Sentences with phrase «digital audio mixes»
Featuring both 2.0 and 5.1 Dolby Digital audio mixes, the latter demonstrates a nice depth of field, including some excellent rear - channel effects and a throaty rumble from the subwoofer.
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The audio doesn't suffer from any technical problems, as this Dolby Digital 2.0 mix offers clean dialogue, background details and a fair amount of channel separation.
The 5.1 Dolby Digital mix possesses your audio equipment and forces it to work overtime.
There's also an English «audio description track» for the visually impaired (in which a woman delivers pithy descriptions of the on - screen action in a hurried voiceover layered atop a Dolby Digital 5.1 mix), plus a French Dolby Digital 5.1 track.
Similarly, Dolby Digital 5.1 used to represent the peak (and standard) of home theater audio, but these discs» mixes feel kind of lackluster, often making limited use of the sound field despite the genre leanings.
Conversely, for better or worse, nothing stands out about the Dolby Digital 5.1 audio, which reproduces a run - of - the - mill comedy mix with adequate clarity.
Housed in a regular plastic Amaray case, Creation comes to DVD presented in 2.35:1 anamorphic widescreen, with a Dolby digital 5.1 surround sound audio mix, and optional English and Spanish subtitles.
The single Dolby Digital 5.1 audio track here presents the film's original matrixed surround mix, but in discrete channels; as a result, the surrounds are mono (though they're encoded as two separate channels).
As for the audio, the primary audio track on the DVD is a Dolby Digital 5.1 mix.
The Blu - ray audio options are anchored by English language 5.1 DTS - HD and 2.0 DVS tracks, as well as Spanish and French Dolby digital 5.1 surround sound mixes.
Your other choices are restored original English audio in Dolby Surround 2.0 and French and Spanish Dolby Digital 5.1 Disney Enhanced Home Theater mixes.
Editor / sound re-recording mixer Walter Murch brings some Apocalypse Now flair to the soundmix, presented here in crisp 5.1 Dolby Digital; most of Jarhead is relatively quiet, which was perhaps the rationale for leaving off a DTS option, but one does note the slightest timidity in the explosions and gunfire and wonder if the audio is living up to its potential.
A distortion - free 5.1 audio mix in Dolby Digital and DTS configurations demonstrates a little weakness in its centre channel (which can be compensated for to some extent through equalizing), but for source material of this age, the sound demonstrates a remarkable fidelity.
The accompanying audio, in not - dissimilar 7.1 DTS - HD and 5.1 Dolby Digital EX configurations, mainly adds low - end to the original mono mix (also on board) and broadens its dynamic range so that the dubbed dialogue, for example, sounds less squelched.
* Minor edge - enhancement issues aside, the image very simply delivers — ditto the Dolby Digital 5.1 audio: the front - heavy mix sounds crisp and warm, though Meryl Streep's dialogue occasionally dips so far below reference volume as to be inaudible.
Better than Turkish Delight, both versions offer English audio tracks in DTS 5.1 Digital Surround Sound and 5.1 Disney Enhanced Home Theater Mix, with subtitles in French and Spanish.
The audio mix makes active use of the Dolby Digital 5.1 soundstage, pumping up the out - of - nowhere scares.
Unquestionably marvellous is the (anachronistic) 5.1 Dolby Digital audio, featuring more gut - churning bass than Dolby owners will be used to as the robots march on New York City, though this showpiece use of the LFE channel occurs so early in the action that it's a mild letdown when no other facet of the mix proves quite as memorable.
Dolby Digital and DTS 5.1 soundtracks grace the platter, both of them rendering a loud and detailed but not especially discrete mix with comparable clarity, though I prefer the DTS audio for the extra punch it gives the action beats of the picture.
The default audio is an English dub (credibly voice cast and overseen by Mike Schlesinger of the Americanized Godzilla 2000) in rich, transparent Dolby Digital 5.1, and while it sounds technically fantastic, purist that I am, I will always watch Time and Tide in Cantonese (5.1, too, with dialogue mixed a bit quieter).
Four audio tracks are provided, with the only English version being a Dolby Digital 5.1 mix.
The Dolby Digital 5.1 soundtrack is equally outstanding, delivering a highly engulfing and active audio mix.
Selectable audio formats are the film's original monaural mix, encoded in lossy Dolby Digital 2.0, and a new DTS - HD MA 7.1 soundtrack.
Dolby Digital 5.1 audio mixes in Cantonese and dubbed English are nearly identical save for the latter being slightly goofier than the former — the rear channels don't get much of a workout except during a few of the fight scenes (which aren't showcase material, after all, but not bad).
The accompanying Dolby Digital 5.1 audio, in similarly - mixed English and Japanese flavours, is more aggressive / expansive than we've been conditioned to expect from Ghibli titles, particularly whenever the titular castle is in transport.
There are no signs of extensive digital augmentation and the monaural audio track remains free of distortion, as dialogue and music are balanced and equally mixed.
