«College Alumnus
Drawings at Art Gallery,» The Mississippi Press, January 11, p. 4 - C, article, photos of Aftermath: Shrimp Boat and Aftermath: Camille.
Not exact matches
«Alone»
at 50 % off, along with all my
art, Sophia
drawings, and cartoons, in my online
gallery.
Following a bug hunt and an afternoon looking
at and handling stick insects, a praying mantis, snails, tarantulas and scorpions the students studied the depiction of insects in
arts from earliest Egyptian to contemporary
drawings, before producing their own studies, which were exhibited
at a local
gallery.
Grades: Pre-K-2 This is the Web site for the exhibit (January 28 - May 7, 2006)
at the National
Gallery of
Art and includes images of more than thirty paintings and drawings by Paul Cezanne, often seen as the father of modern a
Art and includes images of more than thirty paintings and
drawings by Paul Cezanne, often seen as the father of modern
artart.
Storefronts, vendors,
art galleries, and restaurants
draw you in with their brightly colored tapestries, ethnic foods, and photographs of dirty, starving children with snot covering their noses and big, brown eyes that just make you want to pinch their chubby cheeks and coo
at them.
To coincide with Frieze Week, the
gallery's booth
at the Frieze
Art Fair will be displaying eight works by the Italian artist, including a neon light piece and
drawings of leather... Read More
I've looked
at this Dutch artist's powerful paintings and masterful
drawings amid jostling throngs in temporary shows mounted by the National
Gallery of
Art, the Metropolitan Museum of
Art, the
Art Institute... Read More
2017 — LOG
at LUMP
Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the
Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The
Arts for Governor's Island
Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jack
Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman
Gallery, Albright College, Reading, PA, and Pacific Northwest College of
Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jack
Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT
Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jack
Art Fair, Linda Warren
Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The
Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston
Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jack
Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY
ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jack
ART,
at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jack
ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary
Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jack
Art, Chicago —
ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jack
ART CHICAGO, Linda Warren
Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of
Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jack
Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit
Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jack
Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren
Gallery Booth, Santa Monica Civic Center, CA —
ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jack
ART ADORED: Icons from the Permanent Collection, Mississippi Museum of
Art, Jack
Art, Jackson
Rosa Esman
Gallery «17 Years
at the Barn, Highlights from the Edward Albee Foundation» New York, N.Y. Lang & O'hara
Gallery «The Inscribed Image» New York, N.Y. Luhring, Augustine & Hodes
Gallery «
Drawings» New York, N.Y. AFR Fine
Art «Works on Paper» Washington, D.C. 1987 Willard
Gallery New York, N.Y. New York Studio School «Five Abstract Artists» curated by Robert Storr New York, N.Y. Knoedler & Co. «
Art Against Aids» New York, N.Y. Brooklyn Museum «Working in Brooklyn» curated by Charlotta Kotik (catalogue) Brooklyn, N.Y. Pace Editions «Monotypes» New York, N.Y. Barbara Krakow
Gallery «Poetic Substance» Boston, MA 1986 Dart
Gallery «Abstraction» Chicago, ILL..
Joyce Pensato
at Petzel
Gallery, ADAA: The
Art Show Bart Simpson, Mickey Mouse, and Batman all appear in Joyce Pensato's large - scale charcoal
drawings and paintings, and have all joined together
at the Park Avenue Armory for the first four - year retrospective of the Brooklyn artist's work.
Some of his recent exhibitions have included: Brice Marden: Work Books 1964 - 1995,
at The Fogg
Art Museum
at Harvard University, The Wexner Center for the
Arts, Ohio, and The Museum of Fine
Arts, Houston; Brice Marden: Work of the 1990s
at The Dallas Museum of
Art, The Hirshhorn Museum, Washington, D.C., and The Carnegie Museum of
Art, Pittsburgh; and an exhibition of recent paintings and
drawings at The Serpentine
Gallery, London.
1998 Selections, Winter 1998, The
Drawing Center, New York, NY catalogue Crossings,
AT Kearney Corporate Offices, San Francisco, CA At Home and Abroad: Twenty Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA; Contemporary Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CA Sino K
AT Kearney Corporate Offices, San Francisco, CA
At Home and Abroad: Twenty Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA; Contemporary Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CA Sino K
At Home and Abroad: Twenty Contemporary Filipino Artists, Asian
Art Museum, San Francisco, CA; Contemporary
Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary
Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines
Gallery, San Francisco, CA
Drawings, Haines
Gallery, San Francisco, CA Sino Ka?
In celebration of the California College of the
Arts» (CCA) one - hundredth anniversary, Braunstein / Quay
Gallery presents a group show of alumni organized by guest curator Mary Snowden, the Chair of Painting and
Drawing at CCA.
Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual
Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent
Art Critic and Editor -
at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney
Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the
Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue
Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park,
Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line
Art Curatorial Fellow, High Line
Art Thomas Lax, Associate Curator in the Department of Media and Performance
Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of
Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary
Art, Brooklyn Museum
Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter,
Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall,
Arts Magazine, January 1983, p. 3 1983 Ted Stamm
at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm,
Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982
Drawing Invitational 1981 by Geynne Vernet,
Arts Magazine, February 1982 1982 Two Unprovincial Shows
at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky,
Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell,
Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell,
Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten,
Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten,
Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell,
Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm
at Hal Bromm
Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977
Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum
at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative
Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace,
Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.
Harvard
Art Museums Acquire Large - Scale
Drawing by Kara Walker From Recent Fall Show
at Sikkema Jenkins
Gallery
Recent solo exhibitions include 2TRAPS
at The Pace
Gallery, New York (2010), Robert Mapplethorpe / Sterling Ruby
at Xavier Hufkens, Brussels (2009), The Masturbators
at Foxy Production, New York (2009), Supermax 2008
at the Museum of Contemporary
Art, Los Angeles (2008), CHRON
at the
Drawing Center, New York (2008) and Grid Ripper, Galleria d'arte Moderna e Contemporanea, Bergamo, Italy (2008).
In recent years, Alice Neel's work has been the subject of a major survey of paintings
at the Museum of Fine
Arts, Houston (touring to the Whitechapel
Gallery, London, and Moderna Museet, Malmö, 2010) and a retrospective exhibition of
drawings at the Nordiska Akvarellmeuseet, Skärhamn (2013).
The gathering of paintings and
drawings at Talbot Rice
Gallery shows her radical New York milieu to uneasy perfection: the left - wing film - maker Sam Brody with his haunted eyes (he was one of the lovers who betrayed her); the
art dealer Charlie with his sweat - sheened brow trying to overcome an absurdly tight suit; Neel's son Hartley, mismatched in collar, tie and beret, tensely controlling his own child on an uncomfortable knee.
After debuting in a few group shows, including
Drawings at the Museum of Modern
Art, she had her first solo exhibition
at Terry Dintenfass
Gallery in 1964.
Here, clockwise from left: Fred Sandback's «Untitled,»
at David Zwirner; an installation view of Sol LeWitt's «Wall
Drawing # 368» from its 1984 installation
at the Walker
Art Center in Minneapolis; Sean Scully's «By Night and by Day,» 1983,
at Mnuchin
Gallery.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston
Art Center, Evanston, IL 2015 — «Wish List»,
Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural
Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston
Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead
Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried
Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried
Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit
Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman
Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University
Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios
Gallery, Charleston, SC 2010 — «Remnants», Fuse
Gallery, New York, NY 2010 — «Highlights» Island Weiss
Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper
Gallery, New York, NY 2010 — «Chicago
Art Fair», shown by Linda Warren
Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN
Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock
Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of
Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain
Gallery, Anaheim, CA 2008 — «City Lights», George Billis
Gallery, New York, NY 2008 — «Chicago
Art Fair», shown by Linda Warren
Gallery in Chicago, Illinois 2008 — «Take Home a Nude»
Art Auction
at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of
Art, NY, NY 2007 — «Four Handed Lift: Advocacy,
Art, Spirit and Community», Moti Hasson
Gallery, New York, NY 2007 — «Small Works», Sarah Bain
Gallery, Anaheim, CA 2008 — «Chicago
Art Fair», shown by Linda Warren
Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of
Art, Mobile, Alabama 2006 — «Night of a Thousand
Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN
Gallery, New York, NY 2006 — «Salon 2006», New York Academy of
Art, New York, NY 2006 — «LA
Art Fair», shown by Linda Warren
Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane
Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain
Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain
Gallery, Brea, CA 2005 — «Take Home a Nude»
Art Auction
at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis
Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma
Gallery, New York, NY 2004 — «Night of a Thousand
Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren
Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain
Gallery, Brea, CA 2004 — «Still Life», Sarah Bain
Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank
Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National
Arts Club 26th Annual Student Show», National
Arts Club, New York, NY
Gianna Commito (b. 1976, lives and works in Kent, Ohio) has exhibited her work
at Rachel Uffner
Gallery, Gavin Brown's Enterprise, Taxter and Spengemann, and The
Drawing Center, all in New York, NY, as well as the Museum of Contemporary
Art, Cleveland, OH, and others.
