In your last chance to see the Whitney Biennial, immerse yourself in the «
Deep Listening Room,» a sound and video installation by electronic musician / composer / accordianist Pauline Oliveros.
Not exact matches
«We're very fortunate that her path led to AIE, where she has been teaching us critical lessons in trail - blazing — how to
listen to the
deep voices in one's head while also really
listening to the voices of everyone else in the
room, how to keep going even when feeling confused, and how digging into and revealing one's confusions can sometimes be the only way to get to clarity.
All five 2-1/2 ″ drive units reproduce the summed L / C / R / SL / SR channels over the 80Hz to 200Hz passband, resulting in
deep resonant bass that is experienced in every
listening area in the
room.
The SW - 8MK2 was surprisingly potent for an 8» sub, digging
deeper into the nether regions than many other similar - sized subs that have graced our
listening room.
Standing 44.5 - inches tall and nearly 16 inches
deep, the speakers immediately make their presence known in your
listening room.
(1) Admittedly, the
listening room the Kans played in was about nine feet
deep, maybe seven feet across, and with a six - foot ceiling.