Sentences with phrase «eva international»

LIMERICK»S EVA INTERNATIONAL dates back to 1977, when it began as an annual exhibition of contemporary works from Ireland and abroad.

With a solo exhibition at The Hugh Lane Dublin City Gallery in April of 2016, the artist will also participate in EVA International in Limerick (April 2016).

The curator of this year's EVA International, Ireland's biennial, talks about how the country's history and heritage and, in particular, the forthcoming referendum on abortion have shaped his thinking behind the event.

Sculpture gilded polyester, wood, inkjet print, installation view at the 38th EVA International 2018.

Photograph: Deirdre Power, courtesy of the artist, EVA International 2018, and University of Limerick.

For the 2014 edition of EVA International — Ireland's Biennial, curated by Bassam El Baroni, in Limerick City, David Horvitz produced a new work during his residency at IMMA — Irish Museum of Modern Art in Dublin, Ireland.

The 2016 editions of EVA International — Ireland's biennial of contemporary art, «Still (the) Barbarians» opened on Saturday...

2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?

Selected biennales include Yinchuan Biennale, China (2016); EVA International, Ireland (2016); 14th Istanbul Biennale (2015); 8th Shanghai Biennale, Shanghai, China (2010) and the German Pavilion, 53rd Venice Biennale (2009).

eva International After the Future features a central exhibition curated by Annie Fletcher, selected from over 2000 proposals from 76 countries.

Major exhibitions include Viva Arte Viva — the 57th International Art Exhibition of La Biennale di Venezia, Venice (2017); Symphonie en couleur, Blain Southern, London (2016); Abdoulaye Konaté, Arken Museum for Modern Kunst, Copenhagen (2016) and Still (the) Barbarians, EVA International, Ireland's Biennial, Limerick (2016).

, Ormston House, Limerick, as part of the 37th edition of EVA International — Ireland's Biennial of Contemporary Art curated by Koyo Kouoh (2016); Curators» Series # 8:

(Limerick, Ireland) The 36th edition of EVA International, Ireland's Biennial of Contemporary Art, focuses on the struggle between the tides that pull the present towards romanticisations, utopias, ideologies, and nostalgias; and the tides that attempt to push it beyond those limitations and towards an unknown, a desire for something that remains too complex to determine today — this edition's theme is Agitationism, curated by Bassam El Baroni.

The fair's unique lecture series and panel discussions, curated by Koyo Kouoh, founding Artistic Director of RAW Material Company (Dakar) and Curator of the 37th edition of EVA International — Ireland's Biennial, helps brings visibility to emerging and established talents from Africa and the African diaspora.

Recent presentations include Videonale 15, Kunstmuseum Bonn; Roadkill, IMMA; Pallas Periodical Review # 4, Pallas Projects / Ormston House; EVA International 2014; and Images Festival 2014, Toronto.).

His work has been shown at EVA International 2014, Glasgow International 2014, LIAF 2013, MoMA, and The Kitchen.

Past recipients of the award are Doryun Chong (2010), Chief Curator at M +, Hong Kong; Nav Haq (2012), recently appointed curator of the 2017 Göteborg International Biennial for Contemporary Art, & Jay Sanders (2012), Curator and Curator of Performance at the Whitney Museum of American Art, New York — both selected for the Award by Hans Ulrich Obrist; and Eva Barois De Caevel (2014), an independent curator who earlier this year collaborated on the 37th EVA International, Ireland Biennial of Contemporary Art, Limerick, selected by Nancy Spector.

Recent group exhibitions include: «Somatechnics», Museion, Bollzano, 2018 (upcoming); EVA International, Ireland's Biennal of Contemporary Art, Limerick, 2018; «Total Anastrophes», Dhakar Art Summit, Volcano Extravaganza, 2018; «Through the Looking Glass», Palazzo Capris, Turin, 2017; «Take me (I'm Yours), Pirelli HangarBicocca, Milan, 2017; «Grim Tales», Cassina Project, New York, 2017; «Sette Messaggeri», Marselleria, Milan, 2017; «Predictions, Mendes Wood Gallery, Sao Paolo, 2016; «Mundus Muliebris» Cura Basement, Rome, 2016; «Ennesima», Triennale, Milan, 2015; «I am here but you have gone», Fiorucci Art Trust, London, 2015; «Don't you know who I am», M HKA, Antwerp, 2014; «Portrait of the Artist as a young man», Castello di Rivoli, Rivoli, 2014; «Baker and Le Courbusier in Rio, a transatlantic affair», Museo do Arte do Rio, Rio de Janeiro, 2014; «The 338 Hour Cineclub», Fondazione Sandretto Re Rebaudengo, 2013; «It may be that beauty has strengthened our resolve», ParaSite, Hong Kong, 2013.

