Sentences with phrase «divimax video transfer»

The joint entity would also be able to install high - quality LTE services, such as enormously fast video transfer and boosted application upload and download speeds.

Video Transfer News, Video Football Club Goal Video Highlights, Gossip and Rumours brought to you by CaughtOffside.com

Anthony says: This new video transfer for Se7en was prompted not, as many region 4 customers may suspect, by the general grumbling about the horrible full - frame version that was inflicted upon Australian DVD customers at the time of the format's launch.

Village Roadshow have produced yet another exceptional DVD onto the region 4 market with one of the best movies to come out of the 90's, a video transfer that simply looks stunning and this regions first DTS ES 6.1 soundtrack.

Sound: The surround mix on the original soundtrack is just as fantastic as the video transfer.

Nashville arrives on Blu - ray in a splendid 2K video transfer created from a 35 mm interpositive.

It's video transfer is only presented in 1080i, though it looks decent.

Factory has done a great job with the new video transfer, making this a must - buy for fans of «80s cinema.

Complementing the incredible video transfer is a top - notch 7.1 DTS - HD Master Audio track.

THE DVD Touchstone brings Frank McKlusky, C.I. to DVD in a 1.85:1 anamorphic video transfer that is bright and agile.

THE DVD - THE LOVELESS Blue Underground (another company that, like Subversive, was formed by émigrés from niche gold standard Anchor Bay) gives The Loveless a 1.85:1 anamorphic video transfer every bit the equal in terms of revelatory power of The Witch Who Came from the Sea's.

Unlike the video transfer, there is nary a flaw to be found here.

The film itself sports a handsome 1.85:1 anamorphic video transfer that seems a little soft and grainy, but for what it's worth, I didn't mind that, as it preserved something of a filmic quality.

If this is a brand new transfer we'd be very surprised - modern telecine is capable of far, far better than this, and despite the fact that it's 16:9 enhanced on DVD, it seems unlikely that this is the same video transfer that region 1 customers get.

The Blu - ray for the film features an extremely good video transfer.

Say Anything... has also just made its DVD debut in the US this month, and reviews of that disc are full of praise for the new 16:9 anamorphic video transfer that's been done of the film under the director's supervision, making mention of its detail, sharpness, colour saturation and perfect black levels.

Unfortunately, it seems that this R4 version might have been mastered from an older video transfer - in fact, this looks very much like the original home video transfer of the film done back in the early 1990s, which at the time was state - of - the - art but pales in comparison to what's possible today.

Steve says: With your expectations so high and the knowledge that Lucas is the current master of digital imagery, we were expecting too much from the video transfer itself.

The video transfer may look somewhat disappointing, but no such complaints about the audio.

As such, you're not missing an abundance of visual information, and it is certainly not as noticeable and problematic as on Blackbeard, but as such this otherwise pleasant video transfer suffers from the fact that Disney couldn't release the film, displayed in the ratio that it was framed for and intended to be seen in.

It mars what would be an overwhelmingly satisfactory video transfer, but not enough to be more than a tiny nuisance.

Presented in a widescreen 2.35:1 video transfer and a Dolby Digital 5.1 audio track, the director's cut of «Daredevil» is a completely different film for the better.

Aside from offering the uncensored version of the film in a 1.85:1 video transfer and 5.1 Dolby Digital audio track, the single - disc release includes a few hours of special features and hilarious interactive menus that show the duo arguing over the audience's failure to choose an option.

Video transfer is surprisingly substandard for the first film, which shows a lot of graininess in some of the shots.

The Blu - Ray edition from Paramount Home Entertainment features a video transfer that is nothing short of remarkable.

In celebration of its 60th anniversary (hardly an important milestone, but one that sounds impressive nonetheless), the studio has spared no expense for the film's Blu - ray debut, which boasts a new 4k high definition video transfer that looks amazing.

Disc One is the film in an absolutely stunning 1.85:1, THX - approved anamorphic video transfer whose wonderfully aged and warm palette showcases Greenberg's dazzling lighting schemes.

American was assembled from video sources of varying, often technically limited qualities, all of which are rendered beautifully by the gorgeous 1080i / AVC video transfer (the video lines from an early VHS recording are themselves worthy of a nostalgic swoon).

