Sentences with phrase «eva international works»

Every two years EVA International works with guest curators to create a 12 - week program...

Not exact matches

Since its foundation in 1977, EVA International has worked with some of the world's leading artists and curators, bringing outstanding exhibitions and international audiences to the west coasInternational has worked with some of the world's leading artists and curators, bringing outstanding exhibitions and international audiences to the west coasinternational audiences to the west coast of Ireland.

Programming at IMMA encompasses Production Residencies for artists Sam Keogh and John Rainey to work on new commissions by EVA International supported through the Arts Council Ireland's Open Call programme and an EVA exhibition in the Project Spaces at IMMA featuring works by Locky Morris, Roy Dib and Marlon T. Riggs.

The resulting work will be exhibited at The Hunt Museum, Limerick as part of the 38th EVA International, 14 April — 08 July 2018.

Niculescu's work has been exhibited in various galleries and institutions across Europe and the USA; recent exhibitions and screenings include: EVA International - Ireland's Biannual, Stuttgarter Film Winter, Remap KM - Athens, South London Gallery, and the BFI London Film Festival.

His work has been shown at EVA International 2014, Glasgow International 2014, LIAF 2013, MoMA, The Kitchen, and the New Museum.

She is an independent curator, co-founder of Cartel de Kunst (an international collective based in Paris), currently working for Raw Material Company (Senegal), EVA International — Ireland's Biennial, and The Institute for Human Activities (The Netherlands, Belinternational collective based in Paris), currently working for Raw Material Company (Senegal), EVA International — Ireland's Biennial, and The Institute for Human Activities (The Netherlands, BelInternational — Ireland's Biennial, and The Institute for Human Activities (The Netherlands, Belgium, Congo).

EVA international was founded in 1977 by artists and has a rich history with an extraordinary alumni of over 2,000 artists and 40 guest curators from across the world, who created works and exhibitions specifically for the city.

Through working with international guest curators, EVA International aims to introduce them to Irish art and artists, while simultaneously introducing Irish audiences to international artinternational guest curators, EVA International aims to introduce them to Irish art and artists, while simultaneously introducing Irish audiences to international artInternational aims to introduce them to Irish art and artists, while simultaneously introducing Irish audiences to international artinternational art and artists.

EVA International is supported by the Arts Council of Ireland, Limerick City and County Council, LIT, Limerick School of Art & Design and works in close partnership with Limerick City Gallery of Art.

Thousands Are Sailing resonates with a host of recent international works on this topical theme outside of EVA — as in John Akomfrah's recently acclaimed threechannel, video installation Vertigo Sea (2015) that debuted at the 56th Venice Biennale, or Ai Weiwei's controversial re-staging of a now - iconic photograph of the drowned infant Aylan Kurdi.

The Young EVA Audio Collective, is a collective of teenage students who will work together with facilitators to develop sound recordings from their visit to the 38th edition of EVA International.

Her work has been featured at MOCA, Museum of Contemporary Art Yinchuan, China, 2017; NiMAC, Nicosia, Cyprus, 2017; Centre for Contemporary Art, Leipzig, Germany, 2016; EVA International — Ireland's Biennial, Limerick, 2014; 11th Havana Biennial, Cuba, 2012; Steirischer Herbst, Graz, 2011; the 7th Gwangju Biennial, South Korea, 2008; 1st Canary Islands Biennial, Spain, 2006.

At the EVA International, their work will be woven into Guerrero's larger curatorial vision, which is based on Ardnacrusha, a hydroelectric dam built in 1925 in Ireland that represented technological progress and the promise of modernity.

Eshetu's works have also been presented at: 1:54 Contemporary African Art Fair (2015 & 2016), Dak» Art Biennial (2016), LACMA (2016/2017), SPRING / BREAK Art Show (2016), EVA International (2016), the Deutsche Bank Kunsthalle (2015), the Göteborg Biennial (2015), the Kochi Biennale (2014), the 54th Venice Biennal (2011), the Sharjah Biennial (2011), The Tropics (2009, curated by Alfons Hug) and as part of Snap Judgements (2006, curated by Okwui Enwezor).

Congratulations to Alice Maher, whose work will be included in the 2016 EVA International - Ireland's Biennial.

Working in collaboration since 2011, their work has appeared prominently in major international exhibitions such as the 32nd São Paulo Biennial (2016, São Paulo, Brazil); 36th EVA International (2014, Limerick, Ireland) and the 4th Biennial of the Indian Ocean (2013, La Réuninternational exhibitions such as the 32nd São Paulo Biennial (2016, São Paulo, Brazil); 36th EVA International (2014, Limerick, Ireland) and the 4th Biennial of the Indian Ocean (2013, La RéunInternational (2014, Limerick, Ireland) and the 4th Biennial of the Indian Ocean (2013, La Réunion, France).

The work was originally commissioned by Vaari Claffey for Gracelands: Circling the Square, as part of eva International, 2012.

Michael Joo's work will also be part of EVA International - Ireland's Biennial of Contemporary Art which opens on 16 April 2016.

Since 2011, she works in collaboration with artist Benjamin de Burca (Munich, 1975) with whom she participated in the 33rd And 35th Panorama de Arte Brasileira (MAM, Museum of Modern Art, São Paulo), 4th Biennale des Arts Actuéls (La Réunion, France), 36th EVA International (Limerick, Ireland), 5th Marcantonio Vilaça Prize, 32nd São Paulo Biennial, 5th Skulptur Projekte Münster and the 20th Festival de Arte Contemporânea Sesc Videobrasil.

His work has been shown at EVA International 2014, Glasgow International 2014, LIAF 2013, MoMA, and The Kitchen.

2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?

For the 2014 edition of EVA International — Ireland's Biennial, curated by Bassam El Baroni, in Limerick City, David Horvitz produced a new work during his residency at IMMA — Irish Museum of Modern Art in Dublin, Ireland.

LIMERICK»S EVA INTERNATIONAL dates back to 1977, when it began as an annual exhibition of contemporary works from Ireland and abroad.