Decentering ourselves in the treatment room involves emotionally protecting our vulnerable side without completely muting our realness when activated by implicit and explicit conditions that might overwhelm and distract us from an otherwise sturdy and empathic posture.
At times, I work in a similar way; as a photographic practitioner,
I decenter myself in relation to the production of the image, and extend that to the construction of my exhibitions.
Not exact matches
However, as I have tried to show, while
in Deleuze's metaphysics we find something like Whiteheadian pure potentiality reappearing
in a radically
decentered form, the net result is less a neo-Whiteheadian naturalism than a distinctly postmodern avatar of polytheism: a vision of multiple «little divinities» effecting random syntheses of differential elements within an immanent space of possibilities: a theory of evolution metamorphosed into Chaosmological Myth: an unqualified affirmation of the endless, goalless, production of Difference.
My aim
in the present paper is twofold: first to argue, pro Sherburne and contra Deleuze's reading, that there is no place for God — even for Whitehead's God —
in a «chaosmos» worthy of the name; but secondly, following Deleuze and departing from Sherburne, to outline one way
in which the operation of «
decentering Whitehead» might lead to somewhere other than to a naturalism.
In these very general terms, perhaps the closest approximation to a chaosmology amongst Whiteheadian thinkers is to be found in Donald Sherburne's vision of «a Whitehead decentered... a Whitehead without God... a neo-Whiteheadian naturalism.&raqu
In these very general terms, perhaps the closest approximation to a chaosmology amongst Whiteheadian thinkers is to be found
in Donald Sherburne's vision of «a Whitehead decentered... a Whitehead without God... a neo-Whiteheadian naturalism.&raqu
in Donald Sherburne's vision of «a Whitehead
decentered... a Whitehead without God... a neo-Whiteheadian naturalism.»
Deconstruction attempts to dismantle such structures
in order to show their artificiality and the inevitable ways
in which any such structure of thought implicitly «
decenters» its central term and undermines itself through internal inconsistency and contradiction.
It is my perception that the events unfolding
in the world around us unfold
in the way that one would expect were ours a
decentered Whiteheadian universe.
Anyone who doubts this ought to reread that brilliant, genreconscious postmodernist (not existentialist) Soren Kierkegaard on sin, grace and the
decentered Christian self Even the otherwise happy recovery of the traditions of Christian spirituality
in our day are also
in danger of becoming further fine - tuning, further new peak experiences for the omnivorously consuming modem self.
A
decentered Whiteheadian vision suggests a world where larger and larger patterns of meaning and order emerge gradually, fitfully, and unevenly from the churning multiplicity of value centers constituted by the sophisticated occasions regnant
in living organisms.
In this comparison of Whitehead's centered vision (with God) and my own decentered vision (without God), I will start with a brief recapitulation of Whitehead's account of how God functions in the worl
In this comparison of Whitehead's centered vision (with God) and my own
decentered vision (without God), I will start with a brief recapitulation of Whitehead's account of how God functions
in the worl
in the world.
My process orientation is toward a Whitehead
decentered, toward a Whitehead without God, toward a neo-Whiteheadian naturalism — a process thought
in quite a new key.
Still others will embrace postmodernity
in its most
decentering, deconstructive forms so fully that «a-theologies» will be born to announce, yet again, that the «death of God» has finally found its true hermeneutical home.
We have not an individual identity, but fragments of experience; not the narrative of a life that is
in some sense a whole, but a
decentered flow of experience.
The self that has begun the kenotic journey prays for forgiveness
in order, above all, to be more deeply
decentered.
We hear the
decentering force of the prayer
in its actual wording: your name, your kingdom, your will (Matt.
In this procedure there is the same
decentering, even «dispossession,» of reflective immediacy we have previously observed: a demand that we must make a «detour» through the symbolic world.
In the original MBH decentered series, the hockey - stick shape emerged in the PC1 series because of reasons we have articulated in both our report and our testimon
In the original MBH
decentered series, the hockey - stick shape emerged
in the PC1 series because of reasons we have articulated in both our report and our testimon
in the PC1 series because of reasons we have articulated
in both our report and our testimon
in both our report and our testimony.
Brilliantly executed, Wong's peculiarly
decentered violent sequences are actually more evocative of the battle scene
in Orson Welles's Chimes at Midnight than they are of Leone's operatic showdowns, especially
in the way they concentrate on ephemeral, oblique details rather than heroic spectacle.
Reflecting on our current climate of communication, the provocation consistent
in Chun's exhibition is a
decentering of English as the world's most dominant, «common» language: Could English ever become secondary?
Her work with Indigenous People
in Canada aims to
decenter institutional space and history.
While Pablo Picasso and fellow Cubists combined archaic Western forms and appropriated exotica to shatter inherited modes of representation, today ubiquitous computing and the digital image explosion create an intersection of the physical and the virtual, and
in doing so, have
decentered the locus of artistic praxis.
