Sentences with phrase «early moves define»

Not exact matches

The move toward more comfortable workplaces (perhaps the defining trait of early - 21st - century management) has, in too many cases, mutated into environments in which bad ideas aren't dismissed and poor behaviour isn't punished, lest someone's feelings get hurt.
Linklater's other films share a sort of meandering quality defined early on with 1991's Slacker, which moved focus from one character to the next as they interacted with different people.
Our latest publication, «How to create higher performing, happier classrooms in 7 moves: A playbook for teachers,» offers to blended - learning classrooms an early iteration of what Doug Lemov's Teach Like A Champion gave to traditional classrooms: detailed descriptions of specific teacher moves that define high - quality, student - centered teaching.
However, this incentive to retire earlier is already changing without any public policy reforms because companies are moving away from defined benefit pension systems and toward defined contribution systems.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
The show opens with his earliest works, including his own 1977 home in Los Angeles, constructed of plywood, wire mesh and corrugated metal (heavily inspired by the rough - hewn materials artist friends Robert Rauschenberg and Jasper Johns used at the time), and moves to the brilliantly engineered, sculptural forms that define his work today.
Feeling compelled to re-invigorate himself and his practice during a difficult period in his life, it was a deliberate move from his defining «drip» technique to a new «pour», anticipating the arrival of post-painterly abstraction in the late 1950s and early 1960s.
Calder conceived his early moving sculptures, usually made of shapes cut from metal sheets, during the 1930s in Paris, and it was Marcel Duchamp who coined the term «mobile» to define these works.
Salt Lake Tribune August 7, 2017 The U.S. Environmental Protection Agency Director Scott Pruitt announced this week that the agency was moving ahead with defining places that need to do more to reduce ozone pollution, reversing an earlier decision to delay by a year.
Academia became more detached from the real world and moved from the broad divisions of natural sciences and humanities in the 19th century through the addition of social sciences in the early 20th century into narrowly defined departments.
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