Sentences with phrase «early canvases feature»

Not exact matches

Also ported over are features on the history and development of «Tarzan,» among them segments on the Deep Canvas Process, Production Progression Demonstration, three publicity trailers, From Burroughs to Disney, an Early Presentation Reel, a short feature on the Research Trip to Uganda, six segments on creating The Characters of Tarzan, a three - minute bit on The Making of the Music, Building the Story and Storyboard to Film featurettes, 10 minutes of deleted and alternate scenes, and a couple tidbits on the international / intercontinental aspects of «Tarzan.»

The Studio Museum in Harlem and the Frances Young Tang Teaching Museum and Art Gallery at Skidmore present an exhibition featuring works from every period in painter Alma Thomas's career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases drawn from a variety of private and public collections.

«Ben Wilson: An Abstract Expressionist Vision» will be the next exhibition opening at the Quogue Gallery, featuring 14 paintings, oil on canvas or Masonite, dating from as early as 1963 and running to 1990.

The presentation will feature a selection of rarely shown early paintings, iconic canvases from Albers's Homage to the Square and Variant / Adobe series, and works on paper.

Gerhard Richter: Colour Charts also features an earlier work, Sänger (Singer), 1965/1966, a Photo Painting with a colour chart of various shades of red painted on the obverse side of the canvas, which provides an integral insight into the artist's conception of the series.

Boris Margo: Divine Light, 1950 - 1952 features fifteen paintings on paper and canvas from the early 1950s.

Lines / Edges: Frank Stella on Paper features a range of Stella's experiments on paper including early translations of his Black series and shaped canvases, magnificent color woodcuts and screen prints from the 1980s, and the Moby Dick Deckle Edges, an impressive nine work grouping of large - scale prints from the early 1990s based on Herman Melville's Moby Dick.

This exhibition will feature collaged works on paper, and mixed media canvases including a rare series of black and gold paintings executed in early 2010, never before on public view.

One of his characteristically blue - and - white, freely painted late canvases will invariably feature in any overview of the 1950s and early 1960s.

Like the inventive features of his earlier works, these larger canvases extend an aesthetic of transcendence and ethereality.

This was an early example of what is now called site - specific installation, featuring large unframed canvases standing directly on the floor and arranged in two parallel zigzags to suggest a maze, which visitors would be obliged to negotiate - thereby becoming «participants» rather than passive spectators.

This important exhibition will feature more than twenty paintings from various periods of his forty year career: rare «early spray» paintings from the late 1960s, saturated stained canvases from the 1970s, dizzying spray ovals from the 1980s, pulsating orbs from the 1990s, and rhythmic calligraphic swirls from his last decade.

LeWitt's work from the early «60s, works on canvas coated with thick gestural oil paint, each featured one of Muybridge's figures in motion.

This historic survey, the most comprehensive ever mounted, features more than 115 works and traces Martin's career from her lesser - known paintings of the 1950s to her final canvases of the early 2000s.»

Alongside important early works such as «A Thousand Years» (1990), «With Dead Head» (1991) and «Loving in a World of Desire» (1996), «Requiem» featured the first exhibition of works from Hirst's series of oil on canvas «Blue Paintings», which he had begun in 2006.

The earliest pieces here, a series of large untitled canvases from the 1980s, featured layers of slashing brushstrokes and splattered pigment in vividly contrasting hues.

Grace Hartigan, whose bold 1960 oil on canvas New York City Rhapsody will also be on view, gained early support from the influential critic Clement Greenberg, who featured her work in a 1950 show at the Samuel Kootz Gallery.

The exhibition signals a return to the painterly and features a series of billboard - sized canvases that depict the names of silent and early «talkie» film titles along with the names of their African - American stars.

By the late 1950s and early 60s, his career had launched with Black Paintings — a series of paintings featuring stark black stripes on a raw, untainted canvas.

This exhibition is the pioneering artist's first solo exhibition in New England, and features several never - before exhibited monumental canvases in the early 1970s.

Featuring reproductions of early, less familiar paintings, as well as of Rothko's signature abstract canvases, and including essays by art historians, a chronology, and selected interviews.

Despite the fact Martin did her best to seek out and destroy paintings from the years when she was taking her first steps into abstraction, the exhibition features examples of her experimental early practice — such as The Garden from 1958, for which she glued rows of found objects onto a background canvas.

Mathieu's own early work featured a number of large canvases with coloured scrolls, whorls and other motifs painted on a black background.

The presentation features a selection of rarely shown early paintings, iconic canvases from Albers's «Homage to the Square» and «Variant / Adobe» series, and works on paper.

My most recent encounter with his works was during his two simultaneous exhibits: Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched, pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Help You?

This philosophy has remained a consistent thread throughout Kim's long career beginning with his Plane Object series in the 1970s, followed by the geometric compositions from the 1980s, his dot paintings from the 1990s, earlier works that have been entombed in coffins from the 2000s, to his recent works that feature canvas works bound in packing materials and left unattended.

Leading off with early paintings, the Serpentine will feature Metzger's notable metaphors for our ineluctable journey on the Oblivion Express — his notorious «auto - destructive» pieces (disintegrating sculptures, acid - splashed canvases) begun in the late»50s — in addition to his presciently eco-minded critiques of consumerist excess via accumulations of used materials.

«Loss Prevention» features new and earlier mixed - media works defined by mood - altering hues, collage accents and shaped canvases (shown above).

Later works include exuberantly satirical works of the 1960s, many featuring the vaguely autobiographical figure described by critic and artist Anne Doran as a «nattily dressed and deeply ridiculous Everyman in mad pursuit of liberty, poetry, and sex»; the pornography - inspired «X-Rated Paintings» of the early 1970s; the «Noun» paintings of the same period (each depicting a single everyday object against a bright, patterned background); the schematic, figurative canvases made in homage to Copley's Surrealist idol Francis Picabia; and the story cycles and morality tales from the 1980s and 90s, including a painting from the installation project The Tomb of the Unknown Whore.

You also sense Arshile Gorky's spirit here: paintings like «Quince» (2008) and «Early in the Spring (My Attic)» (2009 - 2012) feature those biomorphic shapes, sometimes outlined in black, which distinguished the Armenian - born painter's canvases.

The exhibition features works from every period in her career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases drawn from a variety of private and public collections.