Lucy Austin (b. 1966 Leeds UK) studied
at Harrogate College of
Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine
Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine
Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008
Drawing in Space, The Pound
Art Centre, Corsham, Wiltshire 2008
Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core
Gallery, Deptford SE8 2011 Sketch
Drawing Prize 2011, Rabley
Drawing Centre, Marlborough 2010 The Jerwood
Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London
Art Fair, Rabley Contemporary
Drawing Centre, London 2008 The Jerwood
Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize
Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood
Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn
Gallery, Llandudno Artist talks 2011 Show and Tell, Core
Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol
2017 Talking Pictures: Camera Phone Conversations Between Artists, The Metropolitan Museum of
Art, New York, NY Person of the Crowd: The Contemporary
Art of Flânerie, The Barnes Foundation, Philadelphia, PA
DRAW / Boston, MassArt, Boston, MA Southern Accent: Seeking the American South in Contemporary
Art, Speed
Art Museum, Louisville, KY Uptown, The Wallach
Art Gallery at Columbia University, New York, NY Maker, Maker, Children's Museum of the
Arts, New York, NY No burden as heavy, David Castillo
Gallery, Miami Beach, FL Jacob Lawrence: Lines of Influence, SCAD Museum of
Art, Savannah, GA The Legacy of Lynching: Confronting Racial Terror in America, Brooklyn Museum, New York, NY Victory over the Sun: The Poetics and Politics of Eclipse, Kentucky Museum of
Art and Craft, Louisville, KY Detroit 67: Perspectives, Detroit Historical Society, Detroit, MI ProjectArt Presents: My Kid Could Do That, Kimpton Eventi Hotel, New York, NY
Traveled to Worcester
Art Museum, Worcester, Massachusetts (October 3 — November 25); Grey
Art Gallery, New York University, New York (January 15 — February 23, 1985); Contemporary
Arts Center, Cincinnati (March 14 — April 27, 1985); Albright - Knox
Art Gallery, Buffalo (September 14 — November 3, 1985) and Archer M. Huntington
Art Gallery, University of Texas
at Austin (January 12 — February 23, 1986) Sur Invitation, Musée des
Arts Décoratifs, Paris (June 6 — September 17) Olympic
Arts Festival Los Angeles 1984, Newport Harbor
Art Museum, Newport Harbor, California (June 1 — September 9) Selections from the Permanent Collection: Paintings and Sculpture, Museum of Modern
Art, New York (opened May 17) Three Painters, Three Decades: Lee Krasner — Joan Mitchell — Pat Steir, Harcus
Gallery, Boston (May 5 — June 20) XXIX Salon de Montrouge,
Art Contemporain, Peinture — Sculpture — Dessin, Montrouge, France (May 2 — June 3) Aspects de la Peinture Contemporaine (1945 — 1983), Musée d'
art moderne de Troyes, France (April 29 — June 18) Vent «anni d'arte in Francia, 1960 — 1980, Association Française d'Action Artistique, Galleria comunale d'arte moderna di Bologna (March — April) Master
Drawings: 1928 — 1984, Janie C. Lee
Gallery, Houston (March 7 — April) La Part des Femmes dans l'
Art Contemporain, Galerie Municipale, Vitry - sur - Seine, France (March) American Women Artists, Part I: 20th Century Pioneers, Sidney Janis
Gallery, New York (January12 — February 4)
