Sentences with phrase «decorative arts center»

As most of you know, last year we were selected as one of seven designers from the Southeast to design a window display for Behind The Windows, an event at the Atlanta Decorative Arts Center.

Most MA13 events are free, except where noted (see detailed listing below) and will take place at various venues throughout Atlanta, including The Sound Table / Space 2 in the Edgewood Design District, the Atlanta Decorative Arts Center in Buckhead, the High Museum of Art in Midtown and several showrooms throughout the city.

On view through October 8, 2017, Automaton Musical Clock: A Mechanical Marvel marks a time of celebration for NOMA, as the museum reopens its Lupin Foundation Decorative Arts Center.

About the Decorative Arts Galleries Automaton Musical Clock is the first special exhibition in NOMA's new Lupin Foundation Decorative Arts Center.

with text by Ronald Kuchta and Michael Walls) Painting in America: Yesterday and Tomorrow, The Decorative Arts Center, New York, USA (curated by Dave Hickey)

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

Not exact matches

Designer Emily Wheat Maynard explored the relationship between Italian Renaissance and ancient Greek and Roman jewelry for her Masters thesis at The Bard Graduate Center for Decorative Arts, Design, and Culture in New York City.

Common Ground on the Hill will host a Scottish Christmas concert at the Carroll Arts Center Saturday evening, while the Bear Branch Nature Center, sends children on a search for the best decorative materials at the Hashawha Holiday Hunt on Sunday.

Surrounded by landscaped gardens in Pittsburgh's East End, the Frick Art & Historical Center showcases the refinement of the Gilded Age through a curated collection of fine and decorative arts and artifacts, vintage cars and carriages.

Metropolitan Museum of Art May 7 — Aug. 16 Housed in the Met's Chinese Galleries and Anna Wintour Costume Center, this exhibit showcases Chinese high fashion and costumes, as well as paintings, decorative arts, porcelains and films in an exploration of Chinese imagery from the 1700s to the present.

Among the dozen or so substantial collections of British art in the US, two of the most notable are currently undergoing re-examination: the Yale Center for British Art reopened in May with its Louis Kahn building meticulously refurbished and its collections redisplayed, while at the Met the British decorative arts galleries will shortly be closing in preparation for a major redisplay, due to open in 20art in the US, two of the most notable are currently undergoing re-examination: the Yale Center for British Art reopened in May with its Louis Kahn building meticulously refurbished and its collections redisplayed, while at the Met the British decorative arts galleries will shortly be closing in preparation for a major redisplay, due to open in 20Art reopened in May with its Louis Kahn building meticulously refurbished and its collections redisplayed, while at the Met the British decorative arts galleries will shortly be closing in preparation for a major redisplay, due to open in 2018.

Chaimowicz's cross-disciplinary practice centers on the home, and challenges categorical divisions between fine and decorative arts.

Internationally recognized as a premier museum and research center, the Frick is known for its distinguished Old Master paintings and outstanding examples of European sculpture and decorative arts.

His works can be found in numerous private and public collections, including the Kirkland Museum of Fine and Decorative Art in Denver, CO and the Ron and Una Brasch Collection at the Colorado Springs Fine Arts Center.

The exhibition, curated by Jesús Fuenmayor, is an investigation that explores the architectural fictions that can be traced in the industrial and decorative arts of cities world - wide and in particular the artist's home base of Los Angeles and the exhbiition's context in Buenos Aires, including Faena Art Center's previous life, as an old flour mill.

Locations: Church Gallery; Center Gallery; Vermont Decorative Arts Gallery; Bennington Pottery Gallery; Flag Gallery; Changing Exhibitions; Wasp Gallery; Moses Gallery; Bennington Battle Gallery

Available at the Museum only Recommended for Grades 3 through 5 Locations: Grandma Moses Schoolhouse; Center Gallery; Vermont Decorative Arts Gallery; Pottery Gallery

