Evan Nesbit has been
developing his painting process for years, and has developed a language that explores the relationship between paint and surface.
Not exact matches
I
developed PTSD in 2008 after two serious medical accidents, and I have been creating drawings,
paintings and poetry about my
process of recovery.The purpose of this website is to help trauma survivors put effective self - therapy exercises into practice in their daily lives.
In the coming months, we will
develop an application
process that spells out exactly what we mean by turnarounds — but let me
paint a rough picture for you.
The latter color is the result of a new
paint application
process developed by INFINITI which employs a combination of coating machinery and manual techniques to achieve the deep, lustrous finish.
The new Mazda6 has also been launched with a very cool exterior
paint color: «Soul Red» - a new color born of a unique technological
process developed by Mazda, that balances depth and shading which accentuate the car's dynamic form, and vividness which expresses sportiness.
Nissan
developed a 6 - stage
paint process with double clear coat and chip - resistant
paint for use in critical areas of the GT - R chassis.
The CFPR uses a newly
developed clear coat
painting process.
I
developed PTSD in 2008 after two serious medical accidents, and I have been creating drawings,
paintings and poetry about my
process of recovery.The purpose of this website is to help trauma survivors put effective self - therapy exercises into practice in their daily lives.
By mixing sand into the acrylic
paint, he has
developed a
process in which he is continuously revising his own work.
Sylvester compared the
process of revision evident in Giacometti «s
paintings and sculptures, to the
process of
developing an argument.
Each work is an instance of a ripped frescoes, a technique
developed by the artist in the 1980s which brings together two key moments in his
paintings: a construction, based on a site, as a
process for the formation of a support; and a reluctant walk (of a fake restauration) in the memory and the material history of the
painting, of deconstruction, subtraction, a kind of intimate and forged archaeology, where a re-emergence of an unexpected fragment in the shape of clay, mosaics or shred (of colour or material) can become the focal point of the whole
painting.
Painting was in her blood, but she diverged from her mother's penchant for hard - edge abstraction, and instead gravitated in the 1950s toward a more informal, intuitive
process centered on color relationships and fluid gestures, which she has been
developing and refining ever since.
This exhibition presents a central theme of Mode's work, illustrating a
process of
developing abstract
paintings aimed at solving problems of design and color interactions within sequences.
The characters are often
developed during the
painting process, where the application of
paint allows for shifting positions to present themselves simultaneously.
Eli Slaydon: The
painting «A Choir,» which was included in the 2016 Prince Street Gallery Juried Exhibition, is a direct result of a
process of
painting that
developed during my experience at NYSS.
Throughout this
process a distinct distillation of choices
developed for each artist that is wide - ranging but particular: both figurative and abstract, sculptures and some works on paper have been selected in addition to
paintings, and historical as well as contemporary works, are juxtaposed.
Within the rational environment of an offline digital workspace she has foregrounded the expressive nature of carbon - based toner and
developed a distinctive
process and body of work that bridges drawing, printmaking,
painting and photography.
The exhibition «In Different Ways» at Almine Rech Gallery focuses on how artists have
developed unique techniques — at times diverse within their own oeuvres — using a brush, airbrush, spray
paint, silkscreen and even pouring
paint, collaging a range of materials, questioning canvas and wood support structures, or a combination of these
processes.
He took classes with Hazel Larsen Archer and
developed such an enthusiasm for the
process that for a time it rivalled
painting as his primary pursuit.
Over the years, Bozic has
developed a complex
process of masking and staining so the natural grain can collaborate with each composition using multiple layers of watered down acrylic
paint on maple panels of wood.
At a deeper level, FLOW and EBB is a metaphor for the fluctuating art - making
process - the act of mark - making, adding and removing
paint and other media over many layers, echoing the way the landscape has
developed over time... a building up and a breaking down.
Through this
process Ferris
developed a motif of masks to engage themes of identity while interrogating traditions of
painting.
Barbra Riley has been
developing curriculum and teaching classes in photography, design and watercolor
painting at Texas A&M University - Corpus Christi for over 3 decades as well as curating exhibitions for the Islander and Weil Gallery, conducting workshops in historical photographic
processes, bookbinding and watercolor
painting and leading classes and workshops abroad.
From 1967 to 1973, Thornton Willis worked on a series of
paintings now called his «Slat Series» involving a «wet on wet»
process working on the floor on large wet unstretched canvas and using rollers with long extension handles to
develop striped bands across the entire picture plane.
CT: This is about your
process,
developing multiple
paintings from one image.
