Sentences with phrase «dias museum»

Mossel Bay offers a variety of activities and attractions such as golfing, walking trails, the Bartolomeu Dias Museum, and the Garden Route Casino.

Just 20 minutes outside George, the capital of the Garden Route, ArendsRus is within one hour's drive of most Garden Route attractions, from Oudtshoorn and the Cango Caves to Mossel Bay's famous Dias Museum, the Wil... Flexible Cancellation!

The tree is the centre piece of the Bartolomeu Dias Museum Complex.

Hoog 109 High is a centrally located self - catering unit situated within a 1 km walking radius of Santos Blue Flag beach, The Point, Dias Museum, various shops and restaurants, and the Mossel Bay Yacht and Boat Club...

Nearby attractions and activities include Bartolomeu Dias Museum, Botlierskop Game Reserve, deep - sea fishing, swimming and hiking.

Attractions nearby include Botlierskop Game Reserve, De Bakke Beach, Dias Museum, Mossel Bay Golf Club, and Robberg Nature Reserve.

Mossel Bay has a variety of places and things to do that will keep everyone entertained, from the Bartolomeu Dias Museum Complex, golf, wind and kite surfing, to spas and entertainment centres.

Nearby attractions include St Blaize Hiking Trail, Dias Museum, Botlierskop Private Game Reserve, Mossel Bay Golf Club, and De...

The Big Blue is is approximately 2 km from the beach, and The Dias Museum is approximately 1.6 km away.

Just 20 minutes outside George, the capital of the Garden Route, ArendsRus is within one hour's drive of most Garden Route attractions, from Oudtshoorn and the Cango Caves to Mossel Bay's famous Dias Museum, the Wilderness lakes district and Knysna alluring lagoon.

Not exact matches

While at the museum, check out the many activities for children, including Family Sundays, art classes and special projects such as decorating sugar candy skulls and creating Dia de los Muertos art of your own.

Prista was first exposed to molecular gastronomy in 2003 when her lab head, Maria Loureiro - Dias, prepared an exhibition for the local museum.

Assistant Park City manager Matt Dias and Park City Museum director Sandra Morrison talk about the mitigation efforts to save the Daly West Mine structure.

The Maritime Museum Home to many delights, not least of all the Dias Caravel; a life - size replica of one of the caravels used by the Portuguese explorers of old.

Mossel Bay offers a variety of activities such as fishing, 4x4 trails, mountain bike trails, and attractions such as the Bartholomeu Dias Maritime Museum, the Garden Route Casino, Cape St Blaise Lighthouse, the Hartenbos Waterpark and more, enough to keep the whole family entertained.

Mossel Bay also offers activities and attractions such as mountain biking, and fishing, as well as the Bartholomeu Dias Maritime Museum, the Hartenbos Waterpark and more.

Mossel Bay offers a variety of attractions and activities such as fishing, mountain biking, the Bartholomeu Dias Maritime Museum, Cape St Blaise Lighthouse, the Garden Route Casino, the Hartenbos Waterpark and more.

He is a trustee of the Jewish Museum in New York and his French wife, Nathalie, is chairman of the Dia Art Foundation «s board of trustees.

A large part of Beacon's charm is its vibrant arts culture, which includes Dia: Beacon (diaart.org/sites/main/beacon), one of the country's largest museums of contemporary art.

Dia collaborated with American artist Robert Irwin and architect OpenOffice to formulate the plan for the museum building and its exterior setting and grounds.

Additional select solo exhibitions include Museum Ludwig, Cologne, Germany (2013); and Galerie Neue Meister, Albertinum, Dresden (2012); Wexner Center, Columbus, Ohio (2006); and Dia: Beacon, Beacon, New York (2005).

Riff's work has also been included in international museums and exhibitions, including the Venice Biennale (1990, 1993), Dia Center for the Arts, New York (1994), Palacio de Vela?zquez / Museo Nacional Centro de Arte Reina Sofi?a, Madrid (2001), and the Museum moderner Kunst Stiftung Ludwig (MUMOK), Vienna (2013).

Life and Death of Objects (87:00) Yve - Alain Bois, Professor of Art History, Institute for Advanced Study David Bomford, Associate Director of Collections, J. Paul Getty Museum Jim Coddington, Agnes Gund Chief Conservator, Museum of Modern Art Christine Mehring, Associate Professor of Art History, University of Chicago Jill Sterrett, Director of Collections and Conservation, San Francisco Museum of Modern Art Moderator: Jeffrey Weiss, Director, Dia Art Foundation

The museum is a huge industrial space, ten times bigger than Dia Beacon, and I'll be working with the whole first floor.

