Sentences with phrase «digital archival print»

Manish Nai, «Untitled», 2012, digital archival print of drawing superimposed on photograph, 68.5 x 91.4 cm / 27 x 36 in.

Installation view, Eiffel Tower, Paris Texas, 2009 Teresa Hubbard / Alexander Birchler Digital archival print Image: 24 x 30 inches Courtesy of Lora Reynolds Gallery, Austin Photography © Fredrik Nilsen

Tape, 2009 Teresa Hubbard / Alexander Birchler Four digital archival prints Each image 24 x 30 inches Courtesy of Lora Reynolds Gallery, Austin

Nearly every photographic process from its origins — daguerreotypes, albumen silver prints, gelatin silver prints, gum bichromates, platinum silver, cyanotypes and even digital archival prints — are in the collection, making it a keen contribution to the history of the medium itself beyond Albany's city limits.

Not exact matches

The image is composed of multiple hand - drawn images which are digitally composited and output as an archival digital print.

Under the supervision of the Director of Photography, responsibilities will include: • Work with editors and reporters to identify and coordinate opportunities for visual storytelling • Work with staff to research and implement new and creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital photos

Digital radiography has the advantages over conventional film radiographs in that it uses approximately 1/3 of x-radiation to create the image, the ability to enlarge the image to see small changes, increase or decrease contrast to help small lesions show up better, archival of images on a hard drive or back - up disc, easy retrieval, and the ability to print the images for client education.

I also generate abstract prints using various digital effects to produce unique images which are printed on Epson Archival Matte Paper with Epson UltraChrome inks to ensure the very best quality.

Each archival pigment print is proofed and printed by Ruddy at Digital Silver Imaging, one of the finest photography labs in the US.

Kahn / Selesnick, The New City of Salt, 2001, archival digital print, 3/5, 9 x 37 inches, Museum Purchase, Courtesy of the artists

[Image: Kahn / Selesnick, The New City of Salt (detail), 2001, archival digital print, 3/5, 9 x 37 inches, Museum Purchase, Courtesy of the artists]

Willie Cole, Silex Male: Ritual, Digital print on Epson 9600 using Ultra Chrome Archival Inks, edition of 12, 2004

The images are compiled from collages of torn and cut paper which are scanned, further layered and manipulated in the digital environment and printed onto canvas with archival pigment inks.

It is a digital pigment print on archival cotton rag paper (900 x 727.8 mm).

LIVIA CORONA From the series Two Million Homes for Mexico, 2007 - present Archival digital C - Prints 30 x 40 inches Photography © Fredrik Nilsen

Lynn Hershman Leeson, Breathing Machine II (From the Suicide Series), 1965, Archival digital print, Edition of 3 + 1AP, 14.6 x 11 inches.

2016 Mixed media (Oil on plexiglas with archival digital print and branches) 74 x 96 inches Branches variable dimensions

Ed Blackburn (American, b. 1940) Blue Car, 2012 archival digital print edition 1 of 3 22 x 17 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of Linda and Ed Blackburn in honor of the 20th Anniversary of the Kemper Museum of Contemporary Art, 2013.9 © Ed Blackburn.

Ed Blackburn (American, b. 1940) Abstract Marlon, 2012 archival digital print edition 1 of 3 22 x 17 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of Linda and Ed Blackburn in honor of the 20th Anniversary of the Kemper Museum of Contemporary Art, 2013.8 © Ed Blackburn.

«sound series,» 2016 digital prints from original collage on archival cold press paper printed by Furthermore, Brooklyn edition of 25, 4 prints per edition 16 x 12 in.

David Salle, The Old Bars (after MH), 2017 oil, acrylic, flashe, charcoal and archival digital print on linen, 1.7 × 2.3 m. Courtesy: © the artist, VAGA, New York, Skarstedt, New York, and DACS, London

Archival Pigment Digital Print on Duralene, Lightbox, 13» x7» Images courtesy NASA / JPL - Caltech Photo documentation courtesy Catherine McElhone and Southern Exposure

The images are developed from collages of torn and cut paper which are scanned and manipulated in the digital environment and printed onto canvas with archival pigment inks.

Archival Pigment Digital Print, 24x24 inches each Images courtesy NASA / JPL - Caltech the Public Domain.

Gouache, acrylic paint, metal leaf on assorted handmade papers with graphite, colored pencil, mica and archival digital prints

Josh Azzarella Untitled # 38 (Byran), 2007 archival digital c - print 20 x 30 inches (50.8 x 76.2 cm) edition of 7 with 3 APs JAZ - 2 Courtesy of the artist and DCKT Contemporary, New York

Jane Hammond Album (Marchelli), 2008 Archival digital ink jet prints, rice paper, Jade glue, archival tape, ink, graphite, found photo corners, and soot 29.5 x 43.25 inches (75 x 1Archival digital ink jet prints, rice paper, Jade glue, archival tape, ink, graphite, found photo corners, and soot 29.5 x 43.25 inches (75 x 1archival tape, ink, graphite, found photo corners, and soot 29.5 x 43.25 inches (75 x 109.8 cm)

Untitled # 1 from the series New Forms, digital collage, 2014 - 15 archival pigment print on fiber - based paper mounted on dibond, 45 x 35 inches (detail)

High Density Foam, cotton, muslin, cotton thread, foam core, hand - made cotton rag paper, archival digital inkjet prints on archival paper, acrylic paint, gouache, matt medium, Jade glue, fiberglass strand and sumi ink

Alfredo Jaar Real Pictures, 1995 six photographic archival boxes covered with linen and six color digital prints each box: 2 x 11 x 9 inches (5 x 27.9 x 23 cm) each print: 11 x 9 inches (27.9 x 22.9 cm) AJ - 1005 Courtesy of the artist and Galerie Lelong, New York

Like its sister prints, this work is the product of an involved process whereby the artist combines wood veneer, digital and relief prints, collaging them onto a sheet of 4 - ply archival mat board.

