Sentences with phrase «did luc»

Did Luc Besson get his groove back?

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We know what you think about the nominees for this year's Primetime Emmy Awards, but what do the luc...

We found the second most affordable renters insurance quotes in Wisconsin at Fond du Luc, with premiums for the sample property also 8.9 % lower than the average for the state.

Not exact matches

September 2016 (5310 kb PDF file): The September 2016 issue of the IMF Research Bulletin includes the following two Research Summaries: «A New Look at Bank Capital» (by Jihad Dagher, Giovanni Dell» Ariccia, Luc Laeven, Lev Ratnovski, and Hui Tong) and «Does Growth Create Jobs?

«I don't ever want to run a team differently ever again because it's what we should be doing as leaders anyways,» Luc declares.

Readers interested in a theoretical critique of animal rights as antiliberal would do well to consult Luc Ferry's 1992 work Le nouvel ordre ecologique (The New Ecological Order, scheduled to be published in translation by the University of Chicago Press in 1995).

I didn't tell her it was luc lac, or water buffalo.»

«Luc doesn't understand how Americans can get so excited about basketball.

Says former Clippers forward Luc Mbah a Moute, «Guys just did their own thing.»

Not only did they listen to our agitations but also LASG took action to allay our fears and worries by bringing the LUC rates down and introducing some other tax burden relief measures.

As a Ph.D. student, Vermeulen was «an extremely motivated scientist, really striving to do things very well... and trying to reach [his] goals,» says Luc De Meester, a former colleague of Vermeulen's who today is a full professor in the department of biology at the University of Leuven.

«There are huge expectations of MPAs in protecting marine biodiversity, but until this study we didn't have a truly comprehensive picture of whether, and under what conditions, they are likely to be effective,» said Jon Hutton, Director of the Luc Hoffman Institute.

This year, some will be asking questions about Robert Gallo, who did not share today's Nobel for medicine or physiology with Luc Montagnier and Francoise Barre - Sinoussi.

As Thomas and Luc become closer, their new relationship begins to alienate their significant others, and Thomas» father (Fred Ulysse) can not understand why his son doesn't fight against his illness with great vehemence.

Sure, she probably could learn to speak French with a Montréal accent if she should get the strange notion to do so, but writer - director Luc Besson has other plans for this brainiac.

In no other sense, however, does the word «logical» apply to writer - director Luc Besson's return to blockbuster form — which is to say, his latest aggressively stylish, self - consciously feminist, gratuitously globe - trotting pulp - trash extravaganza.

«Lucy» doesn't make a lick more sense than «Transcendence» did — even though both feature Morgan Freeman working overtime to talk us through the proceedings — but at least «Lucy» has the good fortune to be written and directed by Luc Besson, which means that while the results may be cuckoo - bananas, they're never boring.

In case we don't get his point, Luc Besson, the intellectual vacuum that expelled Lucy from its emptiness and into the world, cuts to a museum where we can see a replica of the evolutionary throwback that his mouth - breathing mouthpiece intends.

Writer / director Luc Besson directs Scarlett Johansson in Lucy, an action - thriller that examines the possibility of what one human could truly do if she unlocked 100 percent of her brain capacity and accessed the furthest reaches of her mind.

And while we don't have films this year by festival (and my) favorites Luc and Jean - Pierre Dardenne, we do have Abbas Kiarostami, Michael Haneke, David Cronenberg, Jacques Audiard and Ken Loach.

And Luc Besson sidekick Pierre Morel tries to do for Sean Penn what he did for Liam Neeson in Taken: The Gunman, as mentioned above, drops the star of Milk and Mystic River deep into the Republic of Asskickistan.

Action specialist and co - writer / producer Luc Besson has fashioned another slick thriller - with a twist of sci - fi - to rank alongside this Transporter franchise; while a buff Pearce does his best in a role more suited to Jason Statham.

When visionary director Luc Besson released his weird, imaginative sci - fi flick The Fifth Element in 1997, audiences didn't quite know what to think of it, and thus, it was taken to town by critics.

The absurd pair's bowler hats give the film a whiff of Dadaism and René Magritte's Surrealist paintings, while the in - bred Van Peteghems, including Aude and André's idiot brother Christian (Jean - Luc Vincent), invoke Monty Python's «upper - class twits» — Pythonesque, too, is the severed foot La Loute's mother offers her hungry brood — or even the self - indulgent gentry of Jean Renoir's La Règle du Jeu (1939).

Starring: Bruce Willis, Gary Oldman, Mila Jovovich Directed by: Luc Besson Written By: Luc Besson, Robert Mark Kamen Rating: PG (US) Running Time: 2 hr 6 min Two Cents: Not only does this film have great pace, but it even at times...