Every two years EVA International works with guest curators to create a 12 - week program...

Since 2011, she works in collaboration with artist Benjamin de Burca (Munich, 1975) with whom she participated in the 33rd And 35th Panorama de Arte Brasileira (MAM, Museum of Modern Art, São Paulo), 4th Biennale des Arts Actuéls (La Réunion, France), 36th EVA International (Limerick, Ireland), 5th Marcantonio Vilaça Prize, 32nd São Paulo Biennial, 5th Skulptur Projekte Münster and the 20th Festival de Arte Contemporânea Sesc Videobrasil.

Theo Eshetu, Trip to Mount Zuqulla (2015), Video installation, 7 min, loop, Installation view at EVA International — Ireland's Biennial 2016, Photo Miriam O'Connor, Courtesy the artist, Tiwani Contemporary and EVA International — Ireland's Biennial, Still (the) Barbarians, Limerick City, Ireland, 16 April — 17 July 2016, www.eva.ie

Part of EVA International 2016, And Then... is a spoken word film festival by Liam Gillick.

Michael Joo's work will also be part of EVA International - Ireland's Biennial of Contemporary Art which opens on 16 April 2016.

Selected group exhibitions include: Ark, Chester Cathedral, Chester, UK; Emanation 2017: An Invitational Contemporary Art Exhibit, Wheaton Arts and Cultural Centre, New Jersey, US; Glasstress, Boca Raton Museum of Art, Florida, US; Vitreous Bodies: Assembled Visions in Glass, MASS Art (Stephen D. Paine Galleries), Boston, Massachusetts, US; Naturalia, curated by Danny Moynihan, Paul Kasmin Gallery, New York, US (all 2017); Anyang Public Art Project, Anyang - si, KR; Still (the) Barbarians, Curated by Koyo Kouoh, EVA International Biennale, Limerick, IE (both 2016); Seoul, Vite, Vite!

Michael Joo has participated in the EVA International Biennale, curated by Koyo Kouoh in Limerick, Ireland and mounted major solo exhibitions at SCAD, Savannah, Georgia and Freer Sackler, Smithsonian Institution in 2016.

The work was originally commissioned by Vaari Claffey for Gracelands: Circling the Square, as part of eva International, 2012.

Working in collaboration since 2011, their work has appeared prominently in major international exhibitions such as the 32nd São Paulo Biennial (2016, São Paulo, Brazil); 36th EVA International (2014, Limerick, Ireland) and the 4th Biennial of the Indian Ocean (2013, La Réunion, France).

Responding to the context of the centenary, EVA International 2016 curated by Koyo Kouoh will be entitled Still (the) Barbarians and will investigate the post-colonial condition of Ireland as a point of departure from where artistic reflections, critical redefinitions and political transformations are articulated.

In 2016, she was tapped to curate EVA International: Ireland's Biennial of Contemporary Art.

, have also been shown at the LACMA, EVA International, 1:54 Contemporary African Art Fair and, the Dak» Art Biennial.

Congratulations to Alice Maher, whose work will be included in the 2016 EVA International - Ireland's Biennial.

Eshetu's works have also been presented at: 1:54 Contemporary African Art Fair (2015 & 2016), Dak» Art Biennial (2016), LACMA (2016/2017), SPRING / BREAK Art Show (2016), EVA International (2016), the Deutsche Bank Kunsthalle (2015), the Göteborg Biennial (2015), the Kochi Biennale (2014), the 54th Venice Biennal (2011), the Sharjah Biennial (2011), The Tropics (2009, curated by Alfons Hug) and as part of Snap Judgements (2006, curated by Okwui Enwezor).

Accreditation for the 2016 edition of EVA International — Still (the) Barbarians curated by Koyo Kouoh — is now open for members of the press and arts professionals.

16.04.2016 — 17.07.2016 «Still (the) Barbarians», EVA International — Ireland's Biennial, Limerick City Gallery of Art, Limerick City / UK.

She recently curated «After the Future» at eva International Biennial of Visual Art in 2012.

