styles (e.g., Kochanska et al., 2004; Prinzie et al., 2009; Huver et al., 2010; de Haan et al., 2012).
There is now considerable evidence that parental behaviors can be modified through a range of interventions (e.g., Kaminski et al., 2008; Belsky and de Haan, 2011).
POC's executive director, Benjamin de Haan, contributes to an article exploring how technology could be better harnessed to prevent youth homelessness.
3 Lawrence, D., Johnson, S., Hafekost, J., Boterhoven de Haan, K., Sawyer, M., Ainley, J., & Zubrick, S. R. (2015).
Such a design could help the plane «reach a 30 % weight reduction,» according to de Haan.
According to Alexander de Haan, also of Delft University but not affiliated with the project, the main challenge will be overcoming the already close to maximally optimized airplane technologies.
While promising, de Haan cautions that such modifications may well take decades before they are fully implemented.
Braak, C.J., J.F. de Haan, J.W. Hovenier, and L.D. Travis, 2002: Spatial and temporal variations of Venus haze properties obtained from Pioneer Venus Orbiter polarimetry.
Braak, C.J., J.F. de Haan, J.W. Hovenier, and L.D. Travis, 2002: Galileo photopolarimetry of Jupiter at 678.5 nm.
Knibbe, W.J.J., J.F. de Haan, J.W. Hovenier, and L.D. Travis, 1997: A biwavelength analysis of Pioneer Venus polarization observations.
We can only hope that IOI will stay true to the agreement,» Aidenvironment director Peter de Haan said.
R. de Haan says: November 8, 2010 at 9:25 am The EU has plans to blackmail the world into carbon trading.
R. de Haan says on November 19, 2010 at 4:37 pm: Great job.
If not «Tisdale and de Haan, 2010» I'm thinking «Tisdale and Eschenbach»?
Bob Tisdale says: November 19, 2010 at 4:49 pm R. de Haan says: «Any chance you can turn this into scientific paper for peer review?»
Leif, «Ron de Haan (17:51:50): The changes in climate are due to the activity of the sun and variations in cloud cover.
Ron de Haan (17:51:50): The changes in climate are due to the activity of the sun and variations in cloud cover.
Ron de Haan [21:30:06] is one of those rare individuals.
From Ron de Haan (16:49:14): I tried to address the issues with Real Climate and my posts were simply deleted.
The show, which runs until Aug. 27, is a synthesis of de Haan's abiding interests.
«The main reason for thinking about the figure of the hermit is thinking about withdrawal of the body from the temporal, physical world,» says de Haan.
Underlying all de Haan's art is a curious logic that is distinctly his own, yet particularly pertinent to the uncertain conditions of the current era.
Throughout the exhibition, parallel stories and comparisons can be found, signaling de Haan's thoughtful process and multi-layered practice.
While Salt Shroud makes a direct reference to the figure, de Haan notes the entire exhibition has a figurative aspect.
Calgary - based artist Jason de Haan is respected across Canada and abroad, and was due for greater recognition at home when the Esker Foundation stepped up with a solo show.
It starts by immersing viewers in a soundscape of gentle vibrations, inviting them to listen, see and feel, as they breathe in de Haan's art - making process.
Curated by Naomi Potter and Shauna Thompson, it's playful, captivating and, at times, elegiac — a gem of an exhibition that provides an effective framework to grasp why there's so much buzz around de Haan.
Spirits Looking at Themselves, one of the newest works in the exhibition, incubated for eight years after de Haan learned of a «haunted» mirror in a Mexican museum.
Calgary - based artist Jason de Haan was due for greater recognition at home when the Esker Foundation stepped up with a solo show.
Jason de Haan is a multidisciplinary artist whose work concerns itself with connections between the poetic, metaphysical, conceptual, and absurd, often manifesting itself as a combination of sculpture, installation, performance, drawing, and bookworks.
Jason de Haan, Free and Easy Wanderer (Red River), 2014, fossils, humidifiers, concrete, dimensions variable.
Jason de Haan (Calgary, Alberta) creates sculptures, drawings, and videos that recognize potential in various unconventional systems, objects, and sets of conditions.
Curators Gail Gibson and K.C. Potter de Haan clearly had the gallows - humor potential of the phrase in mind when assembling «Here's to the Future,» their new group show at G. Gibson Gallery.
Often incorporating non-human forces, temporal shifts, and unforeseen outcomes, de Haan seeks spaces where the invisible, serendipitous, and residual reveal their contingencies.
Sous Les Etoiles Gallery is pleased to present «big nothing,» a group show curated by British abstract photographer Richard Caldicott featuring the work of photographers Nina Brauhauser, Ellen Carey, Luuk de Haan, Karl Martin Holzhäuser, Gottfried Jäger and Erin O» Keefe.
