Sentences with phrase «early exhibition programs»

Early exhibition programs such as Crazyspace, created by Asher Lauren Hartman, were run guerilla style with an expansive, anything - goes approach.

Not exact matches

The gallery program has mounted exhibitions of contemporary art featuring the work of Richard Prince, Jean Michel Basquiat and Christopher Wool as well as exhibitions dedicated to the history of The New York School, Abstract Expressionism and Pop Art showing the earlier work of Hans Hofmann, Roy Lichtenstein and Willem de Kooning.

Continuing a pattern established early in its history, the gallery consciously develops a program of surprising juxtapositions within and between exhibitions alternating between single artist shows, curated group exhibitions, and historical exhibitions.

Signs of Protest is part of an exhibition and program initiative highlighting civil rights and social justice with six cultural organizations in Richmond in early 2014.

From our early years mounting summer ballets in an empty ice skating rink in Rouses Point to our current exhibition of clay in the mountains of the Adirondacks, summertime has always played an enormous role in our collaborative energy and programming.

Books 804.204.2710 or 804.204.2719 Fax [phone] Toll - free 1.800.943.8632 Collections and Facilities Management 804.340.1524 Communications 804.204.2704 Curators 804.340.1609 Director's Office 804.340.1500 Docent Program 804.340.1419 Early Childhood Programs 804.340.1343 Education Department 804.204.2661 Fax [phone] Exhibitions 804.340.1609 Facility Rentals 804.340.1590 Food Service / Special Events 804.340.1590 Group Visits, Adults 804.340.1575 Group Visits, Students 804.340.1419 Human Resources 804.340.1485

On my visit to the space earlier this year, there was an exhibition of Sissel Blystad's mesmerising psychedelic tapestries, programmed by the gallery, that at least at first glance seemed to lack the usual contrivances of the way it normally operates.

My goal for the exhibition program is to either really put my neck on the line for artists who are early in their careers, for whom the critical legitimation process has not yet taken place, or for artists who have received a lot more attention, but not in the U.S.. That's where Markus falls in — he has zero presence in the U.S., yet he represented Austria in the Venice Biennial in 2011.

Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.

Her artwork has been selected by the Art in Embassies Program of the United States Department of State for exhibition in Uruguay, and has been shown internationally since the early 1980s.

The Guggenheim Museum Bilbao's dynamic program of temporary exhibitions featuring modern and contemporary art, as well as its periodic exhibitions of art from earlier centuries, offers a sweeping view of international art over the course of art history.

The collection continues to grow, and, together with select additions, now holds over 100 Hartley drawings, two small early paintings, memorabilia such as souvenirs from his travels, ephemera including letters and exhibition programs, personal effects, and many photographs.

Molnar learned the early programming languages of Fortran and Basic, and gained access to a computer at a research lab in Paris where she began to make computer graphic drawings on a plotter, several of which are included in the exhibition.

The first program within the series will be on Monday, March 19, 2018 at 6:00 pm at the Crowley Theater with art historian Alex Kitnick who will discuss Donald Judd's early paintings installed in the Cobb House and Whyte Building, as well as works from 1959 to 1961 that will be included in the exhibition «Donald Judd: Paintings» at the Institute of Contemporary Art, Miami this April.

The earliest acquisitions were images by Luke Swank, Walker Evans, George Platt Lynes and László Moholy - Nagy purchased in 1933; photography became a regular part of the exhibition and acquisition program in the 1960s.

In keeping with the exhibition series and commissioned in conjunction with Providence College's Centennial programming, From New Castile to New England: Fly on the Wall uses contemporary art as a lens through which to have a look at this multi-faceted region in Spain, once a hub - site for St. Dominic's early ministry and exposure to the arts.

Art classes have been offered since early 2017, but museum exhibitions and programs have been presented offsite with partnering institutions: the Griffin Museum of Photography in Winchester, MA, Endicott College in Beverly, MA, the Worcester Art Museum, and North Hill in Needham, MA.

Alongside these major exhibitions, ICA Miami's spring program will feature early paintings by Walter Darby Bannard, who died in 2016.

Matthew Witkovsky: The Art Institute had been planning a survey exhibition of early Soviet art as part of the Fall exhibition program, for the 100th anniversary of the October 1917 Revolution.