Other recent group shows include Lofoten International Arts Festival (LIAF), Svolvær, Norway; Artspace, Sydney (2015); Wallspace Gallery, New York (2014); Palais de Tokyo, Paris; David Nolan Gallery, New York; Villa Datris, Fondation pour la Sculpture Contemporain, France; Lewis Glucksman Gallery, Cork (2013); EVA International, Limerick (2012); Stephen Friedman Gallery, London; Talbot Rice Gallery, Edinburgh (2011); Scottish National Gallery of Modern Art, Edinburgh (2010); Accademia d'Ungheria, Rome; The Daejeon Museum of Art, South Korea; Bielefelder Kunstverein, Germany; Limerick City Gallery of Art, Ireland; AkkuH, Hengelo, The Netherlands; Centre Culturel Irlandais, Paris; Millennium Court Arts Centre, Portadown, Northern Ireland; SMART Project Space, Amsterdam (2009); Tanya Bonakdar Gallery, New York; Stroom Den Haag (2007).

He is a board member of both the Douglas Hyde Gallery, Dublin and the EVA International biennial of contemporary art.

The EVA International, Ireland's contemporary - art biennial, has revealed the first group of artists participating in its 2018 edition.

Ireland's EVA International Biennial has appointed Inti Guerrero the curator of its 38th edition taking place in Limerick, Ireland from April 14 through July 8, 2018.

Matt Packer will be the new director of EVA International, the Irish biennial that surveys the contemporary art scene.

EVA International, Limerick, Ireland.

At the EVA International, their work will be woven into Guerrero's larger curatorial vision, which is based on Ardnacrusha, a hydroelectric dam built in 1925 in Ireland that represented technological progress and the promise of modernity.

She has curated international exhibitions as part of numerous biennials including Printemps de Septembre 2016 (Toulouse, France); EVA International 2016 (Limerick, Ireland); Format International Photography Festival 2015 (Nottingham, UK); Summer of Photography 2014 (Brussels, Belgium); 10th Dak» Art Biennial 2012 (Dakar, Senegal); 3rd Photoquai Biennial of World Images 2011 (Paris, France).

Her work has been featured at MOCA, Museum of Contemporary Art Yinchuan, China, 2017; NiMAC, Nicosia, Cyprus, 2017; Centre for Contemporary Art, Leipzig, Germany, 2016; EVA International — Ireland's Biennial, Limerick, 2014; 11th Havana Biennial, Cuba, 2012; Steirischer Herbst, Graz, 2011; the 7th Gwangju Biennial, South Korea, 2008; 1st Canary Islands Biennial, Spain, 2006.

Listen to EVA International curator Koyo Kouoh and EVA International artist Alice Maher on the Irish Times Women's Podcast

The Young EVA Audio Collective, is a collective of teenage students who will work together with facilitators to develop sound recordings from their visit to the 38th edition of EVA International.

«EVA International was originally founded in 1977 — the same year as Skulptur Projekte Muenster — to bring contemporary artistic practices to audiences in the west of Ireland.

Kathy Sheridan talks to Alice Maher and Koyo Kouoh about art, feminism and EVA International, broadcast on 16 April 2016.

, Gypsum Gallery, Cairo, 2015; EVA International — Ireland's Biennial, Limerick, 2014; The 11th Havana Biennial, Cuba, 2012; «Second World» Steirischer Herbst, Graz, Austria and Galerija Nova, Zagreb, Croatia, 2011; 1st Festival of Contemporary Art in Algiers, Algiers, 2009; 7th Gwangju Biennial, South Korea, 2008; 1st Canary Islands Biennial, Spain, 2006; «Trial Balloons» MUSAC, León, Spain, 2006; «An Image Bank for Everyday Revolutionary Life», REDCAT Gallery Los Angeles, USA, 2006; «Out of Space» Gallery Sfeir - Semler, Beirut, Lebanon 2006; Progr, Zentrum fur Kulturproduktion, Bern, Switzerland, 2005; «Il periplo creativo», Museo dell «Accademia Ligustica di Belle Arti, Genova, Italy, 2004; «Transferts», Palais des Beaux - Arts de Bruxelles, Brussels, Belgium, 2003; «Mediterranean», Culturgest, Lisbon, Portugal, 2001.

Reading Imelda Barnard's letter from Limerick in this issue, reporting on EVA International, Ireland's contemporary art biennial, what is striking is the discrepancy between the reductive curatorial attitude — to remember 800 years of oppression — and how the participating artists seem to have found imaginative new pathways through the past.