Sentences with phrase «dia building»

Center 548 (The old Dia building) 548 West 22nd Street Admission: Free

It opens in the former Dia building, now Center 548, over the weekend of January 31st, and according to Edlin we'll see some deep changes.

The Independent Art Fair opened yesterday at the former Dia building on West 22nd Street.

The «boothless» fair is moving from the Dia building to Soho's Spring Street Studios.

On my exit, several confused tourists from uptown were seeking the splendid Outsider Art Fair opening in the old Dia building farther down the street.

It's lost some of its punk edge since moving from the old Dia building to a fashion - shoot location.

Independent New York March 3 - 6 Having left its longtime location in the old Dia building on West 22nd Street, Independent will inaugurate a new space in Tribeca, featuring work from 40 international galleries and not - for - profits.

Independent New York, which takes place each year during Armory Week in New York, is scheduled to run from March 2 to March 5 at Spring Studios in Tribeca for a second time, after relocating there last year from the former Dia building in Chelsea.

And if Dia builds an incredible collection, nobody will remember.

Not exact matches

Building on the success of emerging brands and retailers in the category (Eloquii, Universal Standard, Dia & Co, 11Honore), as well as on the scale of legacy retailers (Lane Bryan, Torrid, FullBeauty) catering to this underserved audience, CoEdition is intent on providing an elevated shopping experience that provides the best selection of contemporary merchandise, while helping consumers find the right size and fit.

10/22/2012 in 12 + years old, 3 - 5 years old, 6 - 12 years old, Building / 3 Dimensional, Clay Crafts, Crafts, Dia de Los Muertos Crafts, Doughs, Paints, Mixes, and Concoctions, Family, Free & Fun Crafts, Group, Halloween Crafts, Party Ideas, Sculpture Permalink Comments (0)

In the meantime, he gazes through his bedroom window at a beautiful musician, Dia (Freida Pinto), who lives in the building opposite; unbelievably, this heavy - gutted lout manages to score a lunch date with her.

Students begin their examination of Dia de Los Muertos / Day of the Dead and begin to build an understanding of other cultures and nationalities, as well as different beliefs.

Students continue their examination of Dia de Los Muertos / Day of the Dead and continue to build an understanding of other cultures and nationalities, as well as different beliefs.

Students begin their examination of Dia de Los Muertos / Day of the Dead and continue to build an understanding of other cultures and nationalities, as well as different beliefs.

Students begin their examination of Dia de Los Muertos / Day of the Dead and begin to build an understanding of other cultures and nationalities, as...

Students examine Dia de Los Muertos / Day of the Dead and build an understanding of other cultures and nationalities, as well as different beliefs.

Dia L. Jones has worked to build culture rich schools and organizations for the past 20 plus years.

New Día brochure, webinars offered in January Two weeks to register for ALSC online courses ALSC, PLA offer Every Child Ready to Read webinar Updated Great Early Elementary Reads bibliography released ALSC's Great Websites for Kids relaunches with fresh new design ALSC online courses start January 16 ALA Youth Media Awards webcast available to 10,000 viewers Abrams named 2012 ALSC Emerging Leader ALSC releases new Dia website ALSC releases Children's Graphic Novel Core Collection More selections added to ALSC's Great Websites for Kids ALSC Morris Seminar applications now being accepted ALSC's «Children and Libraries» honored with writing award ALSC releases Fall 2011 online education schedule ALSC names Robina Button 2011 Spectrum Scholar ALSC offers Newbery / Caldecott Mock Elections digital download and webinar Miami (Ohio) University chosen as site for 2012 Arbuthnot Lecture More Great Websites for Kids from ALSC 2011 Spectrum Scholarship winners announced ALSC announces winners of Bound to Stay Bound, Melcher scholarships Every Child Ready to Read launches new Web site Belpre Award celebrates 15th anniversary with «Quinces» celebration at Annual Conference An updated guide to the Newbery and Caldecott awards ALSC offers webinar on family programming in a tough economy Día 101 webinar available for purchase from ALSC Advanced sales for Every Child Ready to Read ® toolkit begin Dr. Carolyn S. Brodie elected ALSC 2012 - 2013 president Five choices for ALSC spring online courses ALSC & PLA to offer Sneak Peek Webinar for Upcoming Every Child Ready to Read toolkit Día 2011 book list is now available Celebrating 15 years of children, cultures and books ALSC offers new round of spring webinars ALSC President's Program to discuss serving special needs, autism in the library The best programming ideas for building a culture of literacy through Día Book discount for Día 101 participants ALSC names 2011 Penguin Award winners Día publicity tools now available ALSC presents first - ever Día 101 webinar Register your Día event with ALSC ALSC tabs West Palm Beach as 2011 BWI Award winner ALSC invites host site applications for 2012 Arbuthnot Lecture with Peter Sís ALSC Recognizes Three Libraries with Bookapalooza Pat Mora to Celebrate Día's 15th Anniversary in Tucson ALSC Presents Biddeford (Maine) with 2011 Hayes Award Richmond (Calif.) PL Wins 2011 Light the Way Grant ALSC Names Carlson Distinguished Service Award Winner ALSC Awards Bechtel Fellowships to Penny, Kaplan Registration Open for 2011 Arbuthnot Lecture in St. Louis Registration Continues for ALSC Online Courses Newbery and Caldecott award winners speak out Clare Vanderpool, Erin E. Stead win Newbery, Caldecott Medals Peter Sís to deliver 2012 Arbuthnot Honor Lecture Batchelder Award honors Delacorte Press for «A Time of Miracles» Eric Velasquez, Pam Muñoz Ryan win Pura Belpré Awards Eric Velásquez y Pam Muñoz Ryan ganan premios «Pura Belpré» Paul R. Gagne and Melissa Reilly Ellard win 2011 Carnegie Medal for «The Curious Garden» Kate DiCamillo, Alison McGhee and Tony Fucile win Geisel Award for «Bink and Gollie» Listening Library wins 2011 Odyssey Award for «The True Meaning of Smekday» Sy Montgomery, Nic Bishop win 2011 Sibert Medal Author / Illustrator Tomie dePaola wins 2011 Wilder Award ALSC Announces 2011 Notable Children's Books ALSC Names 2011 Notable Children's Recordings ALSC Announces 2011 Notable Children's Videos

The local cemetery, which is built on terraced levels in the hillside, is particularly beautiful especially during the weeks surrounding Dia de los Muertos (end of October and beginning of November).

Dia collaborated with American artist Robert Irwin and architect OpenOffice to formulate the plan for the museum building and its exterior setting and grounds.

In 1979, with help from the Dia Art Foundation, Judd purchased a 340 acre (1.4 km ²) tract of desert land near Marfa, Texas [11] which included the abandoned buildings of the former U.S. Army Fort D. A. Russell.

Permanent works and public projects include Streetcar Stop for Portland, Regional Arts and Culture Council, Portland (2014); Plat 99, Bar and Lounge designed for The Alexander Hotel, Indianapolis, (2013); Tecoh, private residence, Yucatán (2012); Untitled (reinstallation of the Latin American Galleries), LACMA Los Angeles County Museum of Art, Los Angeles, US (2008); Untitled (Guadalajara Light Piece), Solares Foundation, Guadalajara (2005); House for Cesar and Mimi Reyes, Old San Juan (2004); Project, a reimagining of the lobby and new bookshop for Dia Art Foundation Chelsea, New York, US (2000); 4166 Sea View Lane, a proposal as part of an exhibition for LA MoCA to build an artist's house on a hillside in Mount Washington, Los Angeles, for which Pardo designed every element of the building (completed 1998).

Her ground - breaking 3 - exhibition cycle, If You Lived Here..., on homelessness, housing, and the built environment, which she organized at the Dia Art Foundation in New York in 1989, is regarded as a touchstone exhibition on these themes.

That was when it opened the refurbished Building 7 with a 25 - year exhibition of 105 in - situ wall drawings by Sol LeWitt, an influential Minimalist - Conceptualist who doesn't figure as prominently in the Dia power grid as others.

An apt point of comparison is with Dia: Beacon, which the Dia Art Foundation opened in Beacon, N.Y., in 2003 in a lavishly skylighted building of nearly 300,000 square feet built by the Nabisco Company in 1929.