In recognition for her work to strengthen and promote education and the arts in Latin America, Mrs. Cisneros has received numerous awards which include, among others: the Great Cross of the Civil Order of Alfonso X the wise, Spain; the Leone d'Oro di San Marco, Venice; the Cross of the Legion of Honor, Republic of France; the Americas Society's Gold Medal; the Gertrude Vanderbilt Whitney Award for Outstanding Patronage of the Arts, Skowhegan School of Painting and Sculpture, Maine; the Iris Foundation Award, Bard Graduate Center: Decorative Arts, Design History, Material Culture, New York and an Honoris Causa Degree in Fine Arts, from Wheaton College, Massachusearts in Latin America, Mrs. Cisneros has received numerous awards which include, among others: the Great Cross of the Civil Order of Alfonso X the wise, Spain; the Leone d'Oro di San Marco, Venice; the Cross of the Legion of Honor, Republic of France; the Americas Society's Gold Medal; the Gertrude Vanderbilt Whitney Award for Outstanding Patronage of the Arts, Skowhegan School of Painting and Sculpture, Maine; the Iris Foundation Award, Bard Graduate Center: Decorative Arts, Design History, Material Culture, New York and an Honoris Causa Degree in Fine Arts, from Wheaton College, MassachuseArts, Skowhegan School of Painting and Sculpture, Maine; the Iris Foundation Award, Bard Graduate Center: Decorative Arts, Design History, Material Culture, New York and an Honoris Causa Degree in Fine Arts, from Wheaton College, MassachuseArts, Design History, Material Culture, New York and an Honoris Causa Degree in Fine Arts, from Wheaton College, MassachuseArts, from Wheaton College, Massachusetts.

Organized in collaboration with: Display, the Academy of Art, Architecture and Design in Prague; the Arts and Theatre Institute; the Center for Contemporary Arts Glasgow; Czech Society for Film Studies; the Film Studies Department of the Faculty of Philosophy and Arts, Charles University in Prague; the Museum of Decorative Arts in Prague; and the National Film Archive.

Tracy and has works in the permanent collections of the Denver Art Museum, the Colorado Springs Fine Arts Center and the Kirkland Museum of Fine and Decorative Art, Denver, CO..

The J. Paul Getty Museum at the Getty Center in Los Angeles houses European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and photography from its beginnings to the present, gathered internationally.

What about debates over the status of fabric and the decorative arts, as in «Thread Lines» at the Drawing Center?

[26] The Center has John Gellatly's European collection of decorative arts.

[35][34][36] The Lunder Center has five conservation laboratories and studios equipped to treat paintings, prints, drawings, photographs, sculptures, folk art objects, contemporary crafts, decorative arts, and frames.

Always on view, the Museum's collection of European paintings, sculpture, and decorative arts is arranged roughly by era and the artist's nationality in galleries that span all four pavilions at the Getty Center.

The collection of the J. Paul Getty Museum at the Getty Center includes pre-20th-century European paintings, drawings, illuminated manuscripts, sculpture, and decorative arts; 19th - and 20th - century American, European, and Asian photographs; contemporary and modern sculpture; and Robert Irwin's Central Garden, designed specifically for the Getty Center.

City and County of Denver Clyfford Still Museum Colorado Springs Fine Arts Center CU Art Museum, University of Colorado Boulder Kirkland Museum of Fine & Decorative Art Museo de las Americas

Michelle is a recent contributor to West 86th, the Bard Graduate Center for Decorative Arts and Design journal, and Slashstroke, a London - based art and fashion magazine.

«A Fine Place to Work: The Legacy of the Archie Bray Foundation,» Arkansas Arts Center Decorative Arts Museum, Little Rock, AR, 1988.

Exhibitions of their collaborative work include In Practice: Another Echo at Sculpture Center, New York (2018), Loving Blackness and A More Perfect Union at the Asian Arts Initiative, Philadelphia (2017), Ornate Activate at the Villa Terrace Decorative Arts Museum, Milwaukee (2017) and Shirin Gallery, New York (2015).

The museum also owns 2 decorative arts house museums, 2 art schools, a sculptural garden, visitor center, cafe and movie theatre.

Some 75 paintings, sculptures and decorative artworks illustrate the art — including scenes of hell and numerous divine beings on earth — of a popular form of Buddhism centered on the deity Amitabha, who promised salvation to those who simply called upon him.