Selected references: Arnason, H.H., History of Modern Art: Painting, Sculpture, Architecture, 1968 Barr, Alfred, Painting and Sculpture
in the Museum of Modern Art, 1929 - 1967, 1977 Barrett, Cyril, Op Art, 1970 Barrett, Cyril, An Introduction to Optical Art, 1971 Houston, Joe, Optic Nerve, Perceptual Art of the 1960s, 2007 Kulterman, Udo, The New Painting, 1969 Lampe, Angela, Robert Delaunay, Rythmes Sans Fin, Centre Pompidou exhibition catalog, 2014 Pellegrini, Aldo, New Tendencies
in Art, 1966 Popper, Frank, Origins and Development of Kinetic Art, 1968 Rickey, George, Constructivism: Origins and Evolution, 1967/1995 Rosenthal, Erwin, Contemporary Art
in the Light of History, 1971/2013 Tiampo, Ming, Gutai:
Decentering Modernism, 2011 Weller, Allen S., The Joys and Sorrows of Recent American Art, 1968
The specter of the three traumas haunts the work of the three artists presented
in the show, each of which reflects one or more of the narcissistic wounds that
decenter modern subjectivity.
[2] OOO's
decentering of the human subject reconciles modern and contemporary art's established interest
in the limits of human perceptual and linguistic understanding when it comes to «objects» and further, the relative independence and internal logic of an artwork.
The first gallery at Dia: Chelsea feels narrow, with a couple of large square canvases to the right (Untitled, 1962 and Untitled [Background Music], 1962), a triplet of works incrementing
in size and respectively on canvas, paper, and plywood to the left (Untitled # 17, 1958; Classico 6, 1968; Counsel, 1983), and a small but powerful early work facing the viewer across the room,
decentered (To Gertrud Mellon, 1958).
When confronted with room after room of Hirst's colored spots ranging
in diameter from a few millimeters to sixty inches, at times displayed
in densely packed grids made up of thousands of dots and at others consisting of but a handful or even just a single dot, there is a sort of
decentering of vision — a blinding, to use Foster's term — that begins to take place.
H. Halle, «Amy Feldman: High Sign», TimeOut, New York, 8 - 24 September J. Stopa, «September Shows to Know» Whitewall, 15 September H. Baysa, «Amy Feldman: High Sign» event listing The Village Voice, September M. Jones, «Amy Feldman by Mary Jones», BOMB Magazine, 26 June J. Yau, «Geometry Poems»
in Exhibition Catalogue, New York, Janet Kurnatowski Gallery, Geometry Poems Sophie De Santo, «Brian Belott, Paul De Muro, Amy Feldman: Le Trio New Yorkais» Figaro Scope, 22 - 28 January Laurent Boudier, «Brian Belott, Paul De Muro, Amy Feldman» Sortir Telerama 29 January Dust Magazine Online, 2 February Barry Schwabsky, «Great Gray»
in Exhibition Catalogue, Stockholm, ANNAELLE Gallery, Amy Feldman Stark Types 2013 Daniel S. Palmer, «Rethinking
DECENTER»
in Exhibition Catalogue, Washington, DC, The George Washington University and The Abrons Art Center,
Decenter NY / DC: an exhibition on the centenary of the 1913 Armory Show Susanna Sløør, «Amy Feldman Stark Types, ANNAELLE Gallery» OMKONST Stockholm, 9 October Nirmala Nataraj, «Amy Feldman Melds Poise, Rough Edges» San Francisco Chronicle, 6 March Jonathan Curiel, «Amy Feldman: Raw Graces» SF Weekly, 7 March David M.Roth, «Amy Feldman @ Gregory Lind» Square Cylinder, 26 March
Kobena Mercer, «
Decentering and Recentering: Adrian Piper's Spheres of Influence,»
in Adrian Piper: A Retrospective, ed.
Yet all the authors» examples allege the opposite situation,... Case 12 refers to McKitrick and McIntyre 2005, which focused on the bias arising from using
decentered data
in a PCA algorithm that is only valid when the data are centered... The authors do not seem to have taken the trouble to properly research the issue, and as such their brief commentary lacks credibility
In the original MBH decentered series, the hockey - stick shape emerged in the PC1 series because of reasons we have articulated in both our report and our testimon
In the original MBH
decentered series, the hockey - stick shape emerged
in the PC1 series because of reasons we have articulated in both our report and our testimon
in the PC1 series because of reasons we have articulated
in both our report and our testimon
in both our report and our testimony.
We submit that both the mathematical analysis
in Appendix A of our report to Congress together with our simulation demonstrate that the
decentering method yields incorrect results.
c. Dr. Gulledge included
in his testimony a slide showing the graph of WA emulation of the MBH and MBH - corrected for
decentering and the Gaspé tree - ring series.
The net effect of this
decentering using the proxy data
in MBH98 and MBH99 is to produce a «hockey stick» shape.
And what does the fact that regulatory pluralism can also occur
in authoritarian settings mean for our existing ideas about
decentered regulation?»
The net effect of this
decentering using the proxy data
in MBH98 and MBH99 is to produce a
The first is simply the broadening of the mind («
decentering,»
in the words of Garland and colleagues).
Hence, we explored the function of self - reflection
in relation to
decentering to elucidate its adaptivity.