Sentences with phrase «deaccession funds»
images: Charles Demuth, Buildings, 1930 — 1931, tempera and plumbago on composition board, Dallas Museum of Art, Dallas Art Association Purchase Fund, Deaccession Funds / City of Dallas (by exchange) in honor of Dr. Steven A. Nash, 1988.21; «Skyscraper» Cocktail Shaker and Lid, c. 1928 — 1931, William Waldo Dodge, Jr. (Designer), Silver, Dallas Museum of Art, The Patsy Lacy Griffith Collection, gift of Patsy Lacy Griffith by exchange, 2008.48.1.A - B; Charles Sheeler, Suspended Power, 1939, oil on canvas, Dallas Museum of Art, gift of Edmund J. Kahn, 1985.143
https://www.dma.org/ Not exact matches
Group of accessories for case masks, pair of wrist guards, and dance cap Date: 20th century Dimensions: dimensions variable Medium: Wood, basketry, cardboard, leather, paint, cotton thread and yarn, gourd, cornhusks, nails, wool, and horsehair Credit Line: The Roberta Coke Camp Fund Culture: Hopi Object Number: DEACC.1988.120.1 - 26 Deaccession Criteria: Restitution / Returned to rightful owner: the work has been legally requested for repatriation under Federal Law — Native American Graves Protection and Repatriation Act (1990)
Plus: La Salle University's president defends decision to deaccession MoMA receives major gift of Latin American art Taft Museum of Art receives $ 5m gift Scottish museums receive # 700,000 in development funding and Stephen Reily appointed director of Louisville's Speed Art Museum
(1 m 73.04 cm × 109.86 cm × 54.93 cm) Medium: Coal Credit Line: Dallas Museum of Art, gift of the artist, gift of Sperone Westwater, and DMA / amfAR Benefit Auction Fund Object Number: DEACC.2012.51 Deaccession Criteria: Work is in poor condition and can not be treated successfully / Exchanged for a different sculpture by the same artist
Funds produced from the sale of deaccessioned artworks are used only to acquire new artworks.
Museum purchase with funds provided by deaccessioning.
PAFA's purchases are being paid for by a combination of proceeds from endowment funds restricted for art acquisition and proceeds from deaccessioning.
Collection of the Nevada Museum of Art with funds from The Louise A. Tarble Foundation, Dorothy Lemelson, and funds provided by deaccessioning.
«Many of the greatest works in our collection are the result of deaccessioning,» Mr. Lowry added, citing as examples Gerhard Richter's Baader - Meinhof series, Andy Warhol's Campbell's soup cans, van Gogh's «Postman Joseph Roulin» and Picasso's «Demoiselles d'Avignon,» all of which were bought with funds raised by selling other artworks.
Collection of the Nevada Museum of Art, Museum purchase with funds provided by deaccessioning.
The O'Keeffe was deaccessioned by the Georgia O'Keeffe Museum to benefit its acquisitions fund.
The planned sale of these works by the City of Denver, to raise funds for the Clyfford Still Museum's endowment, does not violate the Association's principles regarding the use of funds from deaccessioned works of art, because the museum has not formally accessioned these works into its collections.
Annual Fund — $ 738,431 Membership — $ 239,672 Exhibition Support — $ 188,568 Catalogue Support — $ 0 Estate Bequests — $ 116,705 Proceeds from deaccession — $ 70,388 Grants — $ 36,000 Government — $ 1,010,000 Foundations — $ 0 Corporate — $ 0 Sub-total — 2,399,764 Reserve from FY16 — $ 142,047