Sentences with phrase «documentary sources in»

Tucker served as the visionary director of the New Museum from 1977 to 1999, during which time she organized major exhibitions like The Time of Our Lives (1999), A Labor of Love (1996), and Bad Girls (1994), and edited the series Documentary Sources in Contemporary Art.

The New Museum launches the publications series «Documentary Sources in Contemporary Art,» funded by the Henry Luce Fund for Scholarship in American Art.

Not exact matches

Through the nineteenth century of our era and into the twentieth biblical scholars have worked productively at the analysis of the Old Testament by means of a documentary hypothesis — the theory (supported by many variants such as these) that multiple documents or sources were employed and combined in the present text.

Helmed by Chapman Way and MacLain Way and featuring multiple appearances by their uncle and former Maverick himself Kurt Russell, the docu launched in the Documentary Premiere section of this year's Sundance Film Festival on January 20... In play right now with several buyers at Sundance, according to sources close to the film, Battered Bastards chronicles how in 1973 Bonanza actor Bing Russell formed what at the time was America's sole independent baseball teain the Documentary Premiere section of this year's Sundance Film Festival on January 20... In play right now with several buyers at Sundance, according to sources close to the film, Battered Bastards chronicles how in 1973 Bonanza actor Bing Russell formed what at the time was America's sole independent baseball teaIn play right now with several buyers at Sundance, according to sources close to the film, Battered Bastards chronicles how in 1973 Bonanza actor Bing Russell formed what at the time was America's sole independent baseball teain 1973 Bonanza actor Bing Russell formed what at the time was America's sole independent baseball team.

Source: Robert H. Bremner, Children and Youth in America: A Documentary History, Vol.

General News of Thursday, 17 May 2018 Source: classfmonline.com Anas Aremeyaw Anas, investigative journalist A well - known lawyer tried bribing investigative journalist Anas Aremeyaw Anas to edit out the a scandalous findings against «a man» in the yet - to - be premiered Number 12 undercover documentary, which will expose a lot of rot at the Ghana Football Association (GFA), Editor - in - Chief of the New Crusading Guide newspaper, Abdul - Malik Kweku Baako Jr., has revealed.

Eastern District Assistant United States Attorneys Lara Treinis Gatz and John Durham said in the letter that the strength of the government's case «is overwhelming and consists of dozens of witnesses... fully corroborated by numerous sources of evidence... including telephone call detail records, cell site records, photographs, financial records... and other documentary evidence.»

OkCupid has banned white supremacist Chris Cantwell from their dating site after a Vice News documentary about the Unite the Right rally in Charlottesville Chris Rock filed for divorce from his wife of 19 years for one simple reason he wasn't happy in the marriage, sources directly connected to

With a strong emphasis on audiovisual work as a source of power, we can grasp the meaning that the documentary goes through in this statement: «Words and the camera, like human technologies, are stronger than weapons.»

The various behind - the - scenes documentaries are outstanding, with in - depth discussions from everyone concerned about the development of the film's groundbreaking effects and the ways they stretched Michael Crichton's source material into a trio of feature - length films.

Academy - award winning director William Friedkin discusses his early career — including making documentaries for David L. Wolper, working for Alfred Hitchcock and what he learned from studying his films, and directing his first movie Good Times (1967), starring Sonny and Cher; how his career path led to making The Exorcist, his initial reaction to reading the source material, the story's theme of Good versus Evil, and the role his own faith played in his approach to making the movie; the techniques he used to generate suspense and fear in the audience, his use of subliminal imagery, and his reasons for recently restoring deleted footage to the film.

For example, in the last 14 years, since 2000, there have been 45 females who directed or co-directed an Oscar - nominated documentary, according to this Wikipedia article (I know this isn't the most reliable source of information, but solid and comprehensive stats on this issue is pretty much nil, so I had to calculate my own.

Like many documentaries, this one gathers video from a variety of sources, resulting in plenty of fuzzy, grainy clips.

Director Matthew Heineman's brilliant, incredible, dark, and all - too - current documentary Cartel Land digs deep into the source of the drug trafficking across the border from Mexico into the U.S., and what it finds is a bleak and corrupt situation in Mexico from which many of these issues stem.

Stephen Earnhart's superior, feature - length making - of doc Source of Pride: A Documentary About the Making of Pride and Glory (1:07:07, SD) shows us warts and all in the troubled and contentious process of getting the film in the can.

Like most documentaries, Cutie and the Boxer's picture varies in quality, depending on the source.

Like many documentaries, The Other Dream Team varies in picture quality based upon the many sources it employs.

«I'm conceiving a limited series based on events that really occurred in the early»70s in L.A. based on the «The Source Family» documentary.»

Nevertheless, Universal has put together the most comprehensive package from the best available sources, although hardcore fans may continue to find some fault with several omissions: a true isolated score track, optional branching of deleted scenes or alternate takes (some of which appeared, alongside elements from both music scores, in the Turner TV cut), the raw behind - the - scenes footage glimpsed in the documentary, a gallery of marketing and merchandising tie - ins, and the inclusion of original promo footage with cast and director.

The real gem, however, is «Access: Source Code,» an in - movie feature that lets you view cast and crew interviews, pop - up trivia, animated documentary shorts about the film's scientific theories, scene - specific commentary from a time travel expert, and more.

