Not exact matches
Filming will take place in London and begins this fall, so we can
probably expect to see it on TV in
early 2017.
If not for his weapons of choice, Somerset would
probably find a great deal of common ground with him, as his talk of the sins of the world very directly recalls things that he had said to Mills
earlier in the
film.
If the
film had been able to get off the ground
earlier, this
probably would have been a great
film.
I think it would be a great idea to have more diversity of content in this site (an
early review of Beloved was a pleasant surprise some weeks ago) but right now the balance is definitely in favor of sci - fi, fantasy, horror, action, and some crime
films created for a demographic
probably best described as «geek».
Her persona becomes more «thinky» and less «feely» as the
film progresses, which does make her increasingly less relatable (which is
probably intentional), which does echo somewhat her character in the lower budget sci - fi release Under the Skin
earlier in the year, along with the ever - more - knowledgeable Samantha in Her.
In lieu of the
earlier film's dreamlike expressive effects, Disobedience puts an uncommon faith in concisions of acting and editing (including a wordless, believable montage of grief), and in loaded moments and changes in point of view that would
probably play differently on a second viewing.
Cinephiles, especially those enthusiastic about the avant - garde, are
probably familiar with Robert Gardner «s series Screening Room, which hosted numerous directors working in documentary and experimental
film in the 1970s and
early»80s.
Honestly, although Whedon's screenplay will
probably be one of the best of the year, the
film's limited budget, exposure and
early release make it highly likely to be forgotten come awards season.
Gregg Araki was one of the biggest names in the New Queer Cinema movement, and of his
early films, Totally F *** ed Up is
probably the best example of this.
If one had to guess why critics and audiences have responded to this movie, while Mackenzie's
earlier films — which have similarly dealt with difficult interpersonal relationships and discomfiting power dynamics — were indifferently received, the answer
probably lies in its subject matter.
Probably the biggest is an over-reliance on the original Star Wars trilogy which is evident in the way the key plot points and character arcs in The Force Awakens unfold in situations strikingly similar ways to those in
earlier films.
It's also the first
film in the series that
probably necessitates watching the
earlier films to appreciate fully, with its recurring characters and references to Indy's departed family and friends (Connery, who played Henry Jones I, has permanently retired from acting, and though tempted, turned down appearing in this
film — I guess just one drink from the Holy Grail isn't enough for his character's immortality), so do yourself a very big favor and, if you haven't seen them, or have forgotten the details, watch the other three
films prior.
While what he said
earlier this year led people to believe there was another trilogy in the works, the director spoke only of the follow up to Covenant this time, saying that «I'll
probably be
filming it within a year,», and revealing that John Logan had already given him a script for a direct sequel Scott plans to shoot after he finishes All the Money In The World and The Cartel.
The nominees are Herman Yau's bomb disposal actioner Shock Wave, which is a fun old school Hong Kong
film but not really a serious contender, Wilson Yip's Paradox, which is also quite a good action
film (it may be part of the SPL series) and has a better chance but
probably not, and Chasing the Dragon, which I haven't seen yet but also chases that
early 90s Hong Kong vibe (it's kind of a remake of 1992 Best
Film winner To Be Number One).
This
early out, it's hard not to see this as one of the biggest prestige players and
probably the
film to beat come Oscar time.
Murphy's
probably best - known for his
earlier collaborations with Danny Boyle and Guy Ritchie; while he hasn't scored their most recent
films, he has been working steadily elsewhere.
Joel and Ethan Coen's much - anticipated Inside Llewyn Davis, a week in the life of a fictional singer - songwriter in
early»60s Greenwich village, is
probably not the
film their fans -LSB-...]
If the
film were any worse, I'd
probably have to mention that it looks like we have out November turkey
early this year.
A Far Off Place features some beautiful African photography,
probably in part to first - time director Mikael Solomon, who
earlier worked as a cinematographer for such
films as The Abyss and Arachnophobia.
Continuing the year of the vet,
earlier we saw strong performances that could attract voters» attention from a past winner, 70 - year - old Helen Mirren, in Woman In Gold (a
film The Weinstein Company has already started campaigning for its star); and 72 - year - old Blythe Danner getting a full - bodied leading role in the hit adult indie I'll See You In My Dreams which has grossed over $ 7 million so far for new distributor Bleecker Street, which will
probably be encouraged to launch an Oscar campaign on her behalf.
Fans of Carrey will, of course, flock in numbers to see this
film, and if I were to guess based on how they generally received his
early work, they will
probably be the most forgiving of him if he makes a bad
film, as long as they get to see Jim be Jim.
You can
probably tell from our podcast
earlier this year, some of us loved it, others hated it and some of just thought it was admirable, but not Malick's most successful
film.
The first (and
probably the best) horror
film from master Mario Bava works as both an homage to the Universal monster classics and an
early harbinger of the graphic violence that would eventually become a large part of Italian horror cinema.
They'll get a chance to continue if the
film is shut out in top categories, but for now, it's a «made
film,» a legit contender with the other big boys and
probably an
early front - runner, alongside the aforementioned Coen brothers flick and Michael Clayton.
I also suppose that if I went and saw Alex Garland's Annihilation for a second time — maybe
earlier in the evening when I'm not completely exhausted and half in the bag — I could
probably come home with all sorts of theories about what's really going on here, paying particular attention to those disappearing and re-appearing tattoos and sussing out the
film's fractured timeline into some sort of unified, coherent thesis explaining this strange and mesmerizing movie for you.
Paintings and prints frequently carry particular meaning within Petzold's
films, as examples of the ancient tradition of ekphrasis,
probably none more so than in Phoenix's immediate predecessor Barbara (2012) with its conspicuous Rembrandt print, but likewise in much
earlier works like Die Beischