Not exact matches
This is a
particular disappointment given that the actress gave, to my mind, the most grownup performance of her career as the wife of a military man lost and presumed
dead in the 2009
film Brothers.
One sequence
in particular that displays the power and emotional range of Dale
in the role, comes at the end of the
film when he is left as the only man willing to bury his
dead brother at the funeral of Kennedy's killer.
I stand by my choice of adjective: «pitch» refers to «tone», and it was the tone and feel and portrayal of the themes that was
dead - on
in this
particular film.
Anyone who saw Alps, a vicious, uncanny fable about stand -
ins for the
dead, knows exactly how Lanthimos manipulates the camera so that characters who are fixedly separate are still held captive together
in the frame, lurking
in the small silences that
in his
films herald a
particular sort of tragedy.