Sentences with phrase «drawing in space by»

Anthony Caro: Drawing in Space by Mary Reid.

Visions: The installation Drawing in Space by South Korean artist Jeongmoon Choi welcomes visitors, submerging them into Llull's world by means of a highly contemporary vision.

Not exact matches

The point here, however, is to draw out implications of the narrower truth that a Christian congregation's social form is also shaped by its social space, which in turn is importantly and distinctively, if not exhaustively, shaped by the way biblical writings are used in the congregation's common life.

SO you are right about 1 thing — drawing defenders out by coming back to help in the build up play is very important in creating oppurtunities for space in behind.

The run and pass defense in a 3 - 4 defense is dictated by the quality of the nose tackle, who occupies space, clogs the middle, and hopefully draws double teams.

He drew the defender into an aerial battle, won it without too much difficulty and the space left in behind by Lovren stepping out was what Rashford used to score.

Ince would draw in several defenders before releasing to Laurent Depoitre, who had rolled off the side of the defensive unit to create space, and Town's striker would see his side - footed effort comfortably palmed away by Nick Pope, who had been relatively quiet until this chance.

If you're still not enticed by the odds on a draw, hang on in there, as there is evidence to suggest that neither are capable of winning Monday's affair — Not only have Blackburn failed to win on their own patch for four games, Steve Kean's men are without a win in their last nine overall and are currently in free - fall, having gone from mid-table respectability to relegation candidates within the space of just two months.

MOTD graphic shows just how stifled Alexis Sanchez got by the Chelsea defence yesterday Arsenal under Wenger need time and space to play his beautiful and endless passing game.When teams get stuck in, the gunners are unable to adapt and consequently will lose or draw.

I feel that women and their partners do much better with privacy and intimacy during the birth process and that, my role is to sometimes protect that privacy and intimacy first of all by educating them that that might be really important and to talk about you know the effect both positive and negative about um, support during that time can be or even just letting people know hey, we're in labour, the Facebook kind of thing but you know keep it quiet, keep it down, don't fritter the energy away by drawing other people to it or drawing the expectation that something's happening rather than just letting something evolve... I think guarding the space by keeping the space as calm and quiet and private as possible is key and giving people tools to do that during the prenatal time to deal with over eager family members or friends.

Urbanists have for some time now been drawing attention to the «over-scripting» of public space in modern urban regeneration schemes, so that all conflicts and loose ends are designed out of the development, and people are subtly organised and choreographed into patterns of use and timetables decided by others.

The rezoning was touted by the de Blasio administration as an example of how to meet the interests of developers while expanding affordable housing, but it drew sharp criticism from activists in the neighborhood and some elected officials, who argued it didn't go far enough in ensuring that space would be reserved for the neighborhood's poorest residents.

The festival and its accompanying activities drew an estimated 350,000 attendees between April 5 - 8 to watch 20 stage shows and take part in more than 3,000 activities, including touching a moon rock, creating an ocean - inspired craft, powering a lightbulb by pedaling a bicycle, testing out welding skills via virtual reality and learning how space shuttle toilet operates.

The United States followed in January 1958 with the 31 - pound satellite Explorer I. Even as the nascent U.S. space program focused on pint - size payloads, however, a research team at an obscure division of the General Dynamics Corporation was secretly drawing up plans for a monstrous 4,000 - ton spaceship that would be powered by the sequential explosions of thousands of hydrogen bombs and would ferry hundreds of astronauts at a time across the solar system.

The picture shows 16 dots drawn in an evenly spaced 4 - by - 4 square array.

«The Babylonian geometrical methods discussed here involve figures that are defined in a more abstract mathematical space obtained by drawing velocity against time, almost in a modern fashion.»

As soon as it was discovered, the cluster drew the attention of a team of astronomers led by Michael McDonald of the Massachusetts Institute of Technology's Kavli Institute for Astrophysics and Space Research in Cambridge.

Cosmic jets are the product of matter and energy trying to squeeze into a small space, drawn in by the enormous gravity of massive stars and black holes.

More definitive conclusions can only be drawn by future space missions to that fascinating Jovian moon, which would allow scientists to fill the gaps in our understanding of Europa's potential for life.

During star formation, the material in such disks is thought to be drawn into the new star by its gravitational pull, while other processes power an outflow of material into the surrounding space.

The second action is to elevate or to draw up the pelvic floor from its relaxed position (in this state, it's shaped like a bowl) to a flattened, tighter position, higher within our pelvic outlet (the space bordered by our two sit bones, our pubic bone, and our tail bone, also known as our coccyx), giving better support to bladder, bowel, and uterus.

