As if to prove you can make art that is politically engaged and a joy to experience,
the Diaspora pavilion in the Palazzo Pisani features a squad of displaced artists from Britain, young and old, who have created one of the Biennale's best events.
Not exact matches
The jury lauded Armenia, in a statement, «for forming a
pavilion based on a people in
diaspora, each artist engaging their specific locality as well as their heritage.»
Entitled Armenity — a term inspired by the
diaspora of Armenian artists and intellectuals around the world — the
pavilion embraces the work of eighteen contemporary artists, all of which are descendants of Armenian Genocide survivors.
A challenge to the prevalence of «national»
pavilions at the Venice Biennale, the
Diaspora Pavilion at the 2017 festival showcased the work of 19 artists responding to the concept of «diaspora» and its continued relevanc
Diaspora Pavilion at the 2017 festival showcased the work of 19 artists responding to the concept of «
diaspora» and its continued relevanc
diaspora» and its continued relevance today.
2018 Front Row feature on
Diaspora Pavilion, BBC Radio 4, 23 February 2017 Venice Biennale: British New Voices BBC2 documentary on
Diaspora Pavilion, 2 September 2017 Tim Marlow at the 57th Venice Biennale: Far Flung
Pavilions Sotheby's Youtube channel, 31 May 2017 BBC News Venice Biennale report including
Diaspora Pavilion, 10 May 2012 The Weekend Strand interview on Lightness, BBC World Service, 15 July 2008 Newsnight interview on the Beijing Olympics, 8 August 2007 BBC Radio Manchester interview on DIY Ballroom / Live, 12 October
The
pavilion also forms part of the 22 - month, joint ICF and UAL project «
Diaspora Platform», which is designed to deliver mentoring and professional development by eleven selected mentors for twelve UK - based emerging artists whose work engages with the topic of the d
Diaspora Platform», which is designed to deliver mentoring and professional development by eleven selected mentors for twelve UK - based emerging artists whose work engages with the topic of the
diasporadiaspora.
The
Diaspora Pavilion is conceived as a challenge to the prevalence of national pavilions within the structure of an international biennale and takes its form from the coming - together of nineteen artists whose practices in many ways expand, complicate and even destabilise diaspora as term, whilst highlighting the continued relevance that diaspora as a lived reality hold
Diaspora Pavilion is conceived as a challenge to the prevalence of national
pavilions within the structure of an international biennale and takes its form from the coming - together of nineteen artists whose practices in many ways expand, complicate and even destabilise
diaspora as term, whilst highlighting the continued relevance that diaspora as a lived reality hold
diaspora as term, whilst highlighting the continued relevance that
diaspora as a lived reality hold
diaspora as a lived reality holds today.
The award for best national
pavilion went to Armenia, whose exhibition, «Armenity,» featured a group of artists from the Armenian
diaspora who, as organizers of the show wrote, are «grandchildren of survivors of the Armenian Genocide — the first genocide of the 20th century» and builders of «a «transnational assembly» from the remnants of a shattered identity.»
By bringing together a group of 19 UK - based, ethnically diverse artists, the
pavilion speaks eloquently of the infinite complexities of the very idea of nationality, whilst highlighting the continued relevance that
diaspora as a lived reality holds today.
In a year of creeping and suffocating nationalisms, the creation of a
Diaspora Pavilion is a particularly effective way of foregrounding global networks and displacement, trans - nationalisms and cross-cultural exchange, creating a contrast to the rather anachronistic notion of national
pavilions.
«She had an energy about her,» said fellow artist Ray Fiasco, who exhibited alongside Saye as part of the
Diaspora Platform at the Venice Biennale — a
pavilion curated by David A Bailey to showcase young racially and culturally diverse emerging artists.
The
Diaspora Pavilion is conceived as a challenge to the prevalence of national
pavilions at the Biennale.
Another
pavilion that refutes the privileged position that the nation state is given at the Venice Biennale and challenges the depressing number of black artists in Christine Macel's vision is the
Diaspora Pavilion, which is presented by the International Curators Forum and University of the Arts London.