Sentences with phrase «director at first light»

Not exact matches

This novel, less invasive way of detecting disease using light salient properties was employed for the first time in 1991 to identify a fingerprint for cancer in tissue by a team led by Robert Alfano, a Distinguished Professor of Science and Engineering at The City College of New York, and director of The Institute for Ultrafast Spectroscopy and Lasers (IUSL) of the City University of New York at City College.

«This research is the first of its kind in the fields of artificial intelligence and robotics, and will soon enable drones to fly autonomously and faster than ever, including in low - light environments,» says Prof. Davide Scaramuzza, Director of the Robotics and Perception Group at UZH.

The director's work has been spotty, with his first film, Dawn of the Dead 58, holding his highest Metascore and his most recent, Sucker Punch 33, possessing his lowest, and lead actor Henry Cavill, relatively unknown at the time of his casting, hasn't inspired excitement in his recent lead performances in Immortals and The Cold Light of Day (maybe we can blame that on the material).

Debuting new work from master directors such as the Taviani Brothers (CAESAR MUST DIE), Michael Winterbottom (THE TRIP TO ITALY), and Neil LaBute (DEATH AT A FUNERAL), audiences will also be introduced to new voices like first time director Henry Hobson's MAGGIE and PRAY THE DEVIL BACK TO HELL producer Abigail Disney's directorial debut THE ARMOUR OF LIGHT.

An English - language remake of Drive director Nicholas Winding Refn's gritty 1996 Danish film of the same name, itself the first of a pulpy trilogy, crime drama Pusher has a neon - lit nervy energy — at once slick and grungy — and the sort of unabashed, screw - tightening rhythms that genre enthusiasts will embrace.

Derek Cianfrance is actually a three - time feature director, but his first movie Brother Tied is so unobtainable (it played at festivals in 1998 but hasn't seen the light of day since, the print now collecting dust in Cianfrance's father's basement) that we only have his second and third films, Blue Valentine and The Place Beyond the Pines, to judge him by.

It's a bit of a disappointment for the live celebration of Final Fantasy 7's own 20th anniversary, and an interview in Famitsu with Remake and long - time Final Fantasy director Yoshinori Kitase (translated over at Siliconera) sheds a little more light on when we'll get to play the first chapter of this upcoming trilogy of FF7 episodes.

The first speakers have already been announced — Chris Avellone, Creative Director at Obsidian, lead designer on «Planescape: Torment» and a host of influential RPG's, is joined by «Child of Light» lead programmer Brie Code of Ubisoft, Cara Ellison, writer at The Guardian, Rock Paper Shotgun and more, and Swedish industry guru Per Strömbäck will moderate a panel named «Founders of the Nordic Games Industry».

FUN AND INTELLIGENT DISCOURSE «The success of this first edition of GAMEHOTEL's flagship event at GDC has confirmed the increasing expectations of industry players — as well as growing audiences - for light - hearted shows that point towards a rich and diverse future of interactive entertainment» said Bruno Beusch, director of organizing TNC Network, and host of the GAMEHOTEL extravaganza.

Cohort: 2 Current position: Senior Game Designer at ArenaNet & Design Director / Founder at Rogue Element Games Games shipped: Brother's in Arms: Road to Hill 30, Lord of the Rings: War in the North, Lord of the Rings: Battle for Middle Earth, Lord of the Rings: Shadow of Mordor, Infamous 3, Infamous: First Light

Director: Leon Major Set design: Howard Hodgkin Music: Chamber opera by Gustav Holst Lighting: Neil Fleitell First performed at the Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institute, Washington DC on 21/05/99.

He was the first curator of twentieth - century art at the Boston Museum of Fine Arts [3] and later the director of the Museum of Art Fort Lauderdale (1987 — 1997), a position he left in order to attend to being the guiding light of the artist group he founded the «New New Painters».

«The DMA was one of the first American museums to acquire a classic period work by Jackson Pollock, and we are excited to build on this legacy at the DMA with the acquisition of this early work that sheds new light on an iconic artist,» said Agustín Arteaga, The Eugene McDermott Director of the DMA.

Odd as the academy might initially seem (brown rooms, parquet floor, linen walls, yellowish light) as a venue for an exhibition of — as Annette Blaugrund, the museum's director, put it at the dinner after the opening — work that emphatically tried to repel the first iteration of the «painting is dead» virus, the place was weirdly appropriate.