More objectively flawed is the Dolby Digital 5.1 audio: dialogue is mixed much too low (there's hushed and then there's inaudible), necessitating a boost in volume well past reference level, at which point Max Avery Lichtenstein's inventive score sounds intrusively loud.
Housed in a regular plastic Amaray case in turn stored in a cardboard slipcover, $ 5 a Day comes to DVD presented in 1.85:1 anamorphic widescreen, with a Dolby digital 5.1 audio mix, and optional, lax English and Spanish subtitles, each of which feature some errors.
Housed in a regular plastic Amaray case in turn stored in a cardboard slipcover, Altitude comes to DVD presented in 2.40:1 anamorphic widescreen, divided into a dozen chapters, with an English language Dolby digital 5.1 surround sound audio mix, and optional English SDH and Spanish subtitles.
The audio is presented in English, Spanish and French language Dolby digital 2.0 surround sound mixes, with optional subtitles in the former two tongues.
On Blu - ray, the movie is presented in 1080P high definition 2.40:1 widescreen; audio comes in the form of 7.1 DTS - HD, with a French language Dolby digital 5.1 mix as well.
Housed in a regular plastic Amaray case, Command Performance comes to DVD divided into a dozen chapters, presented in 2.35:1 widescreen, with English language Dolby digital 5.1 surround sound and 2.0 stereo audio mixes, and optional English SDH and Spanish subtitles.
The DVD is also the first from Touchstone Pictures (or anything other than Walt Disney Pictures, for that matter) to feature the Dolby Digital 5.1 Enhanced Home Theater Mix audio track.
The Dolby Digital 5.1 audio is equally elegant, if beholden to a dialogue - driven affair in the wake of the masterfully - mixed balloon sequence, with only rainfall making aggressive use of the rear discretes thereafter.
Special Features New 4K digital restoration, supervised and approved by director Jim Jarmusch, with 2.0 surround DTS - HD Master Audio soundtrack New Q&A in which Jarmusch responds to questions sent in by fans Rarely seen footage of Neil Young composing and performing the film's score New interview with actor Gary Farmer New readings of William Blake poems by members of the cast, including Mili Avital, Alfred Molina, and Iggy Pop New selected - scene audio commentary by production designer Bob Ziembicki and sound mixer Drew Kunin Deleted scenes Jarmusch's location scouting photos PLUS: Essays by film critic Amy Taubin and music journalist Ben Ratliff
The primary audio track on the DVDs is a Dolby Digital 5.1 mix.
Audio - Disney has done a 5.1 Dolby Digital track, and while the audio does not always sound of the highest quality, the sound mix is adequate.
The Dolby Digital 5.1 audio mix is likewise clear with a surprising amount of channel separation and atmospheric effects.
The primary audio track on the disc is a Dolby Digital 5.1 mix.
Once again, the Dolby Digital 5.1 track is one of the best - mixed audio presentations for a sitcom on DVD.
The sound is less likely to astound, though the barely distinguishable DTS and Dolby Digital 5.1 mixes do offer a few interesting passages of discrete audio, such as a background argument between Larry and Roberta after Schmidt first arrives in Denver.
Never quite bassy enough during the stadium sequences, the Dolby Digital 5.1 audio nevertheless honours an intermittently atmospheric mix, while music and dialogue are loud without sounding harsh or, conversely, clipped.
Audio - The Dolby Digital 5.1 mix is not overly active, but audio is clear and crisp.
The situation is much better on the audio front: The Dolby Digital 5.1 mix is probably the third - best of the year in the Dolby format (after Finding Nemo and Terminator 3: Rise of the Machines)-- a moment in which you hear guns being cocked in every corner of the room on the Tomb Raider 2 disc (review forthcoming) is magnificently, if anachronistically, expanded upon here to become a gimmick in any scene involving artillery, while the bass from Nemo's Nautilus is almost intense enough to make you sick.
Anchor Bay's superb letterboxed DVD comes with four audio mixes (Dolby Digital, DTS, Surround and original Mono) plus an audio commentary track with four Peckinpah scholars.
The audio track is a remastered Dolby Digital 5.1 mix that relegates almost all the information to the front channels; musical interludes sound nearly as tinny and thin as the children staring robotically ahead as they karaoke each number.
Before we get down to the nitty - gritty: the 2.35:1, 16x9 - enhanced transfer is one of Fox's best in a while, though contrast is occasionally greyer than I prefer; the Dolby Digital and DTS 5.1 mixes are quite rumbly, and there's excellent sidewall imaging with either audio option during the dirt - nap climax.
The DVD also offers two English audio tracks: a Dolby Digital 5.1 Disney Enhanced Home Theater Mix (apparently the same one used on the Platinum Edition) and the same Restored Original Theatrical Soundtrack found on the Blu - ray.
Both a Dolby Digital 5.1 mix and a 2.0 audio presentation are offered.
Powerful new tools let audio professionals create, mix, master, and edit high - quality Dolby Atmos content for Blu - ray, digital delivery, gaming, and virtual reality.