The publication includes full colour images of all Milhazes» screen and wood block prints, produced in collaboration with master print - maker Jean - Paul Russell of
Durham Press, Pennsylvania, as well as specially commissioned essays by Iwona Blazwick OBE, Director Whitechapel Gallery; Jean - Paul Russell, Director
Durham Press, and an interview between the artist and musician Arto Lindsay.
Edition: 30 Image Courtesy
Durham Press
-- New editions from international artists Beatriz Milhazes (Pennsylvania's
Durham Press), Tracey Emin and Urs Fischer (Carolina Nitsch), Georg Baselitz (Galerie Sabine Knust) Ryan McGinness and Ross Bleckner (Polígrafa Obra Gráfica) and Wayne Thiebaud (Crown Point Press).
Keep an eye out for new monotypes by Diana Al - Hadid, who currently has a solo show of paintings and sculptures at Marianne Boesky Gallery, at Graphicstudio; new screenprints with added flocking and gold leaf of mod, mid-century living rooms by Mickalene Thomas at
Durham Press; and John Baldessari's «Hands & Feet,» a humorous, new series of pictures of body parts that are screened to reveal the appropriated imagery's ben - day dots, at Gemini G.E.L. at Joni Moisant Weyl.
Image courtesy of
Durham Press and the artist.
Printed and published by
Durham Press.
These new sculptures were made at
Durham Press in Durham, Pa. with materials as diverse as painted wood balls, beaded curtains, colored Plexiglas, silk flowers and mirrored steel.
James Cohan Gallery will be exhibiting three new large - scale prints made by the artist in collaboration with
Durham Press in Durham, Pennsylvania.
He has worked as a print maker in collaboration with
Durham Press for 25 years and his editions are included in the collections of the MOMA and the Whitney Museum of American Art.
In September 2009, Beatriz Milhazes worked with
Durham Press in Durham, Pennsylvania to create the Gold Rose Series, which is an edition of seven silkscreen and wood block prints.
2012 Exhibitor List: Alpha Gallery, Andrew Edlin Gallery, Artspace 111, Barry Whistler Gallery, Bill Hodges Gallery, Blythe Projects, Bridgette Mayer Gallery, Callicoon Fine Arts, C. Grimaldis Gallery, Canada, Carrie Secrist Gallery, CB1 Gallery, Charlie James Gallery, Claire Oliver, Conduit Gallery, Cris Worley Fine Art, D'Amelio Gallery, Deborah Colton Gallery, Dittrich & Schlechtriem, Drexel Galeria,
Durham Press, Feature, Inc., Feedback, Ltd., Franklin Parrasch Gallery, Galleri Urbane, Gallery Henoch, Gasser Grunert, Gebert Contemporary, The Green Gallery, Hedge Gallery, Horton Gallery, Howard Scott Gallery, James Kelly Contemporary, Jerald Melberg Gallery, Jonathan Viner Gallery, Josee Bienvenu Gallery, Kirk Hopper Fine Art, Kopeikin Gallery, Lennon, Weinberg, Inc., Leo Koenig, Inc., Leslie Sacks Contemporary, Lisa Cooley Fine Art, ltd los angeles, Marc Straus, Martos Gallery, Michael Kohn Gallery, Moody Gallery, Meulensteen, Newzones, Pace Prints, Perry Rubenstein, Peter Fetterman Gallery, Photographs Do Not Bend Gallery, Rosamund Felsen Gallery, Russell Tether Fine Art, Salomon Contemporary, Shoshana Wayne Gallery, Silverman Gallery, Stewart Gallery, Sue Scott Gallery, Talley Dunn Gallery, Tanner - Hill Gallery, Thomas Solomon Gallery, Turner Carroll Gallery, UNTITLED, Valley House Gallery & Sculpture Garden, Wade Wilson Fine Art, Webb Gallery, William Campbell Contemporary Art, William Shearburn Gallery, Zach Feuer Gallery, Zane Bennett Contemporary Art Gallery, ZieherSmith.
