Sentences with phrase «dialectics of»

About Blog We are a critical social justice collective dedicated to fostering an appreciation of the dialectics of crime, justice, and social harm..

Books Hannah Black, Vernacular Loneliness Kency Cornejo, Contemporary Art of El Salvador, 1977 - 2017 M. Neelika Jayawardane, Comrades with Cameras: The Afrapix Photographers» Collective and the Anti-Apartheid Movement Janet Kraynak, Contemporary Art and the Digitization of Everyday Life Shaka McGlotten, Black Data Amber Musser, Brown Jouissance: Feminine Imaginings Nada Shabout, The Dialectics of the Decorative in Iraqi Art Greg Youmans, Something New Under the Sun: Bay Area Queer Filmmaking Across the 1970s

This exhibition was entitled Dialectics of Isolation: An Exhibition of Third World Women Artists of the United States, and it showcased the work of important artists such as Judy Baca, Senga Nengudi, Howardena Pindell, and Zarina.

The «curatorial / editorial / convening / creative practice», developed by Mangion and Cauchi, deals with the dialectics of online / offline and the ways in which the two are converging in the contemporary art field.

Installation view of Howardena Pindell's Free, White and 21, 1980, in Dialectics of Isolation: An Exhibition of Third World Women Artists of the United States at A.I.R. Gallery (September 2 — 20, 1980).

Then again, in his seminal text The Dialectics of Decadence (1993) Donald Kuspit establishes how the concept of aesthetic purity, as posited by Donald Judd, is dependent upon its opposite: so - called decadent art (in this case the example given is the work of Sandro Chia, of whom Judd held a less than favourable opinion).

Hobbs: Lee had the greatest admiration for John Graham and she loved «Systems and Dialectics of Art.»

Of course the 16th - and 17th - century Chinese artists making these homage albums are light years away from the accelerated dialectics of Post-Enlightenment Western art, with an ethos apparently more congruent with that of Russian icon painters or Medieval and Gothic artists, many of whom remained anonymous, repudiating their individuality in the service of God.

The film was first shown in Dialectics of Isolation: An Exhibition of Third World Women Artists of the United States, curated by Ana Mendieta at A.I.R. Gallery in 1980.

In Dialectics of Isolation: An Exhibition of Third World Women Artists of the United States, A.I.R. Gallery (September 2 — 20, 1980).

In Moscow Biennial of Contemporary Art: Dialectics of Hope, Moscow: ArtChronika, 2005, 106 - 109.

In the first chapter, Xiao Yu takes the craft model ofThe Liaoning — China's first aircraft carrier — as a primer and sample to be a metaphor of the era of consumption: when the most advanced weapon been made into a craft model with the nature of exchange as gifts, its practicality had been transformed into aesthetics and consumptions; meanwhile, it enters into a rapid cycle which was internalized in its status as a consumable — it is this «quick update», together with «rapid abandonment / oblivion», that consist the paradoxical dialectics of contemporary life.

Olga uses new media as a means of expressing her own system of poetics based on the dialectics of high and low academism: where the artist endeavors to strike a balance between high - style classical models and contemporary elements of abstraction.

This exhibition consists of a series of propositions on how to stage a dialectics of excess and control — of seepage and ritual.

In «Frozen Lakes,» however, the curators» stated concern was not, as Crimp's was in the 20th century, the dialectics of production (i.e., the social structures that both informed and were reinforced by movies, television, music, magazines, and other mass - media outlets) but the conditions of circulation — the continuous and continually morphing flow of data on the Internet.

The artist tells Charlotte Higgins about the dialectics of Christmas stockings, his Das Kapital reading group with Michael Clark — and picking a fight with the British Museum

Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class.

Installed at Jones Center, with one Jim Lambie sculpture at Laguna Gloria, this group show addresses what senior curator Heather Pesanti describes as the «layers of meaning embedded in representations of the human form and the complex relationship between the dialectics of the viewer and the object.»

Graham's influence was disseminated further through his seminal text, Systems and Dialectics of Art (1937), which affirmed the American modernist belief about art — that it is a creative process of abstraction, it is a form of communication independent of any imitation, and it reveals the unknown.

His writing career culminated in a book, System and Dialectics of Art, published in 1939.

Arckus, Anthony Leon (introduction), Pittsburgh International (catalogue), Carnegie Institute, Pittsburgh, 1970 Billam, Michael (introduction), John Hoyland, Prints & Monotypes 1979 - 1983 (catalogue), Waddington Graphics, London 1983 Bowness, Alan (introduction), Recent British Paintings (catalogue), Whitechapel Gallery, London, 1967 Brett, Guy, «John Hoyland» in X Bienal de São Paulo Gra - Bretanha 1969 (catalogue), British Council / Lund Humphries, London, 1969 Compton, Michael, «John Hoyland» in Contemporary Artists, St James's Press, London, 1989 Gooding, Mel, «John Hoyland», John Taylor / Lund Humphries, 1990; The Poetic Trace: Aspects of British Abstraction since 1945 (catalogue), Adelson Galleries, New York, 1992; John Hoyland in the 1960s (catalogue), Neville Keating Pictures Ltd, London, 2001 Harrison, Charles, «John Hoyland» in X São Paulo Biennale 1969 (catalogue), Brazil, 1969 Hoyland, John, «Hans Hofmann — An Appreciation» in Hans Hofmann: Late Paintings (catalogue), Tate Gallery, London, 1988 Hoyland, John, The Dialectics of Vision: Hoyland's Bali Paintings (catalogue), Theo Waddington, London 1995 John Hoyland (catalogue), Waddington Galleries, London 1973 John Hoyland (catalogue), Galeria Modulo, Lisbon, 1976 John Hoyland (catalogue), Waddington Galleries, London, 1981 John Hoyland (catalogue), Waddington Galleries, London 1985 John Hoyland: Paintings (catalogue) Waddington Galleries, London, 1969 John Hoyland: Paintings (catalogue), Waddington Galleries, London, 1970 John Hoyland: Recent paintings (catalogue), Waddington Galleries, London, 1971 Lambirth, Andrew, «John Hoyland: Scatter the Devils», Unicorn Press 2009 Lucie - Smith, Edward, British Painting and Sculpture 1960 - 1970 (catalogue), National Gallery of Art, Washington DC, 1970 Lynn, Elwyn, «Hoyland — Then and Now» in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in Smithsonian, vol.