The building was named the Dan Flavin Art Institute, and is maintained by the Dia Art Foundation.

He designed for Dia: Chelsea, where Dia is gone and now the whole building is on its way to demolition, driving out the Independent and other art fairs.

The Dia Foundation «s Chelsea headquarters may be gone, but the building remains to be used by the arts (most recently for the Outsiders Art Fair).

At the press conference for the reopening of the East Building galleries on Tuesday, September 27, 2016, James Meyer, chief curator and deputy director, Dia Art Foundation, introduced Los Angeles to New York: Dwan Gallery, 1959 — 1971.

But Dia began as an institution dedicated to supporting long - term projects by living artists, and for several years now, it has been trying to raise money to build a space for such endeavors in Manhattan, after outgrowing its two locations on West 22nd Street in Chelsea and closing them in 2004.

Nathalie de Gunzburg, the chairwoman of Dia's board, said that 60 percent of the money for a new building on West 22nd Street had been raised, but that the project had been stalled after the sudden departure early this year of Dia's previous director, Philippe Vergne, who left to take over the Museum of Contemporary Art in Los Angeles.

Since then, Dia has had two directors and started to raise money for a new building in Chelsea.

Probably every one of them knows that this building housed the former Dia: Chelsea.

The very day after the Outsider Art Fair raised the profile of outsider art, Mark Flood took over a floor of the same building (the former Dia: Chelsea and, in March, the Independent art fair) for the Insider Art Fair.

He has converted industrial buildings into the Dia Center for the Arts in New York and the Andy Warhol Museum in Pittsburgh.

The move from the East to the West represents a return to the New York fair's original side of Manhattan (the 2012 edition was held at the former Dia Art Foundation Building at 548 West 22nd Street in West Chelsea), but it also places it fairly close to the Armory Show, which opens to VIPs March 1 at Piers 92 & 94 (near West 53rd Street) on the Hudson River and runs through March 5.

The Whitney and Guggenheim museums, as well as the Dia Art Foundation and rhizome.org, initiated web commissions in the late 1990s and early 2000s, building substantial online infrastructure.

It is a poignant reminder of the time when the building was occupied by the Dia Art Foundation, conceptual commissions appeared on the roof, and March in New York wasn't dominated by art fairs.

Chinati Foundation In 1979, Judd began working with the Dia Art Foundation to purchase the buildings and land of Fort D.A. Russell, a decommissioned military base.

In 2004 Dia closed its two Chelsea galleries (its main operations were across the street at 548 West 22nd Street), saying it had outgrown the buildings.

Almost a year ago, after years of negotiations, Dia bought the former Alcamo Marble building at 541 West 22nd Street in Chelsea for $ 11.5 million.

On June 1, Dia: Beacon will unveil Robert Irwin: Excursus: Homage to the Square3, the artist's first exhibition in the building whose master plan he designed.

Situated on the ground floor of a sandstone building owned by Deutsche Bank, built in 1920, the compact 510 square - metre display area was designed by Richard Gluckman, whose other commissions have included The Andy Warhol Museum in Pittsburgh and The Dia Centre for the Arts in New York.

Even the stately Met has cut staff; no one knows if the Whitney is going ahead with its new downtown building; it's anyone's guess when Dia will finally open a permanent space in the city.

The building was named the Dan Flavin Art Institute and is maintained by Dia Art Foundation.

Dia already owned the flanking buildings, at No. 545 and No. 535.

Joseph Beuys, a subscriber to the idea of artist as shaman, performer of the piece «I Like America and America Likes Me» has a permanent installation outside Dia Chelsea, a converted loft building at 548 West 22nd Street purchased by the Dia Art Foundation in 1987.

In the late 1970s, under the auspices of the Dia Art Foundation, the artist Donald Judd acquired the former fort and began converting the buildings to house permanent large - scale art installations.

Once completed, the 26 - building, 16 - acre expanse that makes up the Massachusetts Museum of Contemporary Art will feature 250,000 square feet of formal exhibition space, making it the largest contemporary art museum in the country (Dia: Beacon in Dutchess County has 240,000) and one of the largest art museums.