1997 Theories of the Decorative: Abstraction and Ornament in Contemporary Painting, Inverleith House, Royal Botanic Garden, Edinburg, Scotland; traveled to Edwin A. Ulrich Museum, Wichita State University, Wichita, Kansas, USA (curated by Paul Nesbitt and David Moos) Primarily Paint, Museum of Contemporary Art, San Diego, La Jolla, California, USA Pintura, Galeria Joan Prats, Barcelona, Spain; traveled to Galeria Marta Cervera, Madrid, Spain After the Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Staten Island, New York, USA (curated by Lilly Wei) Intimate Universe (Revisited): Seventy American Painters, Robert Steele Gallery, New York, USA (curated by Michael Walls) Schilderijen: Reinoud Van Vaught, Fabian Marcaccio, David Reed, Jonathan Lasker, Gallerie Tanya Rumpff, Haarlem, the Netherlands Wetterleuchten, Galerie Evelyne Canus, La Colle - sur - Loup, France (curated by Günter Umberg) Critiques Of Pure Abstraction, Independent Curators, Inc., New York, USA (curated by Mark Rosenthal)(traveled) Stepping Up, Andrew Mummery, London, England Relations Between Contemporary Architecture and Painting: Greg Lynn, Fabian Marcaccio, David Reed, Jesse Reiser / Nanako Umemoto, Künstlerhaus Palais Thurn und Taxis, Bregenz, Austria Some Lust, Patricia Faure Gallery, Santa Monica, California, USA Installations / Projects, Institute for Art and Urban Resources / P.

p. 310 - 312 Publikationen: New Haven: Yale university press, 2002 Auteur du texte: Bard graduate center for studies in the decorative arts.

Committee members include: Lisa Cremin, chairwoman of the Community Foundation of Greater Atlanta; Andrea Barnwell, director of the Spelman College Museum of Fine Art; Sarah Schleuning, curator of Decorative Arts at the High Museum of Art; Alexandra Sachs, executive director of SCAD FASH (museum); Daniel Fuller, curator at the Atlanta Contemporary; Nickitas Demos, director for the Center for Collaborative and International Arts at Georgia State University; Rebecca Cochran, curator of the Weiland Collection; Shawnya Harris, curator of African American and African Diasporic Art at the Georgia Museum of Art; Madison Cario, director of the Ferst Center for the Arts at Georgia Tech; Victoria Camblin, editor and artistic director of ART PAPERS; and Milton Clipper, retired CEO of PBA / WAArt; Sarah Schleuning, curator of Decorative Arts at the High Museum of Art; Alexandra Sachs, executive director of SCAD FASH (museum); Daniel Fuller, curator at the Atlanta Contemporary; Nickitas Demos, director for the Center for Collaborative and International Arts at Georgia State University; Rebecca Cochran, curator of the Weiland Collection; Shawnya Harris, curator of African American and African Diasporic Art at the Georgia Museum of Art; Madison Cario, director of the Ferst Center for the Arts at Georgia Tech; Victoria Camblin, editor and artistic director of ART PAPERS; and Milton Clipper, retired CEO of PBA / WAArt; Alexandra Sachs, executive director of SCAD FASH (museum); Daniel Fuller, curator at the Atlanta Contemporary; Nickitas Demos, director for the Center for Collaborative and International Arts at Georgia State University; Rebecca Cochran, curator of the Weiland Collection; Shawnya Harris, curator of African American and African Diasporic Art at the Georgia Museum of Art; Madison Cario, director of the Ferst Center for the Arts at Georgia Tech; Victoria Camblin, editor and artistic director of ART PAPERS; and Milton Clipper, retired CEO of PBA / WAArt at the Georgia Museum of Art; Madison Cario, director of the Ferst Center for the Arts at Georgia Tech; Victoria Camblin, editor and artistic director of ART PAPERS; and Milton Clipper, retired CEO of PBA / WAArt; Madison Cario, director of the Ferst Center for the Arts at Georgia Tech; Victoria Camblin, editor and artistic director of ART PAPERS; and Milton Clipper, retired CEO of PBA / WAART PAPERS; and Milton Clipper, retired CEO of PBA / WABE.

