Sentences with phrase «early collages at»

But recently he's been enjoying a renaissance, with three fine shows: early collages at the Guggenheim (2013), early paintings at the Guild Hall (2014), and his «Open» series from the «60s and «70s at Andrea Rosen (May 2015).

Piri Halasz reviews the exhibition Robert Motherwell: Early Collages at the Solomon R. Guggenheim Museum, New York, on view through January 5, 2014.

Not exact matches

I'd seen a couple of his early collages and then a friend sent me the catalog of his collage show at Colby College.

In Minimalism, one can sense at once the scraps in an early collage and the sprawling installation art of young artists now.

Katz speaks of his early education; his family's interest in art; his U.S. Navy service; his education at the Cooper Union School and at Skowhegan; styles and methods in painting; his work in collage, portraiture and book illustration; theater set design; teaching at Yale, Skowhegan and the Studio School; his interest in poetry; and his current painting style.

WHEN BEARDEN»S BLACK ODYSSEY COLLAGES were exhibited at DC Moore Gallery in 2007 - 08, the occasion marked the first comprehensive presentation of the works since they were created 30 years earlier.

«Robert Motherwell: Early Collages» will be presented at the Peggy Guggenheim Collection, Venice, May 26 - September 8, 2013, before traveling to its second and final venue, the Solomon R. Guggenheim Museum, September 27, 2013 - January 5, 2014.

The acquisition of an early Cubist collage is a major coup for the Scottish National Gallery of Modern Art, and made headlines when it was announced at the tail end of the month.

This story is remembered in the show Robert Motherwell: Early Collages, at the Peggy Guggenheim Collection space in Venice, where Motherwell's works on paper from 1941 - 51 are on display.

This exhibition charts Höch's career beginning with early works influenced by her time working in the fashion industry to key photomontages from her Dada period, such as Hochfinanz (High Finance)(1923), which sees notable figures collaged together with emblems of industry in a critique of the relationship between financiers and the military at the height of an economic crisis in Europe.

The Living At this point in the proceedings, after we passed some more black and white graffiti - inspired pseudo-edgy versions of boring later Brice Mardens and flower patterns in the genre of Phillip Taaffe, we made the detour into Robert Motherwell: Early Collages.

It also enters at least two works from the 1940s, in «Robert Motherwell: Early Collages.»

She participated in the Artist Project at the Metropolitan Museum of Art and earlier this month, recognized for «collaging the immigrant experience,» Akunyili Crosby was named among the 100 Leading Global Thinkers of 2015 by Foreign Policy Magazine.

As well as this, early collages and photographs from the archive of Martin Wong at the Fales Library were selected for the exhibition by the artists Danh Vo and Julie Ault are shown in vitrines and are displayed in the window of the gallery.

Meanwhile, in «10,000 Mantras,» at Studio 10, Meg Hitchcock continues to use collage as a meditative practice through the reformulation of cut letters taken from holy (and not - so - holy) books.9 Here, the flat shapes of earlier work give way to increasingly complex stacks of letters.

Originally shown at Museum für Moderne Kunst Frankfurt am Main earlier this year, the SCAD Museum of Art's presentation will include several works not previously exhibited including neon work by Kendell Geers, a photo series by Youssef Nabil, large - scale works on paper by Christine Beatrice Dixie, a sound installation by Frances Goodman incorporating bridal fabrics cascading from the ceiling, a calligraphy garden by Moataz Nasr and a collage by Wangechi Mutu.

Robert Motherwell: Early Collages, Solomon R. Guggenheim Museum; previously at Peggy Guggenheim Collection, Venice, Italy.

After graduating in 1960 and before her tragically early death in 1966, her collages and large bright canvases were exhibited in a number of group shows and in her own solo exhibition at the Grabowski Gallery in London.

Showcasing Drexler's major paintings and collages as well as her captivating early sculptures, award winning plays and novels, and photographic and video documentation of the artist's wild and varied theatrical career, the exhibition is co-curated by Rose Curator - at - Large Katy Siegel and Curatorial Assistant Caitlin Julia Rubin.