Anderson is represented by Thomas Dane in London and Michael Werner in New York, and he has also been making prints at
Durham Press since 2009.
Courtesy of
Durham Press.
This process is echoed in her large - scale monoprints executed at
Durham Press, where Apfelbaum inks shaped blocks without a set layout and then playfully organizes them on triple - thick handmade paper.
Polly Apfelbaum, Little Dogwood 66, 2012; Woodblock print on handmade paper, 20 x 20 in.; Courtesy of
Durham Press; ©
Durham Press and the artist; Printed and published by
Durham Press
Creating most of her prints at
Durham Press, Apfelbaum often collaborates with master printmaker Jean - Paul (J.P.) Russell to create her colorful, abstract works.
Stop # 3: David Cohen standing before Beatriz Milhazes prints at
Durham Press, Bucks County, Pennsylvania
2012 Exhibitor List: Alpha Gallery, Andrew Edlin Gallery, Artspace 111, Barry Whistler Gallery, Bill Hodges Gallery, Blythe Projects, Bridgette Mayer Gallery, Callicoon Fine Arts, C. Grimaldis Gallery, Canada, Carrie Secrist Gallery, CB1 Gallery, Charlie James Gallery, Claire Oliver, Conduit Gallery, Cris Worley Fine Art, D'Amelio Gallery, Deborah Colton Gallery, Dittrich & Schlechtriem, Drexel Galeria,
Durham Press, Feature, Inc., Feedback, Ltd., Franklin Parrasch Gallery, Galleri Urbane, Gallery Henoch, Gasser Grunert, Gebert Contemporary, The Green Gallery, Hedge Gallery, Horton Gallery, Howard Scott Gallery, James Kelly Contemporary, Jerald Melberg Gallery, Jonathan Viner Gallery, Josee Bienvenu Gallery, Kirk Hopper Fine Art, Kristy Stubbs Gallery, Kopeikin Gallery, Lennon, Weinberg, Inc., Leo Koenig, Inc., Leslie Sacks Contemporary, Lisa Cooley Fine Art, ltd los angeles, Marc Straus, Martos Gallery, Michael Kohn Gallery, Moody Gallery, Meulensteen, Newzones, Pace Prints, Perry Rubenstein, Peter Fetterman Gallery, Photographs Do Not Bend Gallery, Rosamund Felsen Gallery, Russell Tether Fine Art, Salomon Contemporary, Shoshana Wayne Gallery, Silverman Gallery, Stewart Gallery, Sue Scott Gallery, Talley Dunn Gallery, Tanner - Hill Gallery, Thomas Solomon Gallery, Turner Carroll Gallery, UNTITLED, Valley House Gallery & Sculpture Garden, Wade Wilson Fine Art, Webb Gallery, William Campbell Contemporary Art, William Shearburn Gallery, Zach Feuer Gallery, Zane Bennett Contemporary Art Gallery, ZieherSmith
Not exact matches
1Gates is one of the authors whose essays are included in a collection edited by Darryl L. Gless and Barbara Hernstein Smith, The Politics of Liberal Education (
Durham, NC: Duke University
Press, 1990).
For a detailed discussion of the Argument from Marginal Cases read Evelyn B. Pluhar, Beyond Prejudice: The Moral Significance of Human and Nonhuman Animals (
Durham: Duke University
Press, 1995).
Alice M. Baldwin, The New England Clergy and the American Revolution (
Durham, North Carolina: Duke University
Press, 1928), pp. 12 - 21.
Durham: Duke University
Press.
Joining Peter Boorman at the
press briefing was Ady Annuar, a graduate student at
Durham University.
Durham, NC: Duke University
Press, 1996.
Durham, NC: Duke University
Press, 2011: pp. 123 - 150.