With the two primary gallery districts flung to either far side of Los Angeles (LACMA acting as the primary center point), and the increasing obstacles of freeway congestion and mileage between them, there seemed yet again an opportunity for a centralized gallery community; perhaps even a gallery community that appealed to the «middle class» of art collectors in terms of programming content, making a compromise between the rigorous conceptualism of alternative spaces and the decorative reputation of the «gallery malls.»

Organized by Are are-events.org in collaboration with the Academy of Art, Architecture and Design in Prague; Display; the Arts and Theatre Institute; the Center for Contemporary Arts Glasgow; Czech Society for Film Studies; the Film Studies Department of the Faculty of Philosophy and Arts, Charles University in Prague; the Film and TV School of the Academy of Performing Arts in Prague, the Museum of Decorative Arts in Prague; and the National Film Archive.

The lecture and panel discussion series will include a full program of daily presentations; Michael Kimmelman, Chief Architecture Critic and Former Chief Art Critic for The New York Times, «The View from Over There, Over Here»; Jun Kaneko, «In Between»; William Warmus, Former Curator of Modern Glass at Corning Museum of Glass will moderate roundtable discussion, «The Studio Glass Experiment — The First 50 Years 1962 - 2012»; a thought provoking panel moderated by Bruce Helander, Editor - in - Chief of The Art Economist; Willis «Buzz» Hartshorn of International Center of Photography, «The ICP Legacy and New Directions in Photography»; Ullysees Dietz, Curator of Decorative Arts at the Newark Museum, «Ceramics as Art, Not a New Idea»; and Mark Leach, Executive Director of the SECCA, Southeastern Center of Contemporary Art will present «The New SECCA: Directions in Contemporary Art».

Telfair Museum of Art (Savannah) The American South's first public art museum, opened in 1886, it contains an extensive 4,500 - item collection of American and European paintings, sculptures, works on paper, and decorative art, housed in three buildings - the Telfair Academy of Arts and Sciences, the Owens - Thomas House, and the Jepson Center for the ArArt (Savannah) The American South's first public art museum, opened in 1886, it contains an extensive 4,500 - item collection of American and European paintings, sculptures, works on paper, and decorative art, housed in three buildings - the Telfair Academy of Arts and Sciences, the Owens - Thomas House, and the Jepson Center for the Arart museum, opened in 1886, it contains an extensive 4,500 - item collection of American and European paintings, sculptures, works on paper, and decorative art, housed in three buildings - the Telfair Academy of Arts and Sciences, the Owens - Thomas House, and the Jepson Center for the Arart, housed in three buildings - the Telfair Academy of Arts and Sciences, the Owens - Thomas House, and the Jepson Center for the Arts.

p. 310 - 312 Edition: New Haven: Yale university press, 2002 Auteur du texte: Bard graduate center for studies in the decorative arts.

Visions of Excess,» Exhibition Hall of Museum of Decorative Arts and Galerie Rudolfinum, Prague, Czech Republic, September 30, 2010 — January 2, 2011 «Trust,» Media City Seoul, Seoul Museum of Art; traveled to Gyeonhuigung Annex of Seoul Museum of Art, Seoul Museum of History, and the Simpson Memorial Hall, September 7 — November 17, 2010 «Degrees of Separation: Contemporary Photography from the Permanent Collection,» San Jose Museum of Art, San Jose, CA, July 22, 2010 — March 14, 2011 «Housed,» The Alice Austen House Museum, Staten Island, NY, July 1 — September 5, 2010 «Swell, Art 1950 — 2010,» Friedrich Petzel Gallery, Metro Pictures, and Nyehaus Galleries, New York, June 30 — August 6, 2010 «Ars Homo Erotica,» National Museum in Warsaw, Poland, June 11 — September 5, 2010; catalogue «Mixed Use, Manhattan: Photography and Related Practices 1970s to the Present,» Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain, June 10 — September 27, 2010; catalogue «The Tattoo Show,» The Lesbian, Gay, Bisexual, and Transgender Community Center, New York, NY, June 3 — September 7, 2010