Deep color creates a cozy ambiance in this sitting area.
Not exact matches
Combination of magenta -
colored pitaya and
deep green spirulina
creates this amazing
deep purple shade.
At Boiler Room, her Eastern Carolina oyster bar, Howard brightens pushed - to - the - edge brown butter (the
deeper the
color, the
deeper the flavor) with hot sauce and freezes it,
creating a compound butter used atop roast oysters.
The new Farmer edition exudes a certain lifestyle, an appreciation of craftsmanship, a preference for healthy and honest food and loyalty to traditional values.Emphasising simple pockets with thick yarns, wool - like outerfabrics in natural
colors, quilted liners in organic cotton, metal accents that reflect the pursuit of durability and
deep brown leather accents to
create a timeless look.
When
creating this homemade holiday card, use white and different hues of blue to symbolize not only the
colors of winter, but also
deeper spiritual meaning.
Each link is coated lovingly in the gold,
creating a heavy feel, satin finish, and incredibly
deep golden
color.
Small amounts of chromium impart the
deep red
color of ruby, traces of titanium and iron produce the stunning blue of sapphire, and chromium and ferric iron
create the delicate orange shades of the extremely rare and costly padparadscha.
This device sends a beam of light that is absorbed by the
color brown into the
deepest layers of skin, essentially destroying the pigmented cells that
created the spot.
A diet full of processed foods, crappy carbs, hydrogenated fats, old polyunsaturated fats left in a
deep fryer for days, and a pile of chemicals that
create smells, flavors, textures, and
colors — just like real food — will make anyone fat as a tick.
Oxblood red is one of my favorite
colors to wear in December since the
deep hue compliments most skin tones and
creates a warm and rich feeling.
One of my favorite looks is to apply the green shade all over the lid and use the
deep, charcoal
color to shade and
create a smokey look.
Then you can use the
deep charcoal
color to either line the lid or
create a smokey effect in the crease of the lid.
To
create a pouty effect to the lip, shade the outer corners of the lip only using Le Lipstique in a
color one shade
deeper than your natural lip
color.
Created from an antique bookplate, this classic floral study is all about the
deep spice
colors.
Each of the
colors in the
DEEP color swatch has the same
color characteristics as your own and will complement your natural
coloring -
creating harmony!
Your natural
coloring is
deep and strong with dark hair and brows
creating a strong contrast.
The relaxed silhouette, the shoulder cutouts, the charming floral prints, the
deep gold
color sprinkled with dashes of baby blue all work together to
create this delicate chiffon maxi dress.
My fall version of a berry lip;) For this lip
color, I mixed two shades of the Color Riche Lipsticks to create a deeper berry tone that is more appropriate for the se
color, I mixed two shades of the
Color Riche Lipsticks to create a deeper berry tone that is more appropriate for the se
Color Riche Lipsticks to
create a
deeper berry tone that is more appropriate for the season.
I love the juxtaposition between light camel and
deep burgundy tones because it
creates the perfect fall
color palette that isn't too dark or heavy for the season.
That
creates a
deeper layer of
color that will stay on longer.
Choose a
deep bronze
color and apply it to the corners of your lids and slightly into the crease and onto the lash line to
create a «v».
Wearing
Deep shades is overpowering to a light complexion draining the face of natural
color and
creating shadows.
DEEP - All the Deep colors are strong in intensity and create contrast against each ot
DEEP - All the
Deep colors are strong in intensity and create contrast against each ot
Deep colors are strong in intensity and
create contrast against each other.
Coupling it with a topaz tiered velvet dress, I love that the
deep gold
color plays harmoniously with the shades of red and blue,
creating a full rich autumn
color story.
I don't know your natural
coloring but if you're drawn to
deeper colors perhaps you need the contrast that a strong
color will
create but strong
colors don't have to be dark.
Painting your small bathroom a
deep, dark, rich
color will not only
create a stylish bathroom but a dramatic space that allows for some great styling to make the most of your small space.
The
deep midnight blue
color, dark eyeliner against the ocean
created such a mysterious feel to the pictures.
Silver wears beautifully with dark navy or royal blue - These
deep, sultry
colors create a stunningly comfortable background for the silver to sit with, this is also true for warm purple or bordeaux / burgundy
colors.
