Sentences with phrase «drawing installations made»

Connecting the Lines is a site - specific drawing installation made with 1/4» black masking tape and Mylar.

Not exact matches

Tape Art, a collective of artists based in Providence, Rhode Island, will begin the installation of Buffalo Caverns, 2014, a drawing made with painter's tape on the exterior walls of the Buffalo and Erie County Public Library.

The piece was one of several that made up the exhibition «If We Ever Get to Heaven,» which also included the film installation I Am Not Me, the Horse Is Not Mine (2008), created for Kentridge's production of Dmitri Shostakovich's The Nose at the Metropolitan Opera, and the charcoal - drawing animation Other Faces (2011).

His instinctive and scattergun approach to collecting makes for a show that's wildly energetic and enthralling: an eerie cowhide and resin installation (Nandipha Mntambo's Enchantment) stands erect and proud like a regal spectre in the middle of the space; it mingles with arresting monochrome portraits of children with cement dust faces by Mário Maculau; a comedic and surreal ink drawing of a goat at an office desk by Ato Malinda; a sweet and naively rendered mixed media work by Richard Kimathi depicting a couple, the man delineated through a pistol on his crotch.

This exhibition offers a survey of Ahtila's practice through seven film installations made between 2001 and 2018 and a series of drawings.

First exhibiting in 1977, she has been making art since the late 1970s, in various media including painting, performance, sculpture and tape drawing installations.

Beth Krebs makes site responsive installations and drawings.

She was commissioned to make an installation of drawings for the Emerge Festival in Bristol Central Library and Hartcliffe Library by Creative Partnerships (2005).

This large - scale survey presents Chaimowicz's work in painting, drawing, collage, sculpture, installation, furniture, lighting, ceramics, textiles, and wallpaper made between 1978 and 2018, including never before exhibited pieces and three new commissions.

NK: And unlike conceptual artists, you do not draw plans of installations instead of making the actual thing.

He made the ugly pretty, the worthless priceless, and the tragic redemptive; he also helped cement Los Angeles's reputation as an international art hub, especially thanks to his installations that included large - scale drawings and paintings, as well as sculptures, videos, and his own writing.

Since the early «90s, Tracey Emin has produced a body of work that encompasses all forms of artistic expression, including painting, print - making, drawing, film, photography, installations, appliqué, sculpture and neon text.

Previous rounds have been broad in scope and concept, ranging from topics of activism to architecture, and including disciplines such as design, media arts, drawing, film, installation, intervention, literature, painting, performance, photography, print making, sculpture, and others, such as scientific field work.

I make drawings, paintings, painted constructions, and installations that become the visual language that generates subsequent work.

A small kinetic installation by Jean Tinguely hangs opposite bunny ears carved from wood by Claudia Comte, in the style of Henry Moore; watercolor drawings by the visionary artist Marguerite Burnat - Provins look like gruesome fairy - tale illustrations, while Denis Savary's «Alma (After Kokoschka)» (2007) riffs on the life - size doll that the artist Oskar Kokoschka had made of Alma Mahler after she left him for the architect Walter Gropius.

The most directly «finished» images, those Starling set out to make using the drawing of the original installation, are framed, matted, and glazed.

He made more «finished» drawings, too, including early Abstract Expressionist watercolors and later documents of his light installations.

In his short, immoderate life Martin Kippenberger managed to test and probe just about every conceivable style of art making — conceptual, performance, painting, sculpture, collage, video, drawing, and installation.

The artist makes drawings from grease paint and fire, uses edible materials such as butter, chocolate and alcohol to make hilarious and sad installations (beds that wet themselves, pillows that smoke), and handcrafts exquisite reproductions of both animate and inanimate objects (an upended trashcan sewn from felt, a mangy, fake - fur fox, a two - story folding chair).

Her sculptural works are often site - specific, making use of architectural space and working in tandem with abstract wall drawings to form the installations as a whole.

Scientific line drawings, installation images, details, fold - outs and much more make this comprehensive monograph a dazzling look into the studio practice of Kelsey Brookes.

Nami Yamamoto is a Japanese artist, working primarily in Installation and drawing concerning ideas of nature and the man made environment.

Art from a different era can appear new if shown at the right moment, and that has been the case with Hershman Leeson's 50 years of drawings, sculptures, performances, installation, videos, internet - based works, and feature films, some made with studio backing and released to theaters nationwide.