With the latest Lilly Pulitzer scandal caused by inappropriate fat - shaming drawings in their office space, the discussion opens again about how much fashion industry really cares about plus size women.

Megamind And The Modern Male Identity: Raised by criminals and taught by a life of hard knocks to envy and despise the genetically superior ideal - male Metro Man (appropriately embodied in voice by Hollywood sex symbol Brad Pitt and drawn as a dashing Don Draper-esque American hero in muscle - hugging spandex), the affected and dorky Megamind is a misfit from the moment his blue - skinned parents send him off in an infant - sized space pod as their planet explodes.

The passage of time in the movie is marked by real historical events like the bombing of Pearl Harbor, (which finds Benjamin drawn into a bloody and deadly encounter with enemy fire), the debut of the Beatles and the launching of a rocket from the Kennedy Space Center.

By using 11 Genesis sedans to draw giant letters in the sand, Hyundai was able to deliver a special message from a daughter to her dad working on the International Space Station.

In designing a new Direct Shift automatic transmission for the LC 500, Lexus sought to avoid the drawbacks of systems where driving pleasure is diminished by the wider spacing of the higher gears, often producing an unappealing, drawn - out engine sound.

Also, perhaps no other title could have been more appropriate: «Reach for the Stars: Touch, Look, Listen, Learn» which itself draws its inspiration from the images beamed back by the Hubble telescope of ’30 Doradus Nebula», a vast stretch in outer space where new stars are formed.

Designer India Mahdavi gave the space a ravishing makeover in 2014, adding soft velvet chairs, brass accents and 239 original drawings by British artist David Shrigley.

Paper Racing: racers rivals - is extreme racing game, in which you can climb on hill as motorbike rider, defied gravity in space adventures on tracks drawn on paper by other players.Features: - 6 vehicles to play: bigfoot aka monster truck, motorbike, moped, mini ATV, lunar rover and formula 1 sport car; - race on over...

Instead, the primary way to interact with your fellow players is by drawing and sharing heavily moderated art and messages in communal spaces, which can range from Spongebob Squarepants and 50 Shades of Grey jokes to to surprisingly poignant messages in a bottle.

Frankly, by its second visit to Hengsha, Human Revolution had drawn the search for Adam Jensen's sweetheart out long enough, and a better DLC pack than The Missing Link would have still felt unnecessary in the same space.

The layering and accumulation of natural materials is part of my motivation and I still feel strongly drawn to creating spaces that can be entered; I feel there's something that hits a primitive nerve about a space that has been clearly built by hand with natural materials (see the main image for an example in The Shape of First Thoughts).

His instinctive and scattergun approach to collecting makes for a show that's wildly energetic and enthralling: an eerie cowhide and resin installation (Nandipha Mntambo's Enchantment) stands erect and proud like a regal spectre in the middle of the space; it mingles with arresting monochrome portraits of children with cement dust faces by Mário Maculau; a comedic and surreal ink drawing of a goat at an office desk by Ato Malinda; a sweet and naively rendered mixed media work by Richard Kimathi depicting a couple, the man delineated through a pistol on his crotch.

In arriving at paintings in which an expression of form and space was created by, essentially, the coloured structure, Cézanne, and Bonnard, in his mature paintings, tended to suppress the three dimensional information contained in tone and drawinIn arriving at paintings in which an expression of form and space was created by, essentially, the coloured structure, Cézanne, and Bonnard, in his mature paintings, tended to suppress the three dimensional information contained in tone and drawinin which an expression of form and space was created by, essentially, the coloured structure, Cézanne, and Bonnard, in his mature paintings, tended to suppress the three dimensional information contained in tone and drawinin his mature paintings, tended to suppress the three dimensional information contained in tone and drawinin tone and drawing.

2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

2008 Exposed — Artworks Gallery, Cincinnati, OH --(Group) Avatar Atavistic — Vaudeville Park, Brooklyn, NY --(Group) Dry Heat — Runnels Gallery, Portales, NM --(Group) Summer Sweat — ArtWorks Gallery, Cincinnati, OH --(Group) Introducing Mr. Hammerface — installation, Project Space — Reed Gallery, University of Cincinnati, Cincinnati, OH --(Solo) Hypothetics - New Drawings and Paintings by Eric Johnston, Michael Stillion, Justin Varner — Art Hospital, Bloomington, IN --(Group) O.K., Engine 22 Gallery, Cincinnati, OH --(Group)

He is renowned for his invention of wire sculpture — coined by critics as «drawings in space» — and the mobile, a kinetic sculpture of suspended abstract elements whose actual movement creates ever - changing compositions.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Monday June 8th Life Painting @ Hillyer Art Space «An independent figure drawing class that allows students to work from a nude model in your choice of mediums.While easels, chairs and artistic ambiance are provided by Hillyer, artists are required to bring their own drawing materials.