Inspired by the
deep rich
colors of fall, K+B Photography teamed up with local artists to
create a vintage themed styled shoot rich in
color, and big on vintage romance.
Though Timo Salminen's 35 mm cinematography suits the tactile romanticism of jukeboxes and cigarette smoke, it doesn't
create a hermetic universe of pacifying nostalgia;
deep colors dissolve into the melancholy chiaroscuro and dull grays of a decidedly present - day Helsinki.
It's exterior features a two -
color, graduated paintwork: below the door handles a contrast is
created with
deep black metallic paint by a chestnut brown metallic
color that runs in the background along the lines of the car to the rear.
The seats»
colors aren't going to jump out at you, but they do
create an effective tone of class and substance in the interior, something that blends with interior surfaces that also carry the
Deep Champagne
color.
Coloring them is a proven method of reflection that helps you dig
deeper into the issue and possibly
create solutions too.
The
deep, flat
colors fill the nearly bezel-less experience Dell has
created, and Material Design feels like it was made for this tablet.
Classic neutral elements such as polished white marble, earth - tone granite, and
deep mahogany woods, blend with
colors of the sea and sky to
create an enchanting tropical themed living space.
Around 1970, while in the John St. studio, Frances began working on large horizontal abstract paintings that were involved with ideas of gravity, slow painting time, indeterminate
color, and trying to
create a complex painting space that appeared geometric, but alternately shifted into a
deeper space.
Here, crisscrossing lines
created by making incisions into the blue - toned mixed media surface allow the
deeper layers of
colored collage to emerge.
The relative ease with which the gallery has greenlit this «futile gesture» and the tone deafness with which the artist
creates his poor facsimile belie a
deep ignorance of what's at stake in immigrant communities of
color and our efforts to cement humane, sustainable living conditions.
Light, abstraction, transparency and glowing
color come together to
create works that offer a meditation on safety, separation and the
deep familiarity of place.
Diane Ayott, by contrast, attempts to erase any distinction between foreground and background, thereby
creating an orchestrated relationship in which her use of
color and geometric forms interacts with viewers and constantly draws attention from the surface
deep into the structure of the work and then seamlessly back again.
A dark
color carves a
deep line between forms in «Storm Chaser» (2010),
creating the very striking illusion that the piece comprises two separate canvases.
Striking for their hot, vivid,
deep colors, their pierced or jagged forms, and their pulsating energy, these works were
created using a wax resist technique — Ossorio would apply a light
color wash to the paper, draw forms with wax, and then paint in watercolor, which would saturate all areas of the paper except those with wax - drawn shapes.
«My goal in painting,» he explained in 1962, «is to
create pulsing, luminous, and open surfaces, whose
color alone emanates a mystical light, harmonizing with my
deepest experience of life and nature.»
Using techniques and materials ranging from pop
colored inks, gradient monoprinting, loose watercolors, acrylic paint, crayon, and sharpie crosshatching, Lederer
creates images that walk the line between wry playfulness, and
deep - seated fears, all the while deconstructing the picture plane and drawing parallels between the digital and the analog.
Deep colored fill - ins between compositions
create a rich painterly effect that is complimented by a sort of dusty aesthetic unique to Gibson's work.
Mary Heilmann painted spit bite acid, tipping and tilting the plate, to
create a large block of
color dripping over a grid of drypoint lines that recede into
deep space.
DEPTH OF FIELD explores the techniques of six painters whose works
create a unique viewing field of illusionary abstraction through layering,
deep paint, brush or droplet patterns and a variety of optical effects wherein
color and shape are reinterpreted in viewing.
Across its expansive surface Untitled unveils the complexity of Still's oeuvre as he brings together divergent areas of
color,
creating a palpable sense of tension as large sea of
deep blue tussles for supremacy with subtle passages of lighter pigment as a vertical expanse of scorching red, spreads across the surface like a trail of molten lava.
Using a 3D imaging program, Zitelli
creates realistic depictions of nature in an attempt to record the manifested
color relationships and to bear witness to a
deep regard for those who have historically made «the utterly human, and ultimately futile, attempt to record nature.»
Horizontal bands of saturated
color shift and fade from
deep blue to white,
creating what the artist calls «a
colored abstraction» from which the visitor emerges at the top of the Museum's grand stair.