, 300 New York at Chelsea Piers, New York, US French Kiss, curated by Rob Wynne, JGM Galerie, Paris, FR The Shapes of Space (Phase II), curated by Nancy Spector, Guggenheim Gallery, New York, US Held Together With Water: Art From the Sammlung Verband, curated by Gabriele Schor, MAK, Vienna, AT; Istanbul Museum of Modern Art, Istanbul, TR A Theater Without Theater, MACBA, Barcelona, ES MARTa Is Silent - The Art of Silence from Duchamp to the Present, The Mystery of the Etruscans, curated by Jan Hoet and Michael Kröger, MARTa Herford, DE 52nd International Art Exhibition: Think with the Senses - Feel with the Mind, Art in the Present Tense, curated by Robert Storr, La Biennale di Venezia, Venice, IT Guggenheim Collection: 1940s to Now, National Gallery of Victoria, Melbourne, AU Monument of Sugar, curated by Lonnie van Brummelen, Siebren de Haan, Argos Centre for Art and Media, Brussels, BE À propos de Carl Andre..., Espace d'Art Contemporain, Saint Restitut, FR Verzameling Roger En Hilda Matthys - Cole, curated by Joost Declerq, Museum Dhondt - Dhaenens, Deurle, BE On Fait le mur, flux + territoires + frontières = multimedia, Espace de L'Art Concret, Mouans - Sartoux, FR Visiting Card, Brigitte March Galerie, Stuttgart, DE Iceland, curated by Tony Trehy, Bury Art Gallery, Bury, UK Grey Water, Institute of Modern Art, Brisbane, AU The Showroom Talks: I Can't Live Without..., The Showroom, London, UK Beyond the Wall, curated by Haus Lieberman, the Brandenburger Tor Foundation, Nationalgalerie im Hamburger Bahnhof, Berlin, DE A Second Quarter, screening Bodypoliticx, curated by Florian Waldvogel, Thomas Edlinger, Witte de With, Rotterdam, NL Art Protects, Yvon Lambert, Paris, FR 30/40 A Selection Of Forty Artists From Thirty Years At Marian Goodman Gallery, Marian Goodman Gallery, New York, US Herb & Dorothy, New York, US 25 Years Crone Gallery, Galerie Crone, Berlin, DE Pawnshop, e-flux, New York, US Chez Dominique Perrault Architecture, des œuvres de la collection Billarant, Dominique Perrault Architecture, Paris, FR Art & Project Bulletins: 1968 - 1989, Specific Object, New York, US Fiac!
Luuk de Haan, b. 1964 in Vlaardingen, The Netherlands, explores historical techniques wherein camera movement and light sources, designed in advance, as well as contemporary tools like software and digital drawing, determine shape and composition.
Caldicott continues: «Luuk de Haan's work explores the boundaries between «form and formlessness, organic and inorganic, to be or not to be.»
Sous Les Etoiles» latest enchanting show is titled «Big Nothing,» a group show curated by British abstract photographer Richard Caldicott and featuring the work of photographers Nina Brauhauser, Ellen Carey, Luuk de Haan, Karl Martin Holzhäuser, Gottfried Jäger and Erin O» Keefe.
«Titled from a series of works by Luuk de Haan, this exhibition explores the area of alternative abstract photographic practices,» writes Richard Caldicott.
The participating artists include Rob Voerman, Jos de L'Orme, Hans Laban, Emmy Dijkstra, Matijs van de Kerkhof, Benita Mylius, Mirka Farabegoli, Hanna de Haan, Maria Kapteijns, Véronique Driedonks and Leonie van Santvoort.
Luuk de Haan was born in Vlaardingen, South Holland, Netherlands.
Tagged: «Performing the Landscape», Bill Viola, Contemporary Calgary, cyprien gaillard, Glebow, Hans Op de Beeck, Illingworth Kerr Gallery, Janine Antoni, Jason de Haan, Julian Rosefeldt, landscape, Lorenzo Fusi, Mikhail Karikis, Ming Wong, Miruna Dragan, Ragnar Kjartansson, Sara Ramo, Stride Art Gallery, Taus Makhacheva, TRUCK Contemporary Art, Zackary Drucker
Illingworth Kerr Gallery, Alberta College of Arts + Design (works by Miruna Dragan and Jason de Haan, Mikhail Karikis, Hans Op de Beeck, Sara Ramo and Julian Rosefeldt) 1407 — 14 Ave. NW, at the Main Mall Working hours: tues — fri, from 12 pm to 6 pm; sat from 12 pm to 4 pm T: +1 403 284 7633
Luuk de Haan, b. 1964 in Vlaardingen, The Netherlands, explores historical techniques wherein camera movement and light sources, designed in advance, determine shape and composition.
Then, using a camera and motion sensors, de Haan records the movement of the shape on the computer screen, including the negative space of the initial image.
Curated by Ralf Hanselle, «PRIME TIME Archetypes of Abstraction in Photography» features work by photographers Richard Caldicott, Luuk de Haan, Stefan Heyne, Hiroshi Sugimoto, Marco Breuer and more.
Besides his photographic work, Luuk de Haan also composes music.
/ Lonnie van Brummelen & Siebren de Haan, Monument of Sugar - how to use artistic means to elude trade barriers, 2007, 16 mm film still (detail), courtesy of the artists.
Animal League America would like to thank Stephanie Sabourin (Travis Hamonic), Britt Greiss (Thomas Greiss), Megan Bailey (Josh Bailey), Cassie Clutterbuck (Cal Clutterbuck) Brittany DaSilva (Calvin de Haan), and Moa Nielsen (Frans Nielsen) for helping to raise awareness for shelter pets everywhere by supporting our no - kill mission!
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