Sentences with phrase «drawings exhibition by»

The Invisible Drawings exhibition by Jakob + Macfarlane at School Gallery Paris.

-- A Drawn Exhibition by Charles Avery & Tom Morton, Galerie Perrotin, Paris and Pilar Corrias, London (2013).

Not exact matches

The set prices have since been lowered by the government, and Tesla's low - cost solar cells were a big draw at the technology exhibition.

In the summer of 2007, he was invited to submit three drawings to an exhibition sponsored by the town of Tallerud.

Taking its title from the Bridge's color, named by the consulting architect Irving Morrow in the 20th century, this exhibition draws upon the varied narratives and conceptual inspirations the historical landmark manifests.

Titled «Special Exhibition: The World of Hatoful Boyfriend», it will feature concept art, drawings and various other designs by the creators of the bizarre dating sim.

Painter Paul Behnke tours several painting exhibitions in Brooklyn including: Louder Milk: Tom Burckhardt at Pierogi Gallery (closed May 8, 2011), One Dozen Paintings at The Journal Gallery (with work by Peter Coffin, Jacob Kasssy, Sam Moyer, Joshua Smith, Sarah Braman, Olivier Mosset, Tauba Auerbach, Dan Walsh, and Leif Ritchey - through May 20, 2011), Bezold Effects: Molly Herman at b. conte (through May 11, 2011), and Drawing Into Paint: Margrit Lewczuk at Janet Kurnatowski Gallery (through May 29, 2011).

My Back to Nature is a free exhibition of more than fifty new paintings and drawings by the talented, George Shaw.

Alongside original sketches, drawings and manuscripts, the exhibition also showcase artefacts like a Christopher Robin nursery set that was presented to Princess Elizabeth in 1928 and lent to the show by the Queen, as well as photographs, cartoons, ceramics and fashion items.

A survey of two decades of his work last year at the Studio Museum in Harlem emphasized his deft drawing and humorous self - deprecation, and was a reminder that any exhibition by the artist is worth catching.

Also creating new work for the exhibition is Adam Pendleton, whose Black Dada works draw on traditions of absurdist poetry with minimal compositions based on letters, lines and shades of black, both abiding by and resisting historical concepts of language as image or material.

You can see them in Our words return in patterns (part 1), a group exhibition organised by NOVEL with ICA curator Matt Williams at Galerie pcp in Paris and drawing on artists whose work explores language and fiction.

This exhibition is curated by Prints, Drawings and Photographs Curatorial Assistant Morgan Dowty.

Critical texts are placed alongside sketches by artists such as Richard Deacon or hand - drawn layouts for catalogues by Sol LeWitt, as well as installation instructions from Carl Andre or exhibition notes by Dan Graham.

She presented two dozen harmoniously blended paintings and drawings (none larger than 25 by 23 inches) in her third solo exhibition at Corbett vs. Dempsey.

All of the works featured in the exhibition — ranging from video games, single channel video, kinetic sculpture, and prints, to pen plotter drawings — have been created by means of technological tools with an emphasis on the mixing and matching of both professional and amateur technologies, as well as the vernaculars these technologies encourage within culture at large.

In 1965, Riley exhibited in the Museum of Modern Art in New York City show, The Responsive Eye (created by curator William C. Seitz); the exhibition which first drew worldwide attention to her work and the Op Art movement.

1986 Art on Paper, Weatherspoon Art Gallery, UNC Greensboro, NC Romanticism & Cynicism in Contemporary Art, Haggerty Museum of Art, Marquette Univ., Milwaukee, WI First Impressions, Allan Frumkin Gallery, New York, NY Ten From The Drawing Center, Paine Weber Art Gallery, New York, NY Senza Paura, Wessel O'Connor Gallery, Rome, Italy Inaugural Exhibition, Curt Marcus Gallery, New York, NY Notes From the Underground, Allan Frumkin Gallery, New York, NY 57th Between A & D, Holly Solomon Gallery, New York, NY EL Arte Narrativo, PS 1, Long Island University, New York, NY Alumni Exhibition, Pratt Institute, Brooklyn, NY New Art, Modernism Gallery, San Francisco, CA New York, NY / Seattle, Seattle Center on Contemporary Art, Seattle, WA Outline, Cutout, Silhouette, Allan Frumkin Gallery, New York, NY Avenue C By The Sea, Tower Gallery, East Hampton, New York, NY East Village Collection, Palladium, New York, NY Summer Pleasures, Nancy Hoffman Gallery, New York, NY

Helen Frankenthaler (American, 1928 — 2011) had her first solo exhibition at Tibor de Nagy Gallery in 1951, an exhibition that synthesized the most radical aspects of works by Arshile Gorky, Willem de Kooning, and Jackson Pollock, with ambitious canvases of textured surfaces, pale color, and calligraphic drawing.

In this exhibition, artist Stephen Hannock's recent gift to the Albright - Knox, The Great Falls; for Xu Bing (MassMoca # 180), will be joined by additional historical and contemporary interpretations of the natural wonder drawn from the museum's collection.

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

The exhibition includes paintings, drawings, installations, sculptures, video works, and photographs by an intergenerational group of artists who are primarily based in the United States.

