With
a delicate graphite line set against an impressionistic background, his work connects to these important individuals that appear as sensitive silhouettes through a haze of memory.
Not exact matches
Composed of humble materials such as hand - painted string,
delicate jewelry chains, tiny nails, stones, Plexiglas, slight metal rods and weights, and an occasional
graphite line, every single object is pivotal to the overall composition and each is carefully considered for its intrinsic physical properties.
Agnes Martin's
delicate graphite drawing Untitled from 1965 is a meditation on the intersection of
lines, and the primacy of the grid.
In the Monument Drawings of 1996 --- 97, Chase - Riboud reused an etching as the starting point for unique compositions that she enhanced and obscured by
delicate charcoal,
graphite, and ink
lines.
High Plane (1968), a work of
graphite and collage on wove paper, has a
delicate, flesh - pink ground with wavering
lines rising to a sketch of folding planes.
Jong Oh (born 1981) creates minimal sculptures made of hand - painted string,
delicate jewelry chains, tiny nails, stones, Plexiglas, metal rods and weights and an occasional
graphite line that suggest basic geometric shapes and respond to the natural qualities of light and space of a site.
Its foundation is a field of etched
lines and small gestures similar to Sublime Light, over which Pousette - Dart laid cloud - like billows of white acrylic and
graphite that swirl and coalesce in
delicate patterns.
The rich color and grain of the wood stands in for the
delicate fields of
graphite, and intricate inlays replace the
graphite lines.
Long vertical sheets are divided by subdued and
delicate graphite and gouache
lines, bands and grids, which build the same visual harmony achieved in the paintings.
Although Martin uses a ruler to apply
delicate lines of
graphite on her canvases, the resulting image avoids the hard - edge clarity of many geometric paintings.
From Lee Ufan's
delicate repetitive
graphite strokes (in the «From
Line» series, 1964 — 82) to Brice Marden's gestural gouache contours (The muses drawing, 1991 — 93) to Julije Knifer's hard - edged bands of thickly applied
graphite (untitled [Méandre], 1993 — 99) to Vera Molnár's zigzagging black thread installation, the predominantly black - and - white show is delightfully diverse.
4 For Hambling, this expressive and sensual concept of «touch» derives from a deep connection with the subject being drawn, through fluid
graphite lines, forceful strokes of charcoal or
delicate ink wash.