Despite an inconsistent video transfer, Ken Russell's lascivious neo-noir gets a fine Blu - ray from Arrow Video.

A light grain decorates the 1.85:1 video transfer — a high - bit, AVC - encoded 1080p presentation that replicates the small things well (black levels, flesh tones) but shines in rendering the picture's decadent, colour - saturated palette in all its glorious, eye - stabbing glory.

Gone is the documentary and experimental electronica group Goblin's grandiloquent soundtrack CD (tribal rhythms, nattering keyboards, human sibilance); remaining is the gorgeous, THX - approved video transfer that does justice to Antonioni cinematographer Luciano Tovoli's astonishing images.

As a toddler, 20,000 Leagues Under the Sea put me to sleep even faster than Star Wars did (sorry), but I always cut the film significant slack for having suffered an amputating pan-and-scan video transfer, as this was Disney's first and ultimately one of its few CinemaScope productions.

As the movie's visuals literally steal the show, the 1080p / AVC - encoded video transfer offers splendid details throughout and never falters, no matter the type of scene you are watching.

A 2.35:1, anamorphically - enhanced widescreen video transfer, after a few line flaws on the negative during the opening credit sequence, is remarkably clear and saturated with the deep greens of Argento's moody colour palette.

If I could think of one adjective to describe the film it would be raw, which also translates to the video transfer as well.

THE DVDs Both Casper: A Spirited Beginning and Casper Meets Wendy arrive on DVD in sharp 1.33:1 video transfers courtesy Fox Video.

The new and improved video transfer, however, does.

Black Sunday finds itself in an excellent 2.35:1 anamorphic video transfer that preserves the particular filmic quality of a seventies production, distracting often enough from the fact that the black levels are spot on and that there's a minimum of edge enhancement.

THE DVD A fullscreen video transfer that's muted, fuzzy, and relentlessly ugly matches the worst movie I've seen in maybe five years.

THE DVD Presented by Buena Vista's Dimension line, Malevolent trundles its way resignedly to DVD with a dull 1.85:1 anamorphic video transfer and a correspondingly flat Dolby 5.1 soundmix.

A digital download lets you transfer the film to your computer or iPhone (though it's only the theatrical version, not the director's cut), and of course the audio / video transfer is absolutely gorgeous.

Perhaps a smidge overmatted at 2.44:1, the 16x9 - enhanced video transfer is nevertheless a technical marvel, boasting lush colour, deep contrast, and fine detail.

THE DVDs Warner DVD presents Everybody's All - American in a 1.85:1 anamorphic video transfer stained by the indelible burnish of the late -»80s that renders colours a little soft and atmosphere a touch on the murky side.

The video transfer is a beautiful 1080p AVC.

The Blu - ray disc proves well worth the purchase price, featuring a very crisp audio and video transfer as well as several hours of interesting and informative extras.

THE DVD MGM releases Out of Time in a spacious, overly bright and grainy 2.40:1 anamorphic video transfer prone to moiré problems and colour bleed, but if it's a little rough around the edges (indeed, DP Theo van de Sande's work on Cruel Intentions displayed the same kind of affected autumnal defect), I'm willing to think that it's in the cause of the picture's atmosphere.

Offered on one platter in 1.85:1 and full - frame versions, the widescreen video transfer, enhanced for 16x9 displays, exhibits a certain degree of grain endemic from the low - budget source material, but it does offer considerably bright flesh tones and vibrant colour depth.

THE DVD Artisan provides another soft 1.85:1 anamorphic video transfer for another piece of cinematic garbage finding its way to your DVD player for no justifiable reason.

Zierra's film manages a fascinating portrait of the wiry, once - emaciated, now near - bankrupt Vitali, the man who found Danny Lloyd for The Shining; who insisted that Kubrick consider Lee Ermey as the drill instructor in Full Metal Jacket; who personally checked every print, video transfer, and soundtrack compilation from every Kubrick film; and who can't stop looking out for his outsized boss.

The 2.35:1, 16x9 - enhanced video transfer is occasionally soft - focused by the film's design; colour delineation and shadow detail are excellent.