Additionally, this exhibition considers the ways in which drawing is employed as a means to push the boundaries that traditionally separate one artistic discipline from another by expanding beyond the page and into the realms of performance, photography, sculpture, film, and video.

2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.

A fully illustrated hardcover catalog accompanied the exhibition with essays by Tracy L. Adler, Barry Schwabsky, and Claire Gilman, the curator from the Drawing Center in NYC.

3 x Abstraction is a touring exhibition organised by The Drawing Center, New York, and has been shown in The Drawing Center and The Santa Monica Museum of Art.

IN SEQUENCE: PAINTINGS, DRAWINGS AND ANIMATIONS BY SCOTT HUTCHISON Terrace Gallery Solo exhibition On View: July 9 — August 1, 2014

It is a small show, consisting of only 29 works of widely varying scale, drawn from a larger exhibition organized by the Pérez Art Museum Miami.

Those who commit themselves will receive an official I AM NO LONGER AN ARTIST badge designed by Bob and Roberta Smith, and shall be invited to create one final drawing for inclusion in the Art Amnesty gallery exhibition, using materials provided onsite.

This essay by Mark Strand was originally written for The New York Review of Books as a review of the exhibition of Edward Hopper's drawings at the Whitney Museum of American Art in 2013.

The exhibition features 30 prints and drawings created in the 1930s and 1940s by artists such as Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros, and Elizabeth Catlett.

Curated by the Pulitzer Prize - winning New Yorker theatre critic Hilton Als, the exhibition arrives from David Zwirner gallery in New York, but in a vastly slimmed down version: just 16 paintings from the 45 or so canvases (plus numerous drawings) at Zwirner.

Galerie Thaddaeus Ropac has just opened its new London gallery, and this show of early drawings and a sculpture by the German artist Joseph Beuys (1921 — 1986) is one of its three inaugural exhibitions.

A new publication fully documenting the last five years of Brice Marden's paintings and drawings, with an essay by Jean - Pierre Criqui, will be published to accompany this exhibition.

Cannily chosen and installed by Papanikolas, the exhibition's 45 works of art, which include paintings, sculptures and drawings, are a pleasure in terms of sheer numbers.

In 2009, Als worked with the performer Justin Bond on Cold Water, an exhibition of paintings, drawings, and videos by performers, at La MaMa Gallery.

A Focus exhibition of drawings and paintings by James Bishop opened this week at The Art Institute of Chicago.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

This exhibition showcases work by four New York painters, James Howell, Winston Roeth, Kate Shepherd and Joan Waltemath that draw on this American tradition.

NEW YORK — Derek Eller Gallery presents a solo exhibition of paintings and drawings by Chicago - based artist Karl Wirsum, opening October 12.

Hiram Butler Gallery is please to present Joseph Havel: How to Draw a Circle, a solo exhibition of new works by Joseph Havel.

Thomas Dane Gallery presents an exhibition of new works by Venezuelan - born artist Arturo Herrera, whose practice combines found images and objects with drawing, collage, sculpture and paint.

Her work has been exhibited around the country, most notably at the 2017 LBIF Annual Drawing Exhibition, juried by the Whitney Museum's Jane Panetta; the Allentown Museum of Art, PA; Delaware Art Museum, DE; and the Center for Contemporary Art in Santa Fe, NM.

Occupying every gallery in the new building, designed by Diller Scofidio + Renfro, the exhibition comprises over two hundred works of art in a wide range of media, as well as scientific illustrations and architectural drawings and models, made over the past two thousand years.

Highlighting the exhibition will be a rare Shaker «spirit» drawing from c. 1860, Alfred Stieglitz's From the Back Window, 291 - NY, Winter of 1915, a new drawing Noon Whine by Richard Serra, and a vintage gelatin silver print by the German photographer August Sander from 1928.

Education 2009 - 2012 MA Fine Art by Project — University of the West of England, Bristol, UK 2006 - 2009 BA (HONS) Drawing and Applied Art — UWE Selected Exhibitions 2012 MA degree show, UWE, Bristol, UK «BISENSUAL» group show (as co-ordinator and participant)-- UWE, Bristol, UK «BISENSUAL» group show (as co-ordinator and participant)-- Gallery ROM8, Bergen, Norway 2010 - 2011 «THE QUEEN»S SPEECH» — online group exhibition 2010 «HYBRID» — UWE, Bristol, UK 2009 «PEMBROKE VALE» group show — Bristol, UK BA degree show — UWE, Bristol, UK «REVEAL» — Colston Street Gallery, Bristol, UK 2008 «REVEAL» — UWE, Bristol, UK

Alexander and Bonin is pleased to announce the opening of 101 Drawings, an exhibition of works on paper by eighteen artists, on Friday, January 12, 2017.

The following selections are drawn from two related bodies of work — the series Unbranded: Reflections in Black by Corporate America 1968 — 2008 (2005 — 08), and Unbranded: A Century of White Women 1915 — 2015 (2015), which are the focus of the exhibition Hank Willis Thomas: Unbranded currently on view at the Block Museum of Art, Northwestern University.

The exhibition focuses on this most saccharine hue in various media including: painting, sculpture, photography, video, drawing and assemblage by both established and emerging artists.

On Thursday, September 14, the gallery will open with an exhibition of drawings by Raymond Pettibon.