Since 2012, Magnolia Editions has published an ongoing series of archival watercolor prints by Close which use the artist's grid format and the precision afforded by contemporary digital printers to layer water - based pigment on Hahnemuhle rag paper [31] such that the native behavior of watercolor is manifested in each print: «The edges of each pixel bleed with cyan, magenta, and yellow, creating a kind of three - dimensional fog effect behind the intended color swatches.»

Lead Image: Roberta's Construction Chart 1, 1975, archival digital print and dye transfer.

Meditation # 9 (Breezy Point) 60» H x 75» W Digital archival pigment print on Hahnemühle Ultra Smooth 305 archival paper.

The Old Bars (after MH), 2017, oil, acrylic, flashe, charcoal, and archival digital print on linen, 67 1/8 x 92 inches.

David Salle, Pay Only $ 39.95, 2014 — 2015, oil, acrylic, crayon archival digital print, and pigment transfer on linen, 84 × 96 inches (© David Salle, licensed by VAGA, courtesy Skarstedt)

Justin Wood Searching for the Exit, 2014 Archival inkjet ink, acrylic, oil and digital print on Mylar or 32» LED TV with video

Title: «Montauk Bluffs IV» Artist: Scott Farrell (Huntington Station, NY) photograph Digital photograph printed on Epson Hot Press Bright paper with archival pigment inks in black metal chrome with museum glass and archival mat and foamboard backing.

R.H. Quaytman Light Industry, 2011 Archival digital pigmented print with silkscreen on Museo Max paper 12.375 × 20 inches Signed edition of 30, 5 APs

HIRAKI SAWA Going Places Sitting Down 信步闲坐, 2007 Digital C - type print on AGFA archival paper 数码打印彩色照片 20 x 26 inches x 5; 50.8 x 66 cm x 5 Edition of 8

, 2017 Archival digital pigment print from scan, 20 x 26.67 in.

Her body of work, consists of drawings, archival digital prints and wood carving.

(Installation, Model, mixed media, series of digital prints, cactus, archival video, Variable dimensions, Installation view, Istanbul Biennial, Istanbul, Turkey, 2011.

David Salle Carny Mind, 2015 oil, acrylic, silkscreen, charcoal, crayon and archival digital print on linen 96 x 70 inches Image courtesy Skarstedt, New York

Gouache, acrylic paint, metal leaf on assorted handmade papers with graphite, colored pencil and archival digital prints

Daniel G. Hill, Shade / Stairs 1, 2009 Archival inkjet print, 24 x 35 inches October 13 — November 12, 2009 «I work in the areas of painting, photography and digital media.

The group show features works by 12 different artists and artist groups, including those of Evan Roth, whose visualisation and archival of digital culture is rendered in «Forgetting Spring», a sculpture composed out of a 42 - meter print of four months - worth of Internet browsing.

Diane Tepper («Untitled,» Digital archival photograph); Tom Edmonds («Floating Squares No. 6,» Oil on canvas); Philippe Cheng («Untitled, Amagansett, 2012,» C - print mounted photograph); Rosa Hanna Scott («House on Gardiner's Island,» Photograph); John Hall («Untitled Interior,» Photograph); Susan Barnett («Stop Violence Against Women,» Photograph print); Eric Ernst («Study for Diagrams from the Sky,» Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» Photarchival photograph); Tom Edmonds («Floating Squares No. 6,» Oil on canvas); Philippe Cheng («Untitled, Amagansett, 2012,» C - print mounted photograph); Rosa Hanna Scott («House on Gardiner's Island,» Photograph); John Hall («Untitled Interior,» Photograph); Susan Barnett («Stop Violence Against Women,» Photograph print); Eric Ernst («Study for Diagrams from the Sky,» Archival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» PhotArchival print); Jim Molloy («Paint Shop,» Oil on canvas); Daniel Pollera («Ditch Plains Sunset, Montauk,» Oil); Christa Maiwald («Blue Chip (Dan Flavin),» Cotton, embroidery thread); Lindsay Morris («Matthew in Strapless,» Archival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» PhotArchival inkjet print); Joe Pintauro («Venice 2010,» Photograph); Sara Douglas («I Love You Forever (Words You'll Never Hear),» Paper); Bonnie Wylo («Sunset Bridge,» Photograph).

Sandy Litchfield Opening Scene, 2014 collage and acrylic on archival digital print on rag paper 22 x 30 inches

Juan Manuel Echavarría, Dinaea Tortuosa, 1997, digital archival pigment print mounted on aluminum, ed of 10, 20 x 16 in