Sentences with phrase «deleon white gallery»

Here, a colorful collection of wall art mounted on a clean white gallery wall brings fresh pastel accents and plenty of personality to this simple nursery room.

The past few days have been a bit of whirlwind for — my husband Philip and I arrived in London late Saturday ahead of a full day at the White Gallery.

Also, make a built - in bed nightstand where you can make a cute black and white gallery.

You can chat with Jessica at The White Gallery too if you don't have an appointment and she can send you over to us here.

We're gearing up for the madness of White Gallery and London Bridal Week next week so the Halfpennys are busy at work!

I had the pleasure of visiting White Gallery London last week during bridal fashion week in London, to get an exclusive snoop from some of the -LSB-...]

Fortunately, yesterday BuzzFeed shared my Black and White Gallery Wall project which gave me lots of new visitors and — conveniently — the gumption to share this mini-novel of a...

The Dress I don't recall who the designer of my dress was but I bought it from a lovely wedding dress shop in Ramsbottom called the White Gallery.

Don't just listen to us break it down for you textually, though, we have our unboxing photos all ready to go in our BlackBerry Torch 9800 Pure White gallery below!

So instead of hushed museum spaces or white gallery walls, visitors experience a multi-sensory journey into this sublime imaginary world; through Christopher Robin's bedroom, to the Hundred Aker Wood and beyond.

They were asking for white gallery frames long before I had the right matte white and tall stem shape that such frames required.

Within a repurposed warehouse in Bushwick, the Black and White Gallery exhibits its taste with the fine works of Patte L...

«Painterly Pasted Pictures» an exhibition of 20th century painters of collage curated by E. A. Carmean Jr. @ Freedman Art, New York, NY 2013 «Color & Edge» with Lauren Olitski Poster and Ann Walsh @ Sideshow Gallery, Brooklyn, NY 2012 «Extreme Possibilities: New Modernist Paradigms» The Painting Center, NYC, NY curated by Karen Wilkin 2009 «Direct Sculpture: A Dialogue in Polymers», Student Union Gallery, Univ. of Massachusetts Amherst, Amherst, MA 2006 «Greenberg in Syracuse; Then and Now», Company Gallery, ThINC, Syracuse NY 2005 «Studies in Abstraction: Lauren Olitski, Susan Roth, and Ann Walsh», curated by Wendy S. Evans, Student Union Gallery, Univ. of Massachusetts, Amherst, 2005 «Rural Artists / Urban Sensibilities», C. W. White Gallery, Portland ME 2003 «The Clement Greenberg Collection», Joe & Emily Lowe Gallery, Syracuse, NY 2003 «Clement Greenberg, A Critic's Collection», Portland Art Museum, Portland, Oregon 2001 «The Mirvish Teaching Collection», Agnes Ethrington Gallery, Queens University, Kingston, Ont.

His work was most recently seen at PULSE Miami, and he will show at the Black & White Gallery in Brooklyn, New York in 2013

2010 Gallery One, Toronto, Ontario, 1999, 1996, 1990, 1988 Galerie Elca London, Montreal, Quebec, 1991, 1990, 1988, 1986 Salander - O'Reilly Galleries, New York, NY, 1990, 1987, 1986, 1984, 1982, 1981 Sangren Hall Gallery, Western Michigan University, Kalamazoo, MI, 1987 The Hett Gallery, Edmonton, Alberta, 1983 Martha White Gallery, Louisville, KY, 1983 Nicola Jacobs Gallery, London, England 1982 William Edward O'Reilly Gallery, New York, NY 1980 Everson Museum of Art, Syracuse, NY 1976

2006 The Happy Lion Mutiny, curated by David Hunt, Los Angeles, CA The Small Sculpture Show, Sculpture Space, Utica, NY The Sanctuary and the Scrum, curated by David Hunt, Black and White Gallery, New York, NY AIM 26, Bronx Museum, Bronx, NY

Help us promote small - but - great projects that don't try and change the world or demand a solo show in a pure white gallery or which are about the misery of war.

If you live in the Northwest, be sure to see Alden's exhibition at Foster / White Gallery, which opens this week and continues through the end of April.

In another work, animatronic totems spray small blots of gray paint onto a white gallery wall.

While Dappled Light stands out in the open, braving the elements, the Victoria Miro sculptures (except for two bold pieces tolerating the terrace) remain closeted inside, their rough bronze at odds with the clean white gallery space.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

O'Hare has participated in exhibitions in such galleries and institutions as Kirkland Art Center, Ronald Feldman Gallery, Parsons School of Design, Rotunda Gallery, Sideshow Gallery, and Black and White Gallery, all in New York.

Why do we have to have an all - white gallery?

This exclusionary posture can also bleed over to black collectors dealing with white galleries where they're coming up against a situation where they're told in an unsolicited way, «We don't offer discounts,» You know, certain things they say specifically to these black collectors which exclude and dismiss them.

White Gallery: Front — Carsten Höller's Giant Tripple Mushroom.

If white galleries ever find out that they can make a lot of money off of black art, I'm sure they're going to start looking up black art... I'm basically an artist, and I want all my interest to go into doing the art.

1982 A Bird in Hand: Works of Morris Graves from the Permanent Collection, University of Oregon Museum of Art, Eugene, OR Morris Graves, Foster - White Gallery, Seattle, WA

Stripped of their logos and placed in an empty white gallery, however, these vessels can transcend their intended purpose and dissolve into sheer movement and light.