In addition to a range of works in a variety of media, 5 major early works were on display for the first time in a European gallery, a series of collages from 1968 - 69 when Robert Mapplethorpe was living with Patti Smith at the Chelsea Hotel in New York City.

Among a selection of work that deals with the practice of image making — looking closely at color, pattern, texture, and materials — photographer Matt Lipps combines personal history with the history of photography in his collaged «Library of Photography» series; Sean Raspet fuses the optical with the tactile in wall - mounted lenticular lenses; and cyanotypes by Barbara Kasten, produced in 1974, offer some of the contemporary photographer's earliest works.

The LACMA show dives into Mapplethorpe's drawings from his time as a student at Pratt, his experimentations with sculpture and collage, and it includes many of his earliest Polaroids — a medium he started utilizing at the suggestion of Patti Smith.

In 2004 she curated «Pin Up: Contemporary Collage and Drawing» at Tate Modern, having earlier curated «Surfacing» an international survey of drawing at London's ICA where she was Director of Exhibitions.

His early drawings and collages, heavily influenced by Dada and the expressionism of the Beat Generation, already hinted at the artist's interest in the transformation of perception and knowledge in an electronic age and the relationship between art, technology, and the human condition.

In addition to her work on Rauschenberg, Davidson is senior curator for collections and exhibitions at the Solomon R. Guggenheim Museum, where her most recent exhibitions and catalogues include Robert Motherwell: Early Collages (2013); John Chamberlain: Choices (2012); Art in America: 300 Years of Innovation (2007); No Limits, Just Edges: Jackson Pollock's Paintings on Paper (2005); Peggy and Kiesler: The Collector and the Visionary (2004); and American Pop Icons (2003).

The artist's early collages, produced at a smaller size than most of her sculptures, provide important insight into her thinking and working process and the importance of wood in her work.

Wesselmann first explored the medium of collage in 1959, during his final year as an art student at The Cooper Union School of Art, New York, and it remained central to his practice throughout the early 1960s.

His works were shown in a solo exhibit, Wesselmann — The Early Years — Collages 1959 - 1962 at California State University at Long Beach, and in American Art Since 1945 from the Collection of the Museum of Modern Art group exhibition at the Worcester Art Museum.

In a way, as critic Charles Darwent has written, Ofili «seems to be reliving 20th - century modernism backwards,» cycling through clear formal periods wherein his compositions have become more stripped - down, foregoing the dense layering and collaged elements of earlier works, and often focusing on a limited color palette — including the red, green, and black of Marcus Garvey's pan-African flag in the series of paintings he began in 2000 and showed in concert in an immersive environment at the 2003 Venice Biennale's British Pavilion.

However, Sacks, who spent studied fine art at Princeton and Yale, orchestrates them into a poetic ambiance that recalls early cutouts of the 20th century European collage and the chaotic fervor of Abstract Expressionism of the «40s.

If he was not an early postmodernist, one might at least describe Steinberg as the progenitor of a certain strain of stylistic collage in postmodern art.

Coming off her successful restaurant project for the Whitney Biennial, Cianciolo is in the spotlight again with a new solo exhibition at Frieze with Bridget Donahue gallery, which will feature a range of her works since the early 90s including drawings, collages, and garment designs.

Vicente produced his earliest collages during his residency in 1949 at the University of California, Berkeley.

This display is fleshed out by «A.R. Penck, Before the West,» a fascinatingly scrappy show of early work at the Leo Koenig gallery in Chelsea: paintings, sculpture and collages from the»70s, when Mr. Penck was something of a dissident artist in East Berlin, smuggling paintings out and art materials (and Deutschmarks) in.

Opening: Lorraine O'Grady at Alexander Gray Associates This exhibition focuses on two early projects: the performance art piece Rivers, First Draft and her first collage series Cutting Out The New York Times, showcasing «the artist's nuanced perspectives on art history — specifically Dada and Surrealism — and the topical issues of the late - 1970s and early 1980s, when Multiculturalism and Feminism were articulated and tested in the art world,» according to a press release.