, a feature - length documentary on the entire series (from the memorable Second Sight Films release of the film); In Search of the Hotel Broslin, a 2001 featurette with Henenlotter and rapper R.A. «The Rugged Man» Thornburn; a six - minute outtakes reel in HD from a 2K scan of a 16 mm print; The Frisson of Fission: Basket Case, Conjoined Twins, and «Freaks» in Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of image galleries (promotional stills, behind the scenes, ephemera, advertisements, home video releases); a promo gallery featuring 3 theatrical trailers (all in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!&raquIn Search of the Hotel Broslin, a 2001 featurette with Henenlotter and rapper R.A. «The Rugged Man» Thornburn; a six - minute outtakes reel in HD from a 2K scan of a 16 mm print; The Frisson of Fission: Basket Case, Conjoined Twins, and «Freaks» in Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of image galleries (promotional stills, behind the scenes, ephemera, advertisements, home video releases); a promo gallery featuring 3 theatrical trailers (all in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!&raquin HD from a 2K scan of a 16 mm print; The Frisson of Fission: Basket Case, Conjoined Twins, and «Freaks» in Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of image galleries (promotional stills, behind the scenes, ephemera, advertisements, home video releases); a promo gallery featuring 3 theatrical trailers (all in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!&raquin Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of image galleries (promotional stills, behind the scenes, ephemera, advertisements, home video releases); a promo gallery featuring 3 theatrical trailers (all in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!&raquin HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!&raquin HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!&raquin the Park!»

I suppose that, if I have to choose one source of inspiration, [my classmate] Logan Smalley's story about Darius Weems (as featured in his documentary, Darius Goes West) shaped my Harvard experience most dramatically.

Aligning with the literacy standards, in Dimension 3, students gather sources using Web - based search engines and databases (p. 54), and in Dimension 4, students are encouraged to produce conclusions to their inquiries using a variety of modalities, including documentary making (p. 60).

In part, I agree with the importance of incorporating video into the classroom both to prepare students for the demands of the 21st century and to use critical analysis to study primary sources (or, as Susan suggests, biases and ideologies presented in documentariesIn part, I agree with the importance of incorporating video into the classroom both to prepare students for the demands of the 21st century and to use critical analysis to study primary sources (or, as Susan suggests, biases and ideologies presented in documentariesin documentaries).

In history, on the other hand, students are frequently expected to evaluate the plausibility of an interpretation of past events and to refer to documentary sources as evidence for their argument.

We were inspired by sci - fi books and movies, but real life sources were just as important: authentic space imagery, documentary material on space programs and personal accounts from astronauts as well as soldiers in 20th and 21st century conflicts.

Jones» work is informed by historical source material and early modes of representation in documentary practice.

Naida Osline is a Los Angeles - based artist who combines and manipulates images sourced from both analog and digital processes, in which she blends conceptual and documentary photographic practices with an abiding interest in the transformative, mythical, and ethereal nature of existence.

Jones's work is informed by historical source material and early modes of representation in documentary practice.

Having also made animations culled from well known documentary footage — the O.J. Simpson trial as well as the Zapruder film of the JFK assassination — it is clear that he mines popular culture in addition to art and photo history to garner his source materials.

Messina explores ways that he can create a body of work that can exist entirely through secondary sources and documentary material which stand in for the — only ever simulated — finished artworks themselves, thus allowing the viewer to «imagine them into completion.»

Jones began his artistic career in photography, but printed historical sources and documentary materials increasingly influenced him, so his practice shifted to multimedia installations and painting.

Combining Milner's «retro - engineered» sculptures with his source materials, prints, and documentary film and photography from the period, Utopia Ltd immerses the viewer in the spirit of revolution.

Calame transcends the documentary aspect of her source material in the creation of formal compositions that engage in layering and fragmentation, softening the movement from line to shape.

Smith's films playfully explore the relationship between sound (the spoken word in particular) and image, often using documentary records of everyday life as their source material.

The recorded material was combined with archived recordings gathered from numerous, global sources to produce a series of audio documentaries, later exhibited at The Showroom in spring 2012.

Since the millennium and, above all, in the last decade there have been more and more art exhibitions with documentary aspects of cultural history, which feature source materials from art archives and thereby demonstrate a recontextualisation of the presented artworks.

He uses tree - ring records in combination with other natural archives and documentary sources to reconstruct the histories of fire, insect outbreaks, human land uses, and climate.

PORTLAND — The Story of Stuff Project, Food & Water Watch, and the Local Water Alliance will release a short documentary film, Our Water, Our Future, about Nestlé Waters» efforts to secure the right to bottle water taken from a public source in Cascade Locks, Ore. next week.

Source: Transcript, S. Fred Singer's testimony before House Small Business Committee 7/29/98 8 March, 2007 Appeared in documentary «The Great Global Warming Swindle» Source: The Great Global Warming Swindle (Documentary) 28 July, 2003 Co-author of Indpendent Institute report «New Perspectives in Climate Change: What the EPA Isn't Telling Us» criticizing the EPA's 2001 Climate Actdocumentary «The Great Global Warming Swindle» Source: The Great Global Warming Swindle (Documentary) 28 July, 2003 Co-author of Indpendent Institute report «New Perspectives in Climate Change: What the EPA Isn't Telling Us» criticizing the EPA's 2001 Climate ActDocumentary) 28 July, 2003 Co-author of Indpendent Institute report «New Perspectives in Climate Change: What the EPA Isn't Telling Us» criticizing the EPA's 2001 Climate Action Report.

Gambling on Extinction is a powerful documentary that explores the complexities of the illegal trade in elephant ivory and rhino horn, from the African sources to Asian markets.

Tonight Life in a Day, the crowd - sourced documentary culled from over 80,000 submissions, premieres at the Sundance Film Festival — and simultaneously on YouTube.