Sentences with phrase «de nul»

Not exact matches

The Nul - group, the Dutch equivalent of ZERO, was established not long after by Armando, Jan Hendrikse, Henk Peeters, Jan Schoonhoven and herman de vries.

These included the Holland's Nul (Armando, Jan Henderikse, Jan Schoonhoven, herman de vries), France's Nouveaux Réalistes (Arman, Yves Klein, Daniel Spoerri), Italy's Azimuth (Piero Manzoni and Enrico Castellani), and Japan's Gutai group (Jirô Yoshihara, Shozo, Shimamoto, Kazuo, Shiraga, Atsuko Tanaka, among others); the Japanese artist Yayoi Kusama and America's George Rickey also formed individual nodes in the orbit of Zero's influence.

Group shows include Brooklyn Museum, 1955, 58, De Cordova Museum, Boston, 1960, 65, Riverside Museum, New York City, 1960, Städtisches Museum, Schloss Morsbroish, Leverkusen, Germany, 1960, 61, Whitney Museum American Art, New York City, 1961, 62, Pittsburgh Museum, 1961, City Museum, Städtisches Museum, Trier, Germany, 1961, Nul Stedelijk Museum, Amsterdam, 1962, Institute Contemporary Art, 1964, 65, Modern Art Gallery, Washington, 1965, Chrysler Museum, Provincetown, Massachusetts, 1965, Museum Modern Art, Stockholm, Sweden, 1966, Metropolitan Museum, Tokyo, 1965, Museum Modern Art, New York City, 1966, Woman's Work - American Art, Philadelphia, 1974, Improbable Furniture, University Pennsylvania, 1977, Neich und Plastisch - Soft Art, Zurich, 1979, National Museum Art, Osaka, 1980, National Museum Modern Art, Tokyo, 1981, Yokohama City Gallery, 1982, Landmark Tower, Yokohama, 1993, Guggenheim Museum, 1994, Scream Against the Sky, San Francisco Museum Modern Art, 1995, Otis Gallery, Los Angeles, 1995, Ars 95, Helsinki, 1995, Louisiana Museum, Denmark, 1995, Los Angeles County Museum Art, Museum Modern Art, New York, Walker Art Center, 1998, Taipei Biennale, Taipei Art Fair, 1998, Serpentine Gallery, 2000, Le consortium, Maison de culture Japan, Paris, Le Abattoirs, 2001, KUNSTHALLE, Wien, 2002, The Whitney Biennial, 2004, Kunstverein Braunschweig, Zacheta National Gallery of Art, 2004, National Museum Modern Art, Tokyo, 2004, 05, Mori Art Museum, 2004, National Museum Modern Art, Kyoto, 2005, many others.

This constellation is given form by Heinz Mack's 1971 diagram which connects Zero with the Milanese Azimut and Gruppo MID, the Parisian Nouveau Réalisme, the Frankreich - based Group de Research d'Art Visuel, the Dutch Nul group, as well as other major and minor contemporaries.