Beating Heart (Henri Decoin, France) Bicycle Thieves (Vittorio De Sica, Italy) Enamorada (Emilio Fernández, Mexico) Tokyo Story (Yasujiro Ozu, Japan) Vertigo (Alfred Hitchcock, United States of America) The Apartment (Billy Wilder, United States of America) Démanty noci (Jan Němec, Czech Republic) War and Peace (Sergey Bondarchuk, Russia) La Religieuse (Jacques Rivette, France) Četri balti krekli (Rolands Kalnins, Latvia) The Hour of the Furnaces (Fernando Solanas, Argentina) Le Spécialiste (Sergio Corbucci, France / Italy / Germany) João and the Knife (George Sluizer, the Netherlands) Blow for Blow (Marin Karmitz, France) One Sings the Other Doesn't (Agnès Varda, France) Grease (Randal Kleiser, United States of America) Fad» jal (Safi Faye, France) Five and the Skin (Pierre Rissient, France / Philippines) A Ilha dos Amores (Paulo Rocha, Portugal / Japan) Out of Rosenheim (Percy Adlon, Germany) Le Grand Bleu (Luc Besson, France / United States of America / Italy) Driving Miss Daisy (Bruce Beresford, United States of America) Cyrano de Bergerac (Jean - Paul Rappeneau, France) Hyenas (Djibril Diop Mambety, Senegal / France / Switzerland) Lamb (Paulin Soumanou Vieyra, Senegal) Destiny (Youssef Chahine, Egypt / France)

Though Luc Besson was smart to go the «Fugitive» route for the third installment (there's no way he could have gotten away with doing another story about the Albanian baddies), it results in a movie that feels very different from its predecessors.

Based on the play Juste la fin du monde by Jean - Luc Lagarce, the film was awarded the Grand Prix and the Ecumenical Jury Prize at -LSB-...]

Special Features New 2K digital restoration, with uncompressed monaural soundtrack New interview with Richard Neupert, author of A History of the French New Wave Cinema Jacques Rivette's 1956 short film Le coup du berger, featuring cameos by fellow French New Wave directors Claude Chabrol, Jean - Luc Godard, and Francois Truffaut New English subtitle translation Plus: An essay by critic Luc Sante

Although he hasn't done anything as worthwhile since, The Transporter is still a major disappointment for Yuen because of the association with Luc Besson, who provides the screenplay.

The Blu - ray and DVD feature Rivette's 1956 short Le coup du berger, which stars Jean - Claude Brialy and features appearances by his fellow film critics (and future nouvelle vague filmmakers) Claude Chabrol, Jean - Luc Godard, and Francois Truffaut, and an interview with critic and historian Richard Neupert.

Among the guests in the opening party scene are Claude Chabrol and Rivette himself, Jean - Luc Godard is a man at a sidewalk café interviewed by Anne, and Jacques Demy is also supposed be in the film (though I did not spot him myself).

The Violent Professionals (1973 — Italy) Tough cop Giorgio (Luc Merenda) doesn't like to play by the rules, going as far as gunning down a ruthless criminal in broad daylight.

The personnel involved with Non-Stop still don't really compare to the folk who worked on previous memorable Neeson - starring thrillers, be they screenwriter / producer Luc Besson (Taken and this year's Taken sequel) or The Grey writer / director Joe Carnahan.

The most enduring critique leveled against the cinema du look is its fixation on surface, an obsession that reaches its apotheosis in Luc Besson's The Big Blue.

As the most indefatigable moviegoer of all the Cahiers du Cinema critics who became directors — a distinguished group including Olivier Assayas, Leos Carax, Claude Chabrol, Jean - Luc Godard, Luc Moullet, Eric Rohmer, Andre Techine, and Francois Truffaut, among others — he knows MGM musicals like the back of his hand.

Adieu au langage (Goodbye to Language, Jean Luc Godard, 2014) Godard's first feature length 3D film broke all the rules about what one should and should not do when shooting in 3D.

Didn't get to watch but would surely be in this list: Adieu au langage (Goodbye to Language, Jean - Luc Godard, 2014) Cavalo Dinheiro (Horse Money, Pedro Costa, 2014)

Trudno byt bogom (Hard to Be a God, Aleksei German, 2013) Fort Buchanan (Benjamin Crotty, 2014) A Minute Ago (Rachel Rose, 2014) Adieu au langage (Goodbye to Language, Jean - Luc Godard, 2014) Day is Done (Mike Kelley, 2005 — cinema installation) Broad City Season 1 (Ilana Glazer & Abbi Jacobson, 2014) Here's to the Future!

Luc Dardenne: This story was running through our heads while we were working on another screenplay about a female doctor, a screenplay that didn't come together in the end.

Still looking forward to seeing many new works including: Feng ai («Til Madness do Us Part, Wang Bing), Cavalo Dinheiro (Horse Money, Pedro Costa), Inherent Vice (Paul Thomas Anderson), Heaven Knows What (Josh & Benny Safdie), La última película (Raya Martin & Mark Peranson), Mommy (Xavier Dolan), Haganenet (The Kindergarden Teacher, Nadav Lapid), Citizenfour (Laura Poitras), Turist (Force Majeure, Ruben Östlund), Saint Laurent (Bertrand Bonello), Les trois désastres (part of 3X3D, Jean - Luc Godard), Mula sa kung ano ang noon (From What is Before, Lav Diaz) and Pardé (Closed Curtain, Jafar Panahi).

I did love Mark Strong as a bespectacled assassin (shades of credited «adapter» Luc Besson's Léon); the rest of it is cross-eyed badger shit — that bit about sound and fury and meaning nothing applicable again and particularly.