TER.FER.EN.CE, The Farjam Foundation, Dubai, UAE NOW - ism: Abstraction Today, Pizzuti Collection, Columbus, OH Alter / Abolish / Address, as part of 5 × 5:2014, a project of the D.C. Commission on the
Arts and Humanities, LAND (Los Angeles Nomadic Division), Washington, D.C. Four Decades of
Drawings and Works on Paper, John Berggruen
Gallery, New York, NY Tarīqah, Barjeel
Art Foundation, Maraya
Art Centre, Sharjah, United Arab Emirates Graphicstudio: Uncommon Practice
at USF, Tampa Museum of
Art, Tampa, FL BLACK / WHITE, curated by Brian Alfred and Shay Kun, LaMontagne
Gallery, Boston, MA
2012 Daniel Belasco, Henry J. Leir Associate Curator, The Jewish Museum Heather Darcy Bhandari, Director, Mixed Greens
Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Kristen Chappa, Curatorial Associate, SculptureCenter Elizabeth Ferrer, Director of Contemporary
Art, BRIC
Arts Media Elizabeth Houston, Director, Hous Projects Ryan Inouye, Curatorial Associate, New Museum Lesley Johnstone, Curator, Musée d'
Art Contemporain de Montréal Nina Katchadourian, Curator,
Drawing Center Jonathan David Katz, Curator and Director of the Doctoral Program in Visual Culture Studies
at State University of New York
at Buffalo John Massier, Visual
Arts Curator, Hallwalls
Gallery, Buffalo Sara Reisman, Director, Percent for
Art and Independent Curator Sara Jo Romero, Director, Schroeder Romero & Shredder
Gallery Gregory Volk, Contributing Writer,
Art in America Megan Holly Witko, Director, Andrea Meislin
Gallery
Traveled to the Finch College Museum of
Art, New York (October 16 — November 25) and the Albright - Knox
Art Gallery, Buffalo, New York (January 8 — February 2, 1974) Visual R&D: A Corporation Collects — the Ciba - Geigy Collection of Contemporary Paintings, University
Art Museum, University of Texas
at Austin (June 10 — August 12) American
Drawings, 1963 — 1973, Whitney Museum of American
Art, New York (May 25 — July 22) National Invitational Exhibit: The Explosive Decade, University of Wisconsin
at Milwaukee Fine
Arts Galleries (May 2 — 20, 1973) Women Choose Women (organized by Women in the
Arts), The New York Cultural Center, New York (January 12 — February 18) 1973 Biennial Exhibition: Contemporary American
Art, Whitney Museum of American
Art, New York (January 10 — March 18) Contemporary American Painting from New York Galleries, Wilmington Society of Fine
Arts, Wilmington, Delaware (April 20 — May 27)
Installed in the old Domino Sugar Factory in Brooklyn, the much - talked - about monumental sugar sphinx
draws more than 130,000 visitors; inspires praise, countless opinions and selfies, and a porcelain pitcher; earns her recognition from Wall Street Journal Magazine as its 2014
Art Innovator and a spot on Foreign Policy magazine's list of leading 2014 Global Thinkers; and is currently being explored in «Afterword,» an exhibition
at Sikkema Jenkins
Gallery in New York.
Rabley Contemporary
Drawing Gallery represented her work
at the London
Art Fair (2010).
The Studio Museum in Harlem and the Frances Young Tang Teaching Museum and
Art Gallery at Skidmore present an exhibition featuring works from every period in painter Alma Thomas's career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases
drawn from a variety of private and public collections.