In the 1990s, the artist's work was presented at the Austrian Pavilion of the 44th Venice Biennale (1990); documenta IX, Kassel (1992); Museum of Contemporary Art, Los Angeles; Dia Center for the Arts, New York (both 1994); and the Städtisches Museum Abteiberg, Mönchengladbach (1996).

Since then Marden has been the subject of numerous solo exhibitions at venues such as the Dia Center for the Arts, New York and the Fogg Art Museum, Cambridge, MA.

An independent curator who was teaching in the art and architecture department of Brown until the museum scooped her up, Martin is not specialist in Dia's minimalist, historical works.

Dia: Beacon serves as a private foundation, a fabulous museum entirely for late Modernism, a day trip along the very source of American art, and an enclave.

Artworks come from museum collections such as the Reina Sofia in Madrid, MNAM Centre Georges Pompidou in Paris, Paul Klee Zentrum in Bern, Munchmuseet in Oslo, Stedelijk Museum in Amsterdam, Tate Britain in London, and the Dia Foundation in New York, as well as from the collections of both the GAM - Torino and the Castello di Rivoli, and numerous private collecmuseum collections such as the Reina Sofia in Madrid, MNAM Centre Georges Pompidou in Paris, Paul Klee Zentrum in Bern, Munchmuseet in Oslo, Stedelijk Museum in Amsterdam, Tate Britain in London, and the Dia Foundation in New York, as well as from the collections of both the GAM - Torino and the Castello di Rivoli, and numerous private collecMuseum in Amsterdam, Tate Britain in London, and the Dia Foundation in New York, as well as from the collections of both the GAM - Torino and the Castello di Rivoli, and numerous private collections.

One sees, too, as at Dia's abandoned Chelsea museum, an artist's career in depth.

Recent solo exhibitions include the Rubin Museum of Art, New York; Schirn Kunsthalle, Frankfurt; Uffizi Gallery, Florence; Reykjavik Art Museum, Reykjavik; Solomon R. Guggenheim Museum, New York; Musée National d'Art Moderne, Centre Georges Pompidou, Paris; SFMoMA, San Francisco; Dia Art Foundation, New York; The Museum of Modern Art, New York; Nationalgalerie, Berlin; and Stedelijk Museum, Amsterdam.

Baltimore Museum of Art curators Christopher Bedford and Katy Siegel talk with Dia Art Foundation curator Courtney J. Martin about «Solidary and Solitary: The Joyner / Giuffrida Collection» at the Ogden Museum of Southern Art, September 30, 2017.

In addition, Leonard's art has been the subject of solo shows at the Chinati Foundation (Marfa, Texas), Camden Arts Centre (London), Dia: Beacon; the Philadelphia Museum of Art; Kunsthalle Basel and others.

The 1990s brought widespread international recognition, and the artist's work was presented in numerous prestigious venues worldwide including the Austrian Pavilion of the 44th Venice Biennale (1990); documenta IX, Kassel (1992); The Museum of Contemporary Art, Los Angeles; Dia Center for the Arts, New York (both 1994); Carnegie Museum of Art, Pittsburgh (Carnegie International, 1995); Villa Arson, Nice (1995 - 96); and the Städtisches Museum Abteiberg, Mönchengladbach (1996).

Permanent works and public projects include Streetcar Stop for Portland, Regional Arts and Culture Council, Portland (2014); Plat 99, Bar and Lounge designed for The Alexander Hotel, Indianapolis, (2013); Tecoh, private residence, Yucatán (2012); Untitled (reinstallation of the Latin American Galleries), LACMA Los Angeles County Museum of Art, Los Angeles, US (2008); Untitled (Guadalajara Light Piece), Solares Foundation, Guadalajara (2005); House for Cesar and Mimi Reyes, Old San Juan (2004); Project, a reimagining of the lobby and new bookshop for Dia Art Foundation Chelsea, New York, US (2000); 4166 Sea View Lane, a proposal as part of an exhibition for LA MoCA to build an artist's house on a hillside in Mount Washington, Los Angeles, for which Pardo designed every element of the building (completed 1998).

Carl Andre ran at Dia: Beacon through March 9, 2014, and at Paula Cooper through July 25, 2013, Charles Gaines at the Studio Museum in Harlem through October 26, 2013.

Museums always depend on donors and audiences, though — and plenty, from the Frick through Dia: Beacon, got their start in that no man's land.

