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Deep national history of immigration predicts wide cultural comfort displaying emotion.»
Not exact matches
«It's estimated that 95 percent of the livable space on our planet is in the ocean,» said Carole Baldwin, curator of fishes at the Smithsonian's
National Museum of Natural
History, lead author of the study and director of the Smithsonian's
Deep Reef Observation Project (DROP).
Since 2011, when DROP began, more than 40 researchers, most from the
National Museum of Natural
History and the Smithsonian Tropical Research Institute (STRI), have intensively studied
deep - reef fishes and invertebrates off Curaçao.
The ambiguities seemed less jarring to me after a September conversation with the Smithsonian's Kevin de Queiroz,
deep in the maze of doors and corridors behind the scenes at the
National Museum of Natural
History in Washington, D.C..
Laura Soul is a Peter Buck
Deep - Time postdoctoral fellow in the Department of Paleobiology, Smithsonian Institution
National Museum of Natural
History.
As a former hub of WWII, hometown of Pope John Paul II, and a true «student city,» Kraków's difficult
history is intertwined with a
deep national pride and emerging trendy attitude.
In June, I spoke at the
National Underground Railroad Network to Freedom conference, a passionate group of teachers, park rangers, and nonprofit educators who are giving students a
deeper, more meaningful connection to the
history of slavery in our nation.
Using her
deep love of her native land and her knowledge of its fraught
history, she asks provocative questions — about
history, identity, race, and religion — that reverberate across geographic and
national boundaries.
It is in the
National Gallery exhibition that Dean's
deep immersion in
history, and her lively relationship with the past, becomes especially apparent.
Made just after the Romanian Revolution in 1989, these works subtly conjure her
deep reflection on this dark period of her personal and
national history.
Responding to a series of significant commissions from museums and organizations including Whitechapel Gallery, London (2009); the Zachęta
National Gallery of Art, Warsaw (2011); the Walker Art Center, Minneapolis, MN (2011); and dOCUMENTA (13), Kassel, Germany (2012), Macuga evolved a practice in which she delves
deep into archives to unearth the politics, peculiarities, and overlooked
histories of the institutions where her work is shown.
By exploring the varied and
deep links between Latino art and U.S.
history, culture, and art Our America encourages viewers to gain insight into our unfolding
national past and present.
Deep insight into meeting out class instruction that builds on local, state,
national and global
history concepts.