Sentences with phrase «documentary film course»

-- Student films from Mr. Waynee's documentary film course are listed below:

In my History of Documentary film course, the classes were always split: there were those who loved it and those who hated it because it didn't tell a story.

Not exact matches

It was supposed to be the year when McLaren was back nearer so having a documentary filmed probably seemed like a good idea, but of course Honda went back to square one and the team struggled yet again.

SHAMELESS PLUG: And completely unrelated to (real) Maryland sports, I played intramural flag football this fall with some friends (including Testudo Times» own Joe Catapano) so of course we had another friend film us and make a documentary (in progress) and of course I released a highlight tape.

This is of course helped by the shaky, documentary style of film making that Peter Landesman has employed to bring this fifty year old tale to life (again).

Padilha, who shot to prominence with his gritty police crime tale Elite Squad — which won Berlin's Golden Bear in 2007 — will bring his research - based documentary background to bear as he did so successfully in both Elite Squad films, his searing documentary Bus 174 and, of course his brilliant Pablo Escobar Netflix drama Narcos.

Josh is, of course, very like Woody Allen's Cliff Stern, the documentary film - maker in Crimes and Misdemeanors (1989) who, at the nadir of professional failure, is forced to film a tribute to his hated brother - in - law, a highly successful man at home in the same world of tuxedo dinners and speeches from which Ben Stiller's Josh feels excluded.

At various points in his fantastically varied and storied career he wrote position papers on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40 years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.

Joan Rivers: A Piece of Work One of the best documentaries ever about the show business life, this film follows Joan Rivers over the course of one year as she tries successfully to resurrect her career.

The performances from the cast are what really save this film from being a total dud and the story is quite interesting of course, but if you want to know the full facts, read books on the subject and watch a few documentaries as well.

Of course, this easily could have been expanded into the two - disc set that the film deserves, had there been an audio commentary, a presentation of each «Pooh» featurette in its original form, a more extensive art gallery, a featurette on the theme park attractions, a longer making - of documentary, and an additional audio option.

Elvis Presley was one of Hollywood's top box - office draws, starring in 31 feature films and two theatrically - released concert documentaries over the course of his career.

Over the course of his career, Demme has captured a variety of human emotions and experiences, whether in his thrillers, dramas or rock concert documentaries, and he returns to the big screen once again with the deeply human, honest and heartfelt film, «Ricki and the Flash,» written by fellow Oscar winner Diablo Cody («Juno»).

According to the documentary on the DVD Antonio Banderas was convinced to do this film by his wife Melanie Griffith who had of course worked with de Palma before.

No matter what, the newest film from Jones is an eighty minute course on the work of Hitchcock, who inspired the young Truffaut, and the cavalcade of directors that Jones interviewed in this documentary.

The documentary, riddled with interviews from classic film pioneers like Peter Bogdanovich, Guillermo del Toro, Walter Murch and of course, Jamie Lee Curtis representing her mother, shows just how important one scene, not even two minutes long could have for a film.

On every level, it's a film about unlikely marriages: of documentary and fiction, comedy and pathos, live - action and animation, and, of course, of Harvey Pekar and Joyce Brabner.

Of course, it helps that the crackerjack comedy team (one of whom is an avowed Criterion fanatic) launched the anthology series, which features a different documentary spoof each week, with Sandy Passage, a film that looks suspiciously like a certain cinema verité classic in the Criterion Collection.

Over the course of his 25 - year career, Mattox has: * written numerous articles for The Wall Street Journal, The Washington Post, USA TODAY, and other major publications; * spoken at educational conferences in Geneva, Prague, Rome, and Vatican City; * led writing workshops at Duke, Vanderbilt, the University of Virginia, and other major universities; * served as a speechwriter for several Members of Congress in Washington, D.C.; * directed a documentary film and a number of other media projects, including a public service ad campaign that ran in Rolling Stone; and * spearheaded a number of quantitative and qualitative research projects, working closely with polling firms, focus group organizers, and «think tank» scholars.

PADI also honoured them with the award for good diving courses with the PADI Education Award.A prestigious Spanish Filming Company also chose Frankie's for the Underwater Documentaries of the Mediterranean Dive Destinations.

Of course, this entire experience was started with the hopes of creating a new documentary film on the legend.

Movie Art — Stepping into the Spotlight Over the course of the past year I've had many such conversations with collectors, framers, artists and gallery owners as I've been traveling across North America filming a documentary feature on movie poster art.

The film / video curriculum includes courses in documentary, traditional and digital filmmaking, contemporary issues in film and video, animation, storyboarding, and screenwriting.

Last fall he taught a course on documentary filmmaking and this current semester is teaching a course, «World on a Wire: 12 Films, 12 Filmmakers,» in which he has invited 12 contemporary filmmakers to screen and discuss their recent films, screenings that were opened to the public.

Migone looks at French playwright and poet Antonin Artaud's writings, with their implications of strangled speech and glossolalia; American composer Alvin Lucier's groundbreaking 1969 recording «I Am Sitting in a Room»; Erik Satie's looped composition «Vexations»; Marina Abramovic's confrontational performance «Rhythm 0»; Adrian Piper's «Untitled Performance for Max's Kansas City»; Herman Melville's short story «Bartleby, the Scrivener»; Bob Connolly and Robin Anderson's documentary film First Contact; and of course the work that most looms over this topic: John Cage's paradigm - shifting 1952 composition «4» 33».»

A documentary, work of fiction and essay film, Facs of Life maps several trajectories of life and thought, beginning from a series of encounters: with video footage of Gilles Deleuze's courses at Vincennes (1975 - 76), with a number of students who attended the seminar and who appear in these images, with the woods where the university buildings once stood, and with students of the new university at St Denis; The eight plateaus that compose the film each fall under a key concept - word that defines the territory of each student's relationship to Deleuze's thought and the nature of the filmmakers» encounter with them.

This week, Ai Weiwei will present his new film HUMAN FLOW at the Hammer and participate in a post-screening Q & A. Shot in twenty - three countries over the course of a year, Weiwei's documentary is an «exploration of the global refugee crisis...,» bearing «[witness to] its subjects» desperate search for safety, shelter, and justice.»

Filmed over the course of two years in New York, Our City Dreams is one of the most interesting artist documentaries out there.

Jordenö has been an educator for 15 years, teaching BA, BFA, MA and MFA level courses in documentary and experimental film theory / production, site - specific participatory artistic practices and artistic fieldwork in dialogue with anthropological research methods.

That same template established in the documentary course through which I worked with Prof. Maria Luskay and energetic student teams to create six films that capture the reality that any environmental solution will fail if it does not integrate the economic needs and norms of local communities.

I spent that momentous March week of diplomacy, baseball and rock «n» roll filming in Cuba with 15 Pace University students and Professor Maria T. Luskay, with whom I've co-taught a spring documentary course since I joined the Pace faculty in 2010.

My students use #PaceBlog and #pacedoc for our courses on blogging and documentary film.

(I admit a bias here, given that I co-teach the documentary course that produces these films with Pace Prof. Maria Luskay.)

At Pace, he teaches courses in blogging, environmental communication and documentary film.

At Pace University, I launched a course in 2010 called Blogging a Better Planet and I co-teach a documentary production course in which each student film since 2010 has told the story of people trying to forge environmental and social progress — from a shrimp farmer cutting pollution in Belize to an organization trying to improve the lives of slum dwellers in Rio de Janeiro.