Numerous institutions have shown his work: the Dia: Beacon, New York this year, the Whitney Museum of America Art, New York in 1977 and 2013, the San Diego Contemporary Art Museum in 2008, the Dia: Chelsea, New York in 1999, the MoCA of Los Angeles in 1993, the San Francisco MoMA in 1985, the MoMA, New York in 1970,... He produced the installation for the United States Pavilion at the Venice Biennale in 1976.

I would take a great patron like the pope for Michelangelo, Cubism's Ambroise Vollard, the modern museum's Alfred Barr and Hilla Rebay, Soho's Leo Castelli and Paula Cooper, or Dia's Heiner Friedrich anytime.

He has collaborated with such major figures as Adrian Piper, Joan Jonas, Glenn Ligon, Stan Douglas, Adam Pendleton, Lorna Simpson, and Kara Walker; commissioning institutions of Moran's work include the Walker Art Center, the Philadelphia Museum of Art, the Dia Art Foundation, and Jazz at Lincoln Center.

Recent exhibitions dedicated to Tacita Dean have been held at the Australian Centre for Contemporary Art at Melbourne (2009), Dia: Beacon, New York (2008) and Guggenheim Museum, New York (2007).

Riley has had solo exhibitions at institutions worldwide including the National Gallery in London, Walker Art Gallery in Liverpool, Musée d'Art Moderne de la Ville de Paris, Sydney's Museum of Contemporary Art, the Art Institute of Chicago, Museum Haus Esters and Kaiser Wilhelm Museum in Krefeld, Germany, and Dia Center for the Arts in New York.

UPenn alums of the MA program have held curatorial positions or organized exhibitions at LACMA, the Dia Art Foundation, and the Philadelphia Museum of Art, among other institutions.

It initiates a series of institutional exchanges between Dia and the Museo Reina Sofía, Spain's national museum of modern and contemporary art.

Major solo exhibitions include «Bruce Nauman: Inside Out» Museo Nacional Centro de Arte Reina Sofía (1993 - 94, traveled to Walker Art Center, Minneapolis; Museum of Contemporary Art, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Museum of Modern Art, New York, through 1995); «Bruce Nauman: Mapping the Studio I (Fat Chance John Cage),» Dia Center for the Arts, New York (2002); «Mapping the Studio,» Museum für Gegenwartskunst, Basel (2002); «Bruce Nauman: Theaters of Experience,» Deutsche Guggenheim, Berlin (2003); «Bruce Nauman: Raw Materials» Unilever Commission, Tate Modern Turbine Hall (2005); «A Rose Has No Teeth: Bruce Nauman in the 1960s,» UC Berkeley Art Museum and Pacific Film Archive, Berkeley, CA (2007); «Notations / Bruce Nauman: Days and Giorni,» Biennale di Venezia (2009, traveled to Philadelphia Museum of Art; and Museum of Modern Art, New York (through 2010); «Bruce Nauman: Dream Passage,» Hamburger Bahnhof, Berlin (2010); and «Bruce Nauman's Words on Paper,» Art Gallery of Ontario (2014).

Ayn has previously presented projects by Joa Baldinger, John Chamberlain, Dan Flavin, Arnulf Rainer, Andy Warhol and Maria Zerres, with the help of such important museums and foundations as The Brant Foundation of Greenwich, Connecticut, The Dia Art Foundation, the Guggenheim Museum, the Menil Collection in Houston, and the Staatsgalerie Moderner Kunst in Munich.

In addition to her work in Texas, Pace served on the national committee of the Whitney Museum of American Art, the national council of the Aspen Art Museum, a member of the Anderson Ranch Arts Center in Aspen, a member of the arts advisory committee at The Aspen Institute, a member of the board of trustee at the Dia Center for the Arts in New York, a member of the international council of the Tate Gallery, and won numerous awards for her commitment to artistic distinction Linda Pace died on July 2, 2007.

In Marfa, this project eventually grew, with the financial help of the fledgling Dia Art Foundation, into a large - scale, multi-building museum now called The Chinati Foundation.

Plus: 14th - century cave art found on uninhabited Caribbean island Massachusetts attorney general files to halt Berkshire Museum sale Dia Art Foundation directorship is endowed by Nathalie and Charles de Gunzburg and recommended reading

This publication features transcripts of two interviews with the artist: Thelma Golden, Director and Chief Curator of The Studio Museum in Harlem and Courtney J. Martin, Deputy Director and Chief Curator at Dia Art Foundation.