Oscar Moreno's
paintings are
developed from a
process of addition, subtraction and reformulation in reaction to the
painting while it's being formed.
For his current show (described in the press materials as a «mise - en - scène «-RRB- at Gagosian, he has
developed a
process using bedsheets from Ikea and Bloomingdales, bleach, and tie - dye techniques that enables him to make large,
painting - like objects without actually
painting.
In 1989, Milhazes
developed a
process for mixing collage and printing techniques with
painting, giving her canvases an almost «distressed» surface.
Recently Murphy has devoted himself to
painting full time and has
developed a personal
process that gives a unique presence to his work.
He has
developed quite elaborate technical
processes — for example, he
paints his canvases with holographic gold, arranges them on the floor and sprays the overlapping sections of the canvases yellow, before finally stenciling black stripes.
For Homer, an avid gardener, the slowly
developing nature of her
paintings echoes the slowly unfolding
processes of nature itself.
This body of work also marks a new phase in Furnas's ongoing experimentations with
process and technique, as the
paintings are being created in part through new robot technologies
developed to his specifications.
Emphasis is placed on
developing a personal
painting process, while building and sustaining an extended body of work.
The flies are fed acrylic
paint and in the
process help create and
develop the minimalistic works.
With a visual dialogue established initially by working illegally with spray
paint, making large - scale murals and site - specific work without permission, the artist has
developed a
process of
painting that crosses abstracted, ambient fields of colour and gesture with traditional typography, vivid corrupted language and appropriated slogans.
The artist's labor - intensive
process only allows her to produce about ten
paintings a year, so it is with a certain excitement that one waits to see whether she has succeeded in further refining her concentrated, steadily
developing oeuvre.
Wilson worked with Venetian craftsmen to
develop an innovative
process for layering traditional Murano glass mirrors together and also conceived of a technique that reversed the centuries - old mirror making tradition — etching and
painting the verso black rather than silver — in order to lend a ghostly appearance to the reflection that the mirror casts.
While at Wingate Studio, the artist
developed a
process in which she
painted directly on the copper plate with white ground, allowing her time to work, look, and rework by wiping away areas, diluting the ground with water, over-painting, and sculpting this paste - like mixture.
Using a variety of techniques, such as thick and thin
painting, removing portions of canvas from his work, and multi-media assemblage, Aldrich has
developed an artistic style that turns away from the canonical understanding of art historically, in favor of exploring new conceptual
processes through which to view the contemporary world as he sees it.
While Warhol didn't invent the photographic silkscreen
process, he
developed his own technique by combining hand -
painted backgrounds with photographic silkscreen printed images to create unique works of art.
The artist guides the viewer through the
process in her statement: «As an artist, I work hard to
develop paintings that speak both to me and to others about the beauty that exists in space, color and movement.
The goal is to understand the
process used in creating a
painting; to identify students» individual challenges; and to help students
develop the ability to solve these for themselves through an understanding of each topic studied.
Susan Rothenberg discusses her 2003
painting Red Studio, as well as the
process she's
developed for composing and
painting her pictures.
Rich hues often unobtainable by anything but the chromatic intensity of a screen, or of
paint itself, sit alongside both of these in a
process Bradley has slowly
developed over many years of investigation.
I used to have much clearer ideas about how the
painting should look but now, in the last two or three years, things are just
developing out of the
painting process itself, drops and drips.
He has
developed and honed a
process that requires his precise and repeated attention, particularly with the application of the dots, and through this
process he transforms his
paintings into a record of an act of devotion as it comes into being... We can not experience Goldberg's
paintings fully until we recognize how they were made, and the quality of direct and simple attention that he has brought to bear on them.
Klosterman has been
developing her own
process of contrasting elements, on one side the hard materials of the sculptural series and on the other side the soft delicate silks and fabrics of her canvases, meticulously hand
painted, drawing from imagery she creates inspired by the Fibonacci Sequence.
These
paintings reflect her
process of exploration and how this phrase has
developed visually as well as conceptually.
It related to the way Abstract Expressionist imagery was
developed, allowing such factors as «accidents,» surface incidents, the texture of materials and the color of the
paint to play a role in the
process.
In the 1970s, Whittenʼs experimentation turned to abstraction, when he
developed new methods of
painting, in which brushstroke was removed from the making of the work; instead,
paint and canvas were
processed, using large troughs to hold
paint, and dragging canvas across, with squeegees, rakes, and Afro combs to create surface texture, line, and voids.