Organized by the Center's Executive Director, Tom Eccles, and Graduate Program Director, Johanna Burton, Painting in Space, titled after Rosalind Krauss» famous quotation of Julio González in respect to Picasso's «drawing in space», includes painting, sculpture, and works that lie somewhere between these categorizatSpace, titled after Rosalind Krauss» famous quotation of Julio González in respect to Picasso's «drawing in space», includes painting, sculpture, and works that lie somewhere between these categorizatspace», includes painting, sculpture, and works that lie somewhere between these categorizations.

The catalogue, published by the Upper East Side gallery Zwirner & Wirth, includes two pages of notes written by the artist in the 1970s, which read like a crash course in the paradoxes woven into his incorporeal realm of three - dimensional lines drawn in space:

In Drawing for Sculpture the Size of a House (2001), on view at the Whitney, he intensified this photographic compression by blacking out a house from a snapshot using felt - tip pen, radically collapsing the pictorial space and blocking most of the scene from view.

Lines in Space: Paule Vézelay & Linda Karshan Drawings and 3 - D constructions by British abstract pioneer Paule Vézelay and drawings by contemporary artist Linda Drawings and 3 - D constructions by British abstract pioneer Paule Vézelay and drawings by contemporary artist Linda drawings by contemporary artist Linda Karshan.

Bad at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad at Sports, 2011 Chicago Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010 Art Chicago Catalogue, 2010 The Art Auction at The Museum of Contemporary Art, Chicago, Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998 Drawing: Space, Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986 Art Forum Magazine, 1985, 1986, 1987 Flash Art, 1985, 1986, 1987 Bijutsu Techo, Japanese Art Magazine, 1985 Galleries Magazine,, French Art Magazine, 1988

In 1874, tired of being rejected by the Salon, a group of young unknown and slightly known artists got together and rented their own space for an exhibition of paintings and drawings timed to coincide with the official Salon.

Negative Pyramid (1997) and three works from his Incomplete Open Cube series (1974) illustrate in three dimensions the generative potential of LeWitt's serial approach, exemplified by the museum's sweeping installation of the artist's wall drawings — which span LeWitt's entire career, covering over an acre of wall space on three floors of a building at the very heart of MASS MoCA's campus.

The most striking moments occur in the mirrored works: each panel contains two identical renditions of the same space with the upper half (the first drawing) in an upright orientation while the lower part (second drawing) is rotated by 180 degrees to form a mirrored counterpart to the upper half.

117 2014 — The Figure: Painting, Drawing and Sculpture — Contemporary Perspectives, Skira Rizzoli 2014 — Visual Intelligence, Catalog Essay, Accesso Galleria Pietrasanta 2014 — Review: David Humphrey, ARTPULSE, NO. 21, Vol 5, 2014 2014 — MFA Catalog Intro, New York Academy of Art 2013 — Living and Sustaining a Creative Life: Essays by 40 Working Artists, Intellect Books, p. 152-156 2013 — Urbanfuse Berlin, Catalog Essay, Janine Bean Gallery 2013 — From Beijing, Catalog Intro, New York Academy of Art 2013 — Wildscapes, Mario Davalos, Book Prologue 2006 — Low, Dishonest Times, In Conversation, Laurence Hegarty, Cynthia Broan Gallery 2006 — Uprising, Catalog Essay, LMCC / Parsons The New School For Design 2005 — Primed, Catalog Essay, Parsons The New School 2005 — Stories, Amy Bennett, Catalog Essay, Linda Warren Gallery 2003 — The Burbs, Catalog Essay, DFN Gallery 2003 — Articulation and Iconography, Bryan LeBoeuf, Catalog Essay, FishTank Gallery 2003 — Ceramics Art and Perception, Referencing, Susan Budge, Issue 53 2003 — Reconstruction, Space Invaders, Catalog Essay, FishTank Gallery 2001 — Manchildren, Mark Mennin, Catalog Essay, Howard Yezerski Gallery 1987 - 88 — Flash Art Magazine, NY Staff Critic, Two Exhibition Reviews Monthly 1986 — Flash Art Magazine, Published Interview with Ross Bleckner