They collapse the dialectics of inside and outside.

But there are surely echoes and affinities between the writing and thinking promoted by Alfred H. Barr Jr. at the Museum of Modern Art, by Albert Gallatin with the publications of his Gallery of Living Art at New York University, by Duncan Phillips through the Phillips Collection and books such as his 1937 The Leadership of Giorgione, and by John Graham (who exhibited at the Phillips Collection) with his eccentric underground classic, System and Dialectics of Art.

One suspects that Graham's theory of abstract painting — a potential synthesis of his obsessions with the occult, esoteric philosophies, Freud, Jung, «primitive» art and European modernism, revealed and defined in his book System and Dialectics of Art (pub.

Proust's influence reveals itself in both Lim's artistic approach and the formal qualities of her work, evident in her interest in the peripheral, questions of dislocation and self - alienation, and the dialectics of inside and outside.

Significant writing projects, both published in 1937, were the essay «Primitive Art and Picasso» in the Magazine of Art, and the book System and Dialectics of Art, which outlined his theories on abstract paintings and provided an international context for American Art for the first time.

Herewith the dialectics of publishing in these times, framed in American sporting and business cliches:

A humble orientation required dialectics of action and reflection that prepared preservice teachers for their roles as professionals, mentors, and civil servants.

The critical ecopedagogy of scholar / activists such as Richard Kahn, Sam Fassbinder, Tina Evans, and David Greenwood operates within an overall dialectics of justice in which environmental justice and ecological justice (the former relating to the unequal distribution of harmful environments between people and the later referring to the relationship between humans and the rest of the world).

Consider the chapter The Dialectics of Disruption: Paradoxes of Nature and Professionalism in Contemporary American Childbearing by Caroline Bledsoe and Rachel Scherrer.

So here — about two miles from the death and destruction of Sept. 11, in a town where each morning 40,000 men and women boarded the ferry and the PATH train to go to work at the World Trade Center — played out one of the central dialectics of the tragedy's aftermath: To play or not to play?

Herewith the catalogue précis: «Examining the dialectics of decency and indecency and exploring a theology of sexual stories from the margins is the focus of Indecent Theology.

The dialectics of experience solidified into a dominating explanation.

Probably it belongs to the dialectics of history that direct human association with unique historical individuals, the savior and his mother, had to develop before any adequate feeling for the mystique of the earth could take place.

We have to go forward to a post-modern humanism that takes the dialectics of the human spirit at work in human creativity and destructivity more seriously.

We were theologically literate — the subtle dialectics of Lutheran theology required doctrinal astuteness — and we had little use in our piety for emotionalism or enthusiasm.

The dialectics of idealism denies the reality of sin and evil, the demonic and the satanic forces that penetrate all the structures of life.

Luther was intensely aware of the traditional Augustinian dialectics of this problem, and works them out with great care in the Lectures on Romans (1515 — 1516).

With a new concept of a second stage, we would change drastically the present governance based upon the dialectics of surveillance, recommendations and sanctions.

The last article of his that I read, moments before learning of his death, was his piece in the February issue of First Things called «On Loving the Law of God,» an engaging essay (responding to one by Gilbert Meilaender) on the law - and - gospel dialectic of Lutheranism.

Throughout this reflection runs an intricate dialectic of justice and grace.

IN HIS CELEBRATED 1948 essay on detective fiction, «The Guilty Vicarage,» W.H. Auden argued that the appeal of crime novels lies in their «dialectic of innocence and guilt.»

With the assumption of the dialectic of Hegel, however, the death of God is now universalized; it is not only an existential event but a cosmic one.

They suggest that the «fundamental dialectic of our times is between reality and unreality, especially now that we have power to influence and create both.»

It contains evidence of both his mythico - mystical orientation and the existentialist posture that is fully rehearsed in Mircea Eliade and the Dialectic of the Sacred.

Economics is not a natural science, describing how events in the world of production and distribution must occur, whether by the laws of the free market or by the dialectic of economic determinism.

Second, there is the historico - existentialist orientation of Mircea Eliade and the Dialectic of the Sacred (1963) and articles of that time.

To draw an analogy between Hegel's dialectic of Spirit and the evolution of Altizer's own thought is too tempting to avoid.

With the definition of religion given, Marxism would have to be considered a religion, at least for those who do not use it as a means to some political or economic end, but who find «in the conception of the «dialectic of history» with its inevitability, its total relevance, its impersonal justice - making power, the object of supreme valuation and complete relevance to life....

Even as the absence of a feudal order and established church have shaped American institutions and political habits, the dialectic of a feudal order and established churches and of secularist rejection of religion has structured European attitudes toward the United States, particularly toward the American experiment in religious freedom and toward the seemingly unabating religious vitality that this system has produced.