Upcoming 20th anniversary year programming, including exhibitions and events, will be announced in early 2012.

Donald Judd was an early admirer of these works and an exhibition currently on view at Judd Foundation on 101 Spring Street in New York presents four recent, white paintings from the series as part of a program that explores Judd's relationship with his contemporaries in the 1960s through the 1980s (through December 9).

While its building is temporarily closed for construction from the summer of 2013 to early 2016, SFMOMA will present a dynamic slate of jointly organized and traveling exhibitions; outdoor and specially commissioned projects; and newly created education programs throughout the Bay Area and beyond.

Coming up for their fall season, NURTUREart is seeking a curator for their education program Project Curate in anticipation of a 2015 exhibition opening early next summer.

Over the past 16 years, the organization has remained faithful to this early intention and continues to grow and expand access for artists, curators, and the larger arts community through an exhibition program at Cuchifritos Gallery + Project Space, the Lower East Side Studio Program residency and a newly established commissions program, Publicprogram at Cuchifritos Gallery + Project Space, the Lower East Side Studio Program residency and a newly established commissions program, PublicProgram residency and a newly established commissions program, Publicprogram, Public Works.

Circle Contemporary, the only Chicago space dedicated to integrated programming, has consistently offered ambitious and thoughtful group exhibitions since its founding early last year.

This program represents the first Curatorial Intensive in the U.S. outside of New York since earlier collaborations with the Philadelphia Exhibitions Initiative (PEI) in 2010 — 11.

Early one morning, the annual exhibition program of the Museo Marino Marini, conceived by artistic director Alberto Salvadori, continues with Campo.

The program was initially expanded to include both noted artists in their early career such as Thomas Demand and Ugo Rondinone, and artists closely related with Berlin, such as Matti Braun, Christoph Keller and Christopher Roth, whose activities went beyond exhibitions to include lectures, talks, performances and musical events, decisively shaping the gallery's reputation as an engaged, discursive environment.

Currently Deputy Director, Exhibitions and Programs at the California African American Museum (CAAM), Naima J. Keith was brought into the newly created position in early 2016 to guide the curatorial and education departments as well as marketing and communications.

They have played an exemplary role in supporting artists by purchasing art early in their careers, exhibiting their work at their alternative space, Girls» Club in Fort Lauderdale and supporting exhibitions and programs in art institutions throughout the region.»

Spanning October 2016 to early 2018, it encompasses a series of exhibitions and extensive public programs celebrating the 10th anniversary of the Elizabeth A. Sackler Center for Feminist Art.

In fact, over the centuries, it has premièred many modern masters and nowadays it still support and present first class emerging or established artists.Last year the exhibition program was closed with a survey of the «tomboy» Sarah Lucas, whose ironic and iconic pieces — from the early the very last production — have been exposed together for the first time in United Kingdom.

From the summer of 2013 to early 2016, SFMOMA is on the go, presenting a dynamic slate of jointly organized and traveling exhibitions, public art displays and site - specific installations, and newly created education programs throughout the Bay Area.

A new exhibition titled Laying the Foundation: UNT Art Faculty, 1890 — 1970 explores the roots of the visual arts program at UNT, looking at art works from early faculty members who provided the foundation for UNT's award - winning art programs.

The three inaugural exhibitions exemplify the two - pronged aesthetic focus of the museums's collections and changing exhibitions program: «Early Artists In Laguna Beach: the Impressionists,» «The First Step: Photographs From the Museum Collection» and «California Contemporary: Works From the Security Pacific Collection.»

As part of the HUGO BOSS arts program, the biannual Award aims to honor emerging contemporary artists who are in the early stages of their artistic creation and exhibition practices.

For the Seattle Exhibitions and Programming — 2012 Emerging Artists The NCECA Emerging Artist program is intended to give early career artists, who show exceptional promise,... Continue reading →

The Hammer Museum is presenting an array of exhibition - related public programs that feature the living artists in Masters, explore the influences they felt from earlier generations, and provide a contemporary context by featuring the artists and topics of the younger generation.

In his new position, which he will begin in early March, Britschgi will manage the Rubin Museum's exhibitions program, lead the curatorial staff, execute strategies for exhibition development, improve audience engagement, and conduct collections - based research.