Despite such exhibitions and what appeared to be a mini-revival of his skills at the Wyndham, many golf watchers — Miller, included — remember the shocking chipping yips Woods displayed at the end of 2014 and to start his 2015 season.
Not exact matches
Despite being on
exhibition in renowned institutions
such as Centre Pompidou in Paris, Tate Modern in London, Brooklyn Museum in New York and Kunsthalle Wien, Axell's work is representative of an era whose potential is only recently being acknowledged.
One might think that
such an
exhibition would reaffirm the overwhelming fear of what various futures might hold, but flashes of poignant humour remind us that our reactions are still our own,
despite the warnings that surveillance is the biggest tool for oppression.
«Highest Heaven: Spanish and Portuguese Colonial Art From the Roberta and Richard Huber Collection»: An
exhibition of Spanish and Portuguese colonial art is rare enough in the big museums of the eastern U.S.; as far as I can determine,
such a show in the West is almost unheard of —
despite our strong Spanish heritage.
Despite O'Doherty's debunking of this context, the white cube mode of exhibiting continues to underpin much
exhibition - making in the West, from commercial galleries that are designed to look like modern art museums (think of David Zwirner's minimalist 30,000 square foot space on 20th Street in New York) to websites
such as Contemporary Art Daily that tend to privilege the flattened picture surfaces of post-minimalist paintings, which look good filtered through the even light of a laptop screen.
He was considered both an insider and outsider, caught in a racially divided environment and edged to the margins of American modernism
despite significant early
exhibitions at renowned institutions
such as the Museum of Modern Art and features in national press outlets.
Despite significant early
exhibitions at renowned institutions
such as the Museum of Modern Art and features in national press outlets, Lawrence was considered both an insider and outsider, caught in a racially divided environment and edged to the margins of American modernism.
Despite early associations with movements
such as Arte Povera and Minimalism, Giorgio Griffa's work was not exhibited in the United States for 40 years after his first solo
exhibition in New York at Ileana Sonnabend's gallery.
Does this partly account for the peculiar fact that,
despite its obvious significance — and its inclusion in
such landmark
exhibitions as «Primary Structures» at New York's Jewish Museum in 1966 and «When Attitudes Become Form» at Kunsthalle Bern in 1969 — his art can almost be described as obscure?
Results show that
despite huge publicity and media attention for contemporary artists
such as Tracey Emin and Damien Hirst, art lovers voted with their feet in Britain and abroad to see traditional
exhibitions of old masterpieces or well - known early 20th century painters.
the Royal Hibernian Academy has traditionally been slow to admit women
despite the preponderance of female talent in artist organisations
such as the Society of Dublin Painters and the Irish
Exhibition of Living Art).
Despite the fact Martin did her best to seek out and destroy paintings from the years when she was taking her first steps into abstraction, the
exhibition features examples of her experimental early practice —
such as The Garden from 1958, for which she glued rows of found objects onto a background canvas.
Despite such impediments, however, galleries and museums in Europe and Asia have managed to incorporate a sizable coterie of Chinese artists in their
exhibitions.
Personally this was my first
exhibition outside of the context of my own academic institution and
despite my own lack of experience it was fantastic to be treated with
such respect.
Despite the show's adherence to an off - the - grid sensibility, fame and documentary practice are paired in dialectical subtexts throughout the
exhibition via the inclusion of filmmakers
such as Wiseman, Werner Herzog, and Vincent Gallo (who includes six full - page head shots of himself in the catalogue, in case you didn't recognize him).
Redundancies in the Architectural Association's publications and
exhibitions departments have gone ahead,
despite protests from luminaries
such as David Adjaye and Richard Rogers.
He was curator and then senior curator in the Department of Painting and Sculpture at the Museum of Modern Art, New York, from 1990 to 2002, where he organized thematic
exhibitions such as Dislocations and Modern Art
Despite Modernism as well as mongraphic shows on Elizabeth Murray, Gerhard Richter, Max Beckmann, Tony Smith, and Robert Ryman.