Sentences with phrase «documenta vii»

Mullican has participated in Documenta X, 1997, Documenta IX, 1992, and Documenta VII, 1982, Kassel, Germany, as well as the Skulptur Projecte, Munster, 1987.

Genzken's work has also been included in three Documenta exhibitions: documenta XI (2002); documenta IX (1992); and documenta VII (1982).

1982 documenta VII, Kassel, Germany Cruciform, Barbara Gladstone Gallery, New York, USA Castelli and His Artists: 25 Years, Leo Castelli Gallery, New York; La Jolla Museum of Contemporary Art, San Diego; Center for Visual Arts, Aspen; Center for Visual Arts, Portland; Laguna Gloria Art Museum, Austin, USA

Major group exhibitions include America Is Hard To See, Whitney Museum of American Art, New York (2015); Prima Materia, Punta della Dogana, François Pinault Foundation, Venice (2013); The Pictures Generation, 1974 — 1984, The Metropolitan Museum of Art, New York (2009); Whitney Biennial (2008, 1989, and 1985); SITE Santa Fe (2004); São Paulo Biennial (1998); Carnegie International (1988); documenta VII (1982); and Pictures, Artists Space, New York (1977).

Kirkeby represented Denmark in the 1976 Venice Biennale and later participated in documenta VII (1982) and documenta IX (1992).

Dan Graham photographing Two Adjacent Pavilions, 1978 - 82 2 - way mirror, glass, and steel 2 structures: 8 1/4 x 6 1/8 x 6 1/8 feet each Collection Kröller - Müller Museum, Otterlo, The Netherlands Installed in Documenta VII, Germany, 1982 June 24 — October 11, 2009 My Turn expands the definition of a museum program by inviting a guest artist to interpret another artist's work.

19 June - 28 September: He exhibits five new large - format Abstract Paintings at documenta VII, including Yellow - Green [CR: 492], which are distributed throughout the exhibition in dialogue with work by other artists such as Claes Oldenburg and Robert Mangold.

Following the exhibition, Sherman was invited to participate both in Documenta VII and the Venice Biennale.

Kirkeby represented Denmark in the 1976 Venice Biennale and later participated in documenta VII and documenta IX.

Barceló achieved international acclaim in 1982 for his participation at Documenta VII in Kassel.

That summer, his rapidly - advancing global reputation resulted in a prestigious invitation to Documenta VII in West Germany, where he was the youngest exhibited artist in a line - up of established veterans including Gerhard Richter and Joseph Beuys.

He began to exhibit widely after moving to New York, participating in the 1973 and 1987 Whitney Biennials and Documenta VII (1982) in Kassel.

Not exact matches

She has also participated in many large - scale international exhibitions including the Venice Biennale (1976 and 1997) and Documenta VI, VII and IX, Kassel (1977, 1982 and 1992).

Many other performances followed, and in the meanwhile, her work was also featured in many large - scale international exhibitions, such as the Venice Biennale and Documenta VI, VII and IX.

Abramović has participated in large - scale international exhibitions including Documenta VI, VII, and IX in Kassel, Germany and the Venice Biennale in 1976 and 1997, for which she was awarded the Golden Lion for Best Artist.

Abramović has participated in large - scale international exhibitions including Documenta VI, VII and IX in Kassel, Germany and the Venice Biennale in 1976 and 1997, for which she was awarded the Golden Lion for Best Artist.

She has also participated in many large - scale international exhibitions including the Venice Biennale (1976 and 1997) and Documenta VI, VII and IX, Kassel, Germany (1977, 1982 and 1992).