Here's the full list of 142 films that featured on our contributors» ballots: (Disclaimer: Luc Besson's Lucy didn't get a single vote - I just like this image of Scarlett sorting through stuff) 71 1001 Grams 12 Years a Slave 20,000 Days on Earth 22 Jump Street 52 Tuesdays A Girl at my Door A Most Violent Year A Most Wanted Man A Touch of Sin Aberdeen Alleluia American Sniper Birdman Black Coal, Thin Ice Blind Blue Ruin Boyhood Calvary Captain America: The Winter Soldier Casa Grande Chef Citizenfour Climbing to Spring Cold in July Danger 5 Dawn of the Planet of the Apes Der Samurai Duke of Burgundy Edge of Tomorrow Electric Boogaloo Enemy Fandry Force Majeure Frank Free Fall From What is Before Giovanni's Island Gone Girl Goodbye to Language Guardians of the Galaxy Haemoo Han Gong - ju Hard to be a God Horse Money Housebound Ida Inherent Vice Interstellar It Follows Jauja Jigarthanda Jodorowsky's Dune John Wick Killers Lady Maiko Les Combattants Leviathan Li'l Quinquin Life Itself Like Father Like Son Locke Love and Terror on the Howling Plains of Nowhere Magical Girl Maidan Man From Reno Melbourne Memphis Mommy National Gallery New World Nightcrawler Norte, The End of History Nymphomaniac Of Good Report Only Lovers Left Alive Over Your Dead Body Pale Moon Peaky Blinders Pride R100 Red Army Seven Weeks Sils Maria Snowpiercer Song of the Sea Sorrow and Joy Spring Stand By Me Doraemon Starred Up Starry Eyes Stray Dogs Texas Chain Saw Massacre The Act of Killing The Babadook The Dam Keeper The Double The Editor The Grand Budapest Hotel The Great Beauty The Great Passage The Guest The Hobbit The Internet's Own Boy The Kingdom of Dreams and Madness The Lego Movie The Missing Picture The One I Love The Overnighters The Penguins of Madagascar The Raid 2 The Sacrament The Second Game The Secret Life of Walter Mitty The Snow White Murder Case The Tale of the Princess Kaguya The Terror Live The Tribe The Wind Rises The Wolf of Wall Street The Wonders The World of Kanako These Final Hours They Came Together Tokyo Tribe Tusk Two Days, One Night Under the Skin Wadjda We Are The Best!

Jean - Luc Godard, Histoire (s) du cinema 4.

Reservoir Dogs, True Romance and Pulp Fiction (the first two I watched back to back one weekend afternoon, after my friends learned I'd never seen a Tarantino film; I had heard he'd won the Palme d'Or, but didn't know he'd made any other movies) demanded we familiarize ourselves with their influences: film noir, Howard Hawks, Jean - Luc Godard (one of our favorite pass - times was driving around to all the video stores in town looking for a copy of Breathless.

Adding significant physical weight to the DVD package is the striking 32 - page booklet, which includes a lengthy essay by Kent Jones (better known as the Editor - at - Large for «Film Comment» magazine), and long, fascinating transcript from a 1959 roundtable discussion among «Cahiers du Cinema» members Eric Rohmer, Jean - Luc Godard, Jacques Doniol - Valcroze, Jean Domarchi, Pierre Kast, and Jacques Rivette.

What Jean - Luc Godard did for «the generation of Marx and Coca - Cola» in the mid-1960s, Wong Kar - wai did for restless Hong Kong youth during the anxious decade that preceded the handoff to China.

Histoire (s) du cinema (Jean - Luc Godard)

SPECIAL SCREENINGS «Beyond the Lights,» Gina Prince - Bythewood, USA / World Premiere «Clouds of Sils Maria,» Olivier Assayas, France / USA / North American Premiere «The Cobbler,» Thomas McCarthy, USA / World Premiere «Don't Go Breaking My Heart 2,» («Dan Shen Nan Nu 2»), Johnnie To, Hong Kong / China / World Premiere «Gemma Bovery,» Anne Fontaine, France / World Premiere «Gentlemen,» Mikael Marcimain, Sweden / World Premiere «Gomorrah,» Stefano Sollima, Italy / North American Premiere «Human Highway (Director's Cut),» Bernard Shakey and Dean Stockwell, USA / World Premiere «Madame Bovary,» Sophie Barthes, United Kingdom / Belgium / World Premiere «Maggie,» Henry Hobson, USA / World Premiere «Pride,» Matthew Warchus, United Kingdom / North American Premiere «Revenge of the Green Dragons,» Andrew Lau and Andrew Loo, USA / World Premiere «The Search,» Michel Hazanavicius, France / North American Premiere «Shelter,» Paul Bettany, USA / World Premiere «Three Hearts» («3 Coeurs»), Benoît Jacquot, France / North American Premiere «Two Days, One Night,» («Deux jours, une nuit»), Luc Dardenne and Jean - Pierre Dardenne, Belgium / France / Canadian Premiere «Welcome to Me,» Shira Piven, USA / World Premiere