Sentences with phrase «documenta ii»

BILDERBEDARF includes works by Francis Alÿs, Georg Baselitz, Joseph Beuys, Christo & Jeanne - Claude, Jeremy Deller, Hans Haacke, Jörg Immendorff, Alfredo Jaar, Käthe Kollwitz, Wolfgang Mattheuer, A. R. Penck, Christoph Schlingensief, Willi Sitte, Klaus Staeck, as well as selected works from René Block's donation to the Lidice memorial by KP Bremer, Felix Droese, Gotthard Graubner, Rolf Julius, Gerhard Richter, Karin Sander and Stephan Wewerka, and a special section of works by documenta II artists Karel Appel, K. O. Götz, Hann Trier and Gerhard Wendland.

Other important group exhibitions include the Venice Biennale (1948, 1982); Abstract Painting and Sculpture in America, The Museum of Modern Art, New York (1951); and Documenta II (1959).

1959: Participates in the documenta II in Kassel, Germany, as well as the V. São Paulo Art Biennial, Brazil.

Ligon is one of the most important American artists working today, with work spanning painting, sculpture, photography, and film, and exhibitions throughout the United States and Europe, including the 1991 and 1993 Whitney Biennials; Black Male: Representations of Masculinity in Contemporary Art and The American Century: Art and Culture 1900 — 2000, both at the Whitney; solo exhibitions at the Studio Museum in Harlem; the Kunstverein München, Germany; the Walker Art Center, Minneapolis; St. Louis Art Museum, Missouri; ICA in Philadelphia; and SFMOMA; as well as the 1997 Venice Biennale and Documenta II.

In 1959, Gottlieb was invited to exhibit in Documenta II, Kassel, West Germany.In 1968, Gottlieb was honored with a retrospective exhibition, Adolph Gottlieb, the first and only exhibition jointly organized by and exhibited simultaneously at the Whitney Museum of American Art and the Solomon R. Guggenheim Museum, New York City.

In 1959, Gottlieb was invited to exhibit at Documenta II (Kassel) and was honored with a retrospective exhibition in 1968 that was the first and only exhibition organized jointly by — and simultaneously exhibited at — the Whitney Museum of American Art (New York) and the Solomon R. Guggenheim Museum (New York).

In 1959, Gottlieb was invited to exhibit at Documenta II (Kassel) and was honored in New York City with a 1968 retrospective that was the first and only exhibition organized jointly by — and simultaneously exhibited at — The Whitney Museum of American Art and the Solomon R. Guggenheim Museum.

After the war — and despite being supported as an artist in the GDR — he grew frustrated at the limitations put upon him, and after seeing Jackson Pollock's work in documenta II, he and his first wife Ema fled to the West.

1976 - New York» 76, Riksutstalliningar, Stockholm and elsewhere in Sweden 1976 - Tokyo International Print Biennial, Tokyo 1967 - Premio International Biella per l'incisione, Biella 1966 - Whitney Annual, Whitney Museum of American Art, New York 1962/1960 - International Prints, Cincinnati Art Museum, Cincinnati, Ohio 1960/59/58 Galérie Ariel, Paris 1959 - Documenta II, Kassel 1958 - Americans in Europe, University of Wisconsin, Madison, Beloit, Racine 1958/1957 - Galérie du Dragon, Paris 1955 - Peintres américains en France 1955 oeuvres récentes, American Legion Paris Post No. 1, Paris 1955 - Exposizione Il Gesto, Rassegna Internazionale delle forme libere, Galeria Schettini, Milan

By 1959 he was in Documenta II and had his first solo museum exhibition, of paintings and prints, at the Stedelijk Museum in Amsterdam.

exhibitions, such as «12 Americans» at the Museum of Modern Art (1956) and «New American Painting» (1958), both of which were curated by Dorothy Miller, and 1959 exhibitions Documenta II and the Bienal de São Paulo.

Okwui Enwezor was Artistic Director of the documenta II exhibition in Germany (1998 — 2002) and the 2nd Johannesburg Biennale (1996 — 97), the 7th Gwang - ju Biennale in South Korea (2008).

He also participated in many international exhibitions, including the Venice Biennale (1958, 1988 and 1990); the Pittsburgh International, where he received the Carnegie Prize for sculpture in 1964 and, in 1978, shared the Andrew W. Mellon Prize with Willem de Kooning; and Documenta II, IV and VI.

Documenta II in 1959 was the deciding event of the year; we were literally in Friderizianum and Orangerie daily, where we helped with construction.

Richter's break away from this mindset was in part inspired by a trip to documenta II in Kassel, West Germany, in 1959.

On the other hand, he was included in the most prestigious exhibitions of modern post-war art, including Documenta II, Kassel, Germany (1959); and the Carnegie International, Pittsburg, USA (1958).

His work was included in the Whitney's 1959 traveling exhibition Nature in Abstraction, and that same year, his work was shown at Documenta II in Kassel, Germany.

Tobey took part in Documenta II and III, and was represented several times at the Venice Biennale.

1959 Six Young Americans, Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY Documenta II, Kassel, Germany Ten Painters and Sculptors, The Fifth Säo Paulo Biennale, Brazil Turin Art Festival, Torino, Italy

Already in 1959, at the beginning of her career, Joan Mitchell was taking part in documenta II in Kassel, and her work is represented in the collections of the most important museums in the USA and France.

Traveled to Kunsthalle Recklinghausen, Recklinghausen, Germany (October — December) and Stedelijk Museum, Amsterdam, the Netherlands (December 1959 — January 1960) Documenta II: Kunst nach 1945, Internationale Ausstellung, Museum Fridericianum, Kassel, West Germany (July 11 — October 11) Premio dell «Ariete: Selezione Biennale di Pittura Internazionale, Gallerie dell «Ariete, Milan (May 8 — 31) Arte nuova: Expositione Internazionale di pittura e scultura, Circolo degli Artisti, Palazzo Granieri, Turin (May 5 — June 15) 26th Biennial Exhibition of Contemporary American Painting, Corcoran Gallery of Art, Washington D.C. (January 17 — March 8) New York and Paris: Painting in the Fifties, Museum of Fine Arts, Houston (January 16 — February 8) Accrochage d'Ouverture, Galerie Smith, Brussels (January 7 — 26)

Not exact matches

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

The international recognition accorded to his abstract - gestural canvases from this creative period is also reflected in his three appearances at documenta: I (1955), II (1959) and III (1964).

Classes Taught 2017 - ART1010 Drawing I, DPP / PRT4940 / 50 Senior Portfolio I and II, Studies Abroad - Grand Tour: Biennale / Documenta / Sculpture Project (Italy / Germany), ART1010 Drawing I, DPP4500 Advanced Painting, ART3400 Space, Scale, Time: Digital Possibilities

The international recognition accorded to his abstract - gestural canvases from this creative period is also reflected in his three appearances at documenta: I (1955), II (1959) and III (1964)-- an exceptional distinction for any artist.