Opere scelte dalla Collezione François Pinault,» Palazzo Grassi — François Pinault Foundation (IT), «Notations / Forms of Contingency: New York and Turin 1960 / 1970s,» Philadelphia Museum of Art, Philadelphia (USA), «Zero to Infinity: Arte Povera 1962 - 1972,» Hirshhorn Museum and Sculpture Garden, Washington DC (USA), The Museum of Contemporary Art, Los Angeles, (USA), Walker Art Center, Minneapolis (USA), Tate Modern, London (UK), «Arte Povera,» Toyota Municipal Museum of Art, Toyota (JP), «The Italian Metamorphosis, 1943 - 1972,» Triennale, Milan (IT), Kunstmuseum, Wolfsburg (A), Solomon R. Guggenheim Museum, New York (USA), «The Knot Arte Povera at P.S. 1, MoMA P.S. 1, New York (USA), «Prospect» 68,» Städtische Kunsthalle, Düsseldorf (DE), «Op Losse Schroeven: Situaties en cryptostructuren,» Stedelijk Museum, Amsterdam (NL), «Live in Your Head: When Attitudes Become Form / Works, Concepts, Processes, Situations, Information,» Kunsthalle Bern, Bern (CH); and he has taken part in various international biennales, such as: 39th, 44th and 52nd Biennale di Venezia (IT), as well as VII Biennale de Paris (FR), XII Biennal de São Paulo, São Paulo (BR), Documenta IX and Documenta V, Kassel (DE).

He has participated in Documenta V (1972), VI (1977), and VII (1982), as well as the 2005 Venice Biennale, and the Biennale Sao Paolo in 2006.

He has exhibited and realized commissions all around the world, including participation at numerous international group exhibitions such as the Venice Biennale (1976, 2003, 2004 and 2005) and Documenta V, VI, VII, IX and X (1972, 1977, 1982, 1992 and 1997).

He was invited to exhibit at documentas V, VI, VII and IX (1972, 1978, 1982, 1992) and the Biennale di Venezia in 1976, 1993 and 1999.

The subject of numerous international exhibitions, Abramovic was included in Documenta VI (1977), VII (1982), and IX (1992), and in the 2004 Whitney Biennial.

His nearly forty year inquiry into the relation of art and language has taken the form of installations, museum exhibitions, public commissions and publications throughout Europe, the Americas and Asia, including Documenta V, VI, VII and IX (1972, 1978, 1982, 1992) and four Venice Biennials (1976, 1993, 1999 and 2007).

Julieta Aranda's work has been exhibited internationally in venues such as Witte de With (2013), Museo d'Arte Contemporanea Villa Croce, Genova (2013), ArtPostions, Miami Basel (2012), MACRO Roma (2012) Documenta 13 (2012), N.B.K. (2012), Gwangju Biennial (2012), Venice Biennial (2011), Stroom den Haag (2011), «Living as form,» Creative Time, NY (2011), Istanbul Biennial (2011), Portikus, Frankfurt (2011), New Museum (2010), Solomon Guggenheim Museum (2009), New Museum of Contemporary Art, NY (2010), Kunstverein Arnsberg (2010), MOCA Miami (2009), Witte de With (2010), Museum of Contemporary Art, Chicago (2007), 2nd Moscow Biennial (2007) MUSAC, Spain (2010 and 2006), and VII Havanna Biennial; amongst others.

His work was included in the Venice Biennale in 1966 and 1982, and Documenta IV in 1968, and he was awarded the International Sculpture Prize at the 1963 Paris Biennale and the VII Bienal de São Paulo in 1965.

His work was included in the 47th Venice Biennale (1997) and 53rd Venice Biennale (2009) where he won the Golden Lion Award for Lifetime Achievement, the Carnegie International (1985 - 86), the Whitney Biennial (1983), as well as the Documenta V (1972) and VII (1982).

He was included in the 1984 Venice Biennale as well as in Documenta V, VI, VII and IX.

His works were part of the 47th (1997) and 53rd (2009) Venice Biennials, the Carnegie International (1985 - 86), the Whitney Biennial (1983), as well as documenta V (1972) and VII (1982).

Since their first collaboration in 1959, the artists have exhibited extensively in prominent international group exhibitions at Barbican Art Gallery, London (2014); Pinakothek der Moderne, Munich (2014, 2004); The National Museum of Modern Art, Tokyo (2005); UCLA Hammer Museum, Los Angeles (2004); and Documenta XI, VII, VI, V, Kassel, (2002, 1982, 1977, 1972), among many others.

She has been represented at central exhibitions such as Documenta V, VI, VII and XI.

The artist has been represented in Documenta V, VI, VII in Kassel, Germany.

Included in the collections of the Tate, UK; MoMa, NY; he has exhibited at the Venice Biennale, 2007, as well as Documenta V, VII, VIII, and XIII.