The Jazz Museum at the Old Mint held a sampling of the sometimes naughty, little - known collages that jazz great Louis Armstrong made in the final two decades of his life, as well as Satch Hoyt's tambourines linked into chains attached to mirrors to form endless columns, or halved and assembled into crosses reminiscent of the city's famous ironwork; and there were two installations by Dario Robleto, one featuring preserved, mounted butterflies with antennae made of audio tape delicately perched on the edges of the fossilized inner - ear bones of whales, and the other a collaboration with the record label Dust - to - Digital to preserve early gospel music.

His early collages appeared in the groundbreaking Surréalisme show at the Julien Levy Gallery in Manhattan in 1932, alongside Dalí and Duchamp, and his first shadow box, Untitled (Soap Bubble Set), was in Fantastic Art, Dada and Surrealism, a major exhibition at the Museum of Modern Art in 1936.

At Mr. Marks's newly renovated 24th Street gallery, four works from 2011 employ some abrupt curved shapes from the early collages and a green and orange painting from 1964.

Features VanDerBeek's early paintings and collages, experimental films, recreations of immersive projection and film environments, and documentation of site - specific and telecommunications projects - including a «telephone mural» meant to allow for the simultaneous exhibition of artworks at multiple sites.

at Martin Gropius Bau presents a broad spectrum of Genzken's extraordinary and exceptionally diverse oeuvre, from her early films, drawings, and concrete sculptures to complex collages and everyday items integrated into montages.

Early Morning Garden (1957), an explosive oil paint and collage piece that will be on view at the DAM, substitutes natural forms for purely abstract ones.

The exhibition features paintings by Martin Wong from 1980 to 1998, as well as early collages and photographs from the archive of Martin Wong at the Fales Library, that were selected for the exhibition by the artists Danh Vo and Julie Ault.

As in Newsome's earlier works, these collages are shown in ornate Dutch - style frames specifically inspired by the collection of Dutch masterworks housed at the Metropolitan Museum, referencing moments in Renaissance art and architecture history.

One, «Alex Katz: Collages» at Colby College in Waterville — whose impressive art gallery has a large permanent Katz wing — is said to be the first comprehensive survey of this group of intimate - scale paste - ups, done very early in his career.

Wallace BERMAN worked with photographic manipulation, collage, and assemblage at a critical time in their respective evolutions in the beat - era of the early 1960s.

Van den Dorpel's first solo exhibition in the United States, Release early, release often... introduces the artist's spherical Perspex sculptures, web - based work, and collages, the latter appearing at once high - Modernist yet akin to melancholic, mass - produced hotel lobby art.

It is the largest show ever mounted by the Gallery, providing a comprehensive look at how the «collage» emerged as a mode of artmaking in the early twentieth century and has evolved through the rapid uptake of technology and digital media to facilitate new modes of production in all fields of visual culture today,» said Kathleen S. Bartels, Director of the Vancouver Art Gallery.

The exhibition at Matthew Marks Gallery includes four works by Roth: two early works in chocolate, dating from 1969, and two found object collages on board from the early 1990s.

Early Twentieth Century: Collage, Montage and Readymade at the Birth of Modern Culture The incorporation of found images and materials into artwork can be traced to Pablo Picasso and Georges Braque, who invented collage and rudimentary assemblage practices during a period of intense experimentation between 1912 anCollage, Montage and Readymade at the Birth of Modern Culture The incorporation of found images and materials into artwork can be traced to Pablo Picasso and Georges Braque, who invented collage and rudimentary assemblage practices during a period of intense experimentation between 1912 ancollage and rudimentary assemblage practices during a period of intense experimentation between 1912 and 1914.

Director of the Vancouver Art Gallery, Kathleen S. Bartels, says the exhibition provides, «a comprehensive look at how the «collage» emerged as a mode of artmaking in the early 20th century and has evolved through the rapid uptake of technology and digital media to facilitate new modes of production in all fields of visual culture today.»