1977 Morris Graves: Five New Works and Selected Earlier Works, Foster - White Gallery, Seattle, WA Morris Graves: Works on Paper, John Berggruen Gallery, San Francisco, CA

She considered the patterns of the trellis and garden fences at Wave Hill in creating a new net sculpture with a highly matte, black, polyvinyl paint that generates spatial uncertainty in contrast with the white gallery walls.

* 2015 Pasadena Society of Artists, 90th Annual Juried Exhibition, White Gallery, Montrose, California - received Honorable Mention award

He first paints a black rectangle on a white gallery wall with three straight - edged sides, allowing the paint to drip along the bottom edge.

Whereas the dilapidation of the New Orleans warehouse led a viewer to feel the room's history, Southern Exposure's clean, white gallery doesn't convey a similar effect.

1980 Northwest Legacy: Morris Graves Paintings, Foster - White Gallery, Seattle, WA An American Flower Show, Heritage Plantation, Sandwich, MA 28th Annual Exhibition, Museum of Art of Ogunquit, Ogunquit, ME Drawings in Saint Paul; Selections from the Tiriam B. and Malcom E. Leain Collection, Minnesota Museum of Art, MN La Pintura de Los Extados Unidos de Museos de la Ciudad de Washington, Museo Del Palacio de Bellas Arts, Mexico City Still Life Today, 16th Annual Art Show, Goddard - Riverside Community Center, New York, NY; American Art in Religion: Vatican Musum, Rome, Italy; Terra Musum of American Art, Evanston, IL

Directed by Mark Romanek, the final video will be edited from the six hours Jay - Z spent that day performing «Picasso Baby» over and over again in the white gallery space.

FOSTER / WHITE GALLERY: 123 S. Jackson St. Starting Sept. 6.

One of the questions that shaped this exhibition early on was whether the customary curatorial approach of P.S. 1, with its fast - paced process and focus on living artists as well as the rustic architecture of the former schoolhouse, would offer a different visual setting for work ordinarily seen in the minimal white galleries of MoMA.

Both abstract shapes look like dark flowers sprouting from the white gallery space, and provide a moment of calm from the mythical madness.

Jakob & Hammwoehners» installation can be seen as an attempt to celebrate the mystical origins of the white gallery space by transforming it into a circus - like imaginary world.

The khaki - colored linen of the canvas gives the work a necessary separation from the white gallery wall and emphasizes the fact that we are looking at a representation of space.

Had he shown in the typical all - white gallery environment, the works would have seemed earthier by contrast.

His solo exhibitions include PDX Contemporary, Portland; White Gallery, Portland State University, Portland; Autzen Gallery, Portland State University and School 33 Gallery, Baltimore.

Re-signifying the traditional white gallery wall as an older - model box TV, the artist initiates a playful critique of art institutions, technology, and entertainment in our everyday lives.

SOLO SHOWS: 2017 Consulting a Harvestman, M.G. Nelson Family Gallery, SAA Visual Art Center, Springfield, IL 2017 All the Illustrious Shadows, Kishwaukee College Art Gallery, Kishwaukee College, Malta, IL 2017 They Lay Down Their Bones, Wiseman Gallery, Roque Community College, Grants Pass, OR 2016 Shadow Journeys, Janalyn Hanson White Gallery, Mount Mercy University, Cedar Rapids, IA 2015 - 2016 The Mystery of Waking, Gallery 2, Appalachian Center for Craft, Tennessee Tech University, TN 2015 Restless Shadows, Thompson Gallery, Furman University, Greenville, SC 2015 Kami, Main Gallery, University of Central Missouri, Warrensburg, MO 2015 Tabimakura, Studio Kura Gallery, Studio Kura Co. Ltd..

SB: Philipsz is amazing, but I feel there was this situation where she had to put some speakers in the white gallery.

Nnena Kalu's «cocoons» at the Project Ability Gallery (Trongate 103) shares these material tastes and a concern with the performance of labour, using colourful packing tapes in the composition of her sculptures — attempts to make even disregarded everyday materials (or, read: bodies) assert presence in the white gallery space.

Luca Buvoli's Flying installations played off the high ceilings and clean white gallery walls, while William Pope.L's eRacism show overpowered the space with peanut butter, rotting hot dogs and performance videos.

The nominees for the 2017 PULSE PRIZE included artists JoAnne Carson (Black & White Gallery / Project Space), Cristobal (WHITECONCEPTS), Andy Dixon (BEERS LONDON), Alejandro Hernandez (CEDE GALERIA), Amy Hill (Front Room Gallery), Sky Kim (Carrie Able Gallery), Todd Lanam (Mark Wolfe Contemporary), Diane Landry (VIVIANEART), Raquel Maulwurf (Livingstone Gallery), Mariu Palacios (Ginsberg Galeria), Lissa Rivera (ClampArt), Donna Ruff (Rick Wester Fine Art), Devan Shimoyama (Samuel Freeman Gallery), Deborah Tarr (LPH), and Lisa Wright (COATES & SCARRY).

Also present were his son and daughter, both very attractive and in their thirties, along with a gathering of people of mixed ages — a little girl pushing the giant inflatable balloon - ball that marked the entrance, hip youngsters admiring the «trippy» patterns in the artist's work, elderly couples looking at prices or simply enjoying the bursts of colour inside the white gallery space — a testimony to the vitality of his work.

François transforms otherwise static, white galleries into theatrical settings where holes appear in unexpected places and everyday items, purchased or scavenged, are poignantly juxtaposed.