That piece, an emblematic expression of his community - geared work, will be present in the Polish artist's first major American exhibition when it opens at the New Museum this month, along with a new installation featuring sculptures that the artist will make over the show's duration, to be shown alongside drawings accumulated from the exhibition's visitors.

Graeme Durant makes sculptures, paintings, collages, drawings and installations.

Lubaina makes paintings, prints, drawings and installations which celebrate Black creativity and the people of the African diaspora while challenging institutional invisibility.

She made various types of artworks, including sculptures, installations, paintings, and drawings, and used many different kinds of materials.

Co-organized by the Dallas Museum of Art with Minneapolis's Walker Art Center, the American artist's first comprehensive U.S. survey tracks his development through early installations made of hundreds of drawings on paper napkins and disassembled silk flowers pinned to the wall through the more elaborate installations large mirror mosaics of recent years.

In this exhibition, Cowan debuts new work, drawing from several recent bodies of painting, sculpture, and installation that revolve around mark making, composition, and artistic authorship.

A major breakthrough in his career occurred in 1974 when he began making wall - size abstractions (which he calls «Installation Drawings») that radically alter the relationship between drawing and architectural space.

«Pussies,» Judy Chicago's first solo exhibition in San Francisco since her iconic installation The Dinner Party premiered there in 1979, presented paintings, drawings, and ceramic plates made between 1968 and 2004, many of which exemplified the feminist art practices pioneered by the artist in the 1960s and»70s.

His more recent works, which include print making, painting and installations, still draw on this theme of everyday objects and their changing nature in society and artistic practice, using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.

Beginning with a drawing of a bird made on her foundation course in 1974, this chronological survey of Cornelia Parker's poetic, transformative and often explosive sculptural and installation - based practice focuses on the artist's own descriptions of her work.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

Opening on 23rd January at the Rook & Raven gallery, Bigger Than The Both of Us, a solo exhibition by acclaimed artist Corinne Felgate is comprised of two new major installations, Bigger than the Both of Us (MOMA) and Studio X Y Z, that draw on the artist's on - going research into our collective relationship with the man - made environment, and how society's perception of the manufacturing industry shapes our understanding of what it is to exist in the world today.

Known for his handcrafted sculptural installations of crochet, tulle, spices and stones, Neto's renowned art - making practice draws from a wide variety of sources, from Modernist traditions of biomorphic abstraction, through Arte Povera and American Minimalism, to the legacies of Brazilian neo concrete, conceptual and Tropilcália movements.

Brody's animations have been included in programs at The National Gallery of Art in Washington, MoMA, The Reina Sofia Museum, and the Centre Pomidou, and he has made wall drawing installations for the Brooklyn Museum and the Drawing drawing installations for the Brooklyn Museum and the Drawing Drawing Center.

The installation features a series of interconnected wall drawings and mobile - like sculptures made up of his signature scrap paintings — bits of tape and overspray that have been stripped from his studio walls and carefully arranged on paper and clear mylar.

The collection of the AGW is made up of nearly 2500 works of art, including paintings, drawings, prints, photographs, sculptures, installations and videos.

Featuring scholarship by museum director and curator Helen Hirsch, this modest, concise publication includes intimate details and color reproductions of Dzama's meticulously composed imaginings, which take the form of drawings, sculptures, collages, installations, and a film — Une danse des bouffons (or A jester's dance)-- which made its European debut as part of the exhibition.

«I have a tradition of designing ideas for monumental installations that are... realisable in a drawing, but not possible to make in reality,» he explains.

Chitra Ganesh creates wall installations, paintings, drawings, photographs, and animations that make use of an expansive visual vocabulary that ranges from Bollywood films, comics and graphic novels, to iconic feminist imagery.

As part of the installation, visitors were invited to make their own «beautiful» drawings for free.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).

The exhibition, «making beautiful drawings» at Bruno Brunnet Contemporary Fine Art in Berlin, invited visitors to buy Hirst's or to make their own drawings for free as part of the installation.

Passion for Freedom invites submissions from visual artists working in the following mediums: painting, sculpture, drawing, print making, photography, mixed media, installation and video.

He soon made New York his home and shifted from performance, video, and installation - based work to making abstract paintings and drawings about color, light, and space.

Katerina Lanfranco makes paintings, drawings, sculptures, and mixed media installations.

The Art Show 2015 will also mark the debut of some site - specific installations, including the arranged objects of Haim Steinbach at Tanya Bonakdar Gallery and drawings inside custom - made vitrines created by Wade Guyton that will be presented by Petzel.

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England