Husqvarna gathered
press from around the world at its UK plant in County
Durham to show off its high - speed, ultra-silent Automower and to prove to sceptics — Britain hasn't embraced the robotic models as much as the USA or Germany — that the mowers work well and reduce manual labour and maintenance to almost zero.
After graduating summa cum laude from Carleton College with a B.A. in English (which included a life - changing year abroad at
Durham University in the U.K.), she began her career as a copywriter and marketing assistant at Scott, Foresman and Company, where she wrote back cover copy and
press releases for over 100 professional and trade books.
NKA Journal of Contemporary African Art Special Issue: The Black Arts Movement: Testimonials / Documents / Conversations Number 30 Spring 1012 Duke University
Press 905 W. Main St.
Durham, NC 27701 Copyright 2012,
Durham, NC «1 + 1 = 3 «JOINING FORCES, Coreen Simpson's Photographic Suite pg.
The Queer Art of Failure, (
Durham, NC: Duke University
Press, 2011), cover, 87 - 121.
Her most recent books include Other Planes of There: Selected Writings (2014, Duke University
Press,
Durham), Endless Dreams and Time - Based Streams (2010, Yerba Buena Center for the Arts, San Francisco), and Ongoing Becomings (2009, Musée cantonal des Beaux - Arts, Lausanne).
Modernity and Contemporaneity: Antimonies of Art and Culture after the 20th Century,
Durham: Duke University
Press
Kellie Jones, Eye Minded: Living and Writing Contemporary Art, Duke University
Press,
Durham and London, 2011
Haines, Chelsea, and Carin Kuoni, eds., Entry Points: The Vera List Center Field Guide on Art and Social Justice No. 1, published by Duke University
Press,
Durham, NC, 2015
Mira Schor, Wet: On Painting, Feminism and Art Culture (
Durham: Duke University
Press, 1997), 131.
Arte Portáti: Vulgo Malas Nara Roesler Gallery, Sao Paolo, Brazil ToledoContemporánea Ivory
Press, Madrid, Spain Wieland Collection warehouse, Atlanta, Georgia Another Look: Appropriation in Art Nasher Museum,
Durham, North Caralina, USA Mind the Map Punkt O, Moss, Norway Blaise Cendrars at the Heart of Arts Musée des beaux - arts La Chaux - de-Fonds, Switzerland
David Grubbs speaks at length to the dearth of recorded material available from the 1960s avant - garde in his book Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording (
Durham: Duke University
Press, 2014); and Conrad has spoken, in several places, about his ideas of authorship and «composition,» arguing that the music made with the Theatre of Eternal Music was ideologically based on there being neither composer nor score.
In the
press release for their impending exhibition, the Whitney says that it does not attempt to resolve the current controversy and, more cautiously, contends that «
Durham's work offers a crucial perspective on the history of American art and life.»
Erin earned a B.A. in Journalism from Western Illinois University, studied dance technique and choreography at the American Dance Festival in
Durham, NC, where she was later hired the Director of
Press and Marketing, and was a founding member of Kim Nofsinger's Shelter Repertory Dance Theatre.
[3] Judging in a Therapeutic Key: Therapeutic Jurisprudence and the Courts edited by Bruce J. Winick and David B. Wexler, 2003 Carolina Academic
Press,
Durham, North Carolina.
Durham, NC: Carolina Academic
Press, 2013.
There is also an interesting book that purports to teach higher - level reading skills to law students, and which strikes me as a very useful text: R.A. McKinney Reading Like a Lawyer: Time Saving Strategies for Reading Law Like an Expert, (
Durham, N.C.: Carolina Academic
Press, 2005).
Automated Insights — the
Durham, North Carolina - based startup backed by the Associated
Press, Samsung and Steve Case that has built technology to automatically take raw data and translate it into narratives that look like they've been written by a human — has been acquired by the $ 14 billion private equity firm Vista Equity Partners and portfolio company STATS, which focuses on sports data analysis.