Process and Materials, 1960 - 1990,» Institute of Contemporary
Art, University of Pennsylvania, Philadelphia, PA «Artificial Nature,» curated by Jeffrey Deitch, Deste Foundation for
Art, The House of Cyprus, Athens, Greece «Stendahl Syndrome: The Cure,» Andrea Rosen
Gallery, New York, NY «Mind Over Matter: Concept and Object,» Whitney Museum of American
Art, New York, NY, October 3 — January 6, 1991 Galerie Sophia Ungers, Cologne, Germany, with L.C. Armstrong, Gretchen Faust, Eva Hesse, Rebecca Horn, Robin Kahn, Jutta Koether, Patty Martori, and Rosemarie Trockel «Liz Larner, Rosemarie Trockel, Meg Webster,» Stuart Regen
Gallery, Los Angeles, CA 1989 «Whitney Biennial 1989,» Whitney Museum of American
Art, New York, NY «The Desire of the Museum,» Whitney Museum of American
Art, Downtown
at Federal Reserve Plaza, New York, NY Galerie Ryszard Varisella, Frankfurt, Germany «David Cabrera, Larry Johnson, Liz Larner,» 303
Gallery, New York, NY «Archaeology II,» Roy Boyd
Gallery, Los Angeles, CA «Specific Metaphysics,» organized by Pat McCoy, Sandra Gering
Gallery, New York, NY 1988 «Nayland Blake, Liz Larner, Richard Morrison, Charles Ray,» 303
Gallery, New York, NY «A
Drawing Show,» curated by Jerry Saltz, Cable
Gallery, New York, NY «Re: Placement,» L.A.C.E., Los Angeles, CA «Life Like,» curated by Marvin Heiferman, Lorence Monk
Gallery, New York, NY Stadtmuseum, Graz, Austria, curated by Peter Pakesch; represented the U.S. along with Jennifer Bolande, Jon Kessler, Mike Kelley DAG, Los Angeles, CA 1987 «Room 9,» Tropicana Hotel, Los Angeles, CA «Nothing Sacred,» Margo Leavin
Gallery, Los Angeles, CA «1987 Annuale,» L.A.C.E., Los Angeles, CA Jeffrey Linden
Gallery, Los Angeles, CA; curated by John Baldessari «Reworks: Recent Sculpture,» New Langton
Arts, San Francisco, CA «L.A. Hot and Cool,» M.I.T. Visual
Arts Center, Cambridge, MA
Photography and video works
drawn from the collection of the National Museum of Women in the
Arts, Washington, D.C. go on display
at the Whitechapel
Gallery 18 January -16 April.
Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman
Gallery, London 2012 Times Square Show Revisited, Hunter College
Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985
Art Heritage
at Hofstra, Emily Lowe
Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime
Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis
Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos
Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail
Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of
Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the
Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith
Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary
Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert
Gallery, New York, NY 1983 Hundreds of
Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton
Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler
Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn
Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group,
Art Galaxy, New York, NY; travelled to Jersey City
Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A.
Gallery, New York, NY 1982 Group Exhibition, Roy Boyd
Gallery Chicago, Merwin
Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons
Gallery, C.W. Post, Greenvale, NY 1981
Drawings, Roy Boyd
Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix,
Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of
Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..
Bad
at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad
at Sports, 2011 Chicago
Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010
Art Chicago Catalogue, 2010 The
Art Auction
at The Museum of Contemporary
Art, Chicago,
Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998
Drawing: Space, Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986
Art Forum Magazine, 1985, 1986, 1987 Flash
Art, 1985, 1986, 1987 Bijutsu Techo, Japanese
Art Magazine, 1985 Galleries Magazine,, French
Art Magazine, 1988
1989 Abstract Expressionism: Paintings,
Drawings and Watercolors, Manny Silverman
Gallery, Los Angeles (December 2, 1989 — January 13, 1990) The Gestural Impulse, 1945 — 60: Paintings from the Permanent Collection of the Whitney Museum of American
Art, Whitney Museum of American
Art / Downtown
at Federal Reserve Plaza, New York (September 29 — December 1) Barnard Collects: The Educated Eye, Salander - O'Reilly Galleries, New York (September 28 — October 31) A Decade of American
Drawings: 1980 — 1989, Daniel Weinberg
Gallery, Los Angeles (July 15 — August 26)
Art in Place: 15 Years of Acquisitions, Whitney Museum of American
Art, New York (July 7 — October 15) Works on Paper, Lennon, Weinberg, Inc., New York (June 13 — August 11) Lines of Vision:
Drawings by Contemporary Women, Hillwood
Art Gallery, Long Island University, Brookville, New York (May 24 — June 28).
«Parallels and Intersections:
Art / Women / California, 1950 — 2000,» San Jose Museum of
Art, San Jose, CA, June 1 — November 3, 2002 «New Attitudes in Sculpture,» The
Gallery at Green Street, New York, NY, April 5 - May 18, 2002 2001 «
Drawings,» Regen Projects, Los Angeles, May 26 - July 21, 2001 «A Room of Their Own: From Arbus to Gober,» Museum of Contemporary
Art, Los Angeles, Los Angeles, CA, February 4 — January 20, 2002 2000 «Raumkorper.
Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999
Drawings,» Alexander & Bonin
Gallery, New York, NY «00,» Barbara Gladstone
Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary
Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin
Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles
Art from the Permanent Collection,» Museum of Contemporary
Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University
Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary
at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for
Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for
Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,»
Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'
Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis
Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran
Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?
2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the
Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank
Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise,
Art - Rated, Matthew Woodward, Interview, November Klein, Paul,
Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice
Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day
at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retr
at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying
Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago
Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost
at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retr
at E Minor, New
Art, January 2011 — Vora, Manish, Iconomancy: The Magic of
Art,
Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City,
Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained
at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retr
at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad
at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retr
at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International
Drawing Annual 5, Manifest
Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost
At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retr
At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart,
Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?
Swiszcz's work has been exhibited
at the Minneapolis Institute of
Arts, the
Drawing Center, Highpoint Center for Printmaking, Miyako Yoshinaga
Gallery in New York, Steven Zevitas
Gallery in Boston, and the Corcoran
Gallery of
Art.
-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The
Art Newspaper Recent
Art News - Texas Week of 03/27/11 Ed Ruscha
at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots
at Dallas Football,
Arts District — FrontRow A work in progress: The Dallas
Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound
at Rice University - Glasstire Richard Serra, Pushing the Boundaries of
Drawing — ARTnews Recent
Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to
Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent
Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent
Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became
Art — NYMag Walker
Art Center to Acquire Merce Cunningham's collection —
Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The
Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies
at 88 — NYTimes Recent
Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over
Art Collection, 25 Years Later — NYTimes Recent
Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The
Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent
Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent
Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent
Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National
Gallery of
Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of
Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent
Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
His installations have been exhibited
at The
Drawing Center in New York, Blue Star Contemporary
Art museum in San Antonio Texas, ExitArt NY, PS 122 NY, Morris Museum, New Jersey, Jersey City Museum, Poor Farm Experiment in Wisconsin, Riga
Art Space in Latvia, Baltic
Arts Center in Helsinki, Planthouse
Gallery NY, Cynthia Broan
Gallery NY, Fishtank
Gallery NY, Denis Bibro
Gallery NY,
Gallery X in NY, Marsha Child Contemporary NJ, Chamot
Gallery NJ, Mimi Ferzt
Gallery NY, Alma
Gallery Riga, M6
Gallery Riga Latvia, Biennale
Art Gend in Kopenhagen Denmark.
A recent exhibition
at Fraenkel
Gallery in San Francisco examined the ways in which artists have been
drawn to records and their covers as mediums for original works of
art.
As part of the abstract
art takeover
at the Whitechapel
Gallery, Lodewijks» new commission for London
draws from workshops with local young people, where he found out about their relationships to the spaces around them.
Currently on view
at the National
Gallery of
Art is In the Tower: Mel Bochner, which presents 43 thesaurus - inspired paintings and
drawings.
Although Winton chooses acrylic wash, the images in the exhibition
at Cobalt Contemporary
Arts Gallery are essentially
drawn images;
drawing provides a means of gathering information from the places she visits and expressing it with a sense of immediacy.
The artists participating
at the Grundy
Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper,
drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.
A selection of prints,
drawings and sculptures created over the last ten years will be on view
at the Noah Purifoy
Art Gallery through August 10, 2014.
From Nature, Prints and
Drawings 1958 - 2007 Mary Ryan
Gallery New York, NY Small Paintings and Works on Paper, 1957 - 2000 Hudson Walker
Gallery at The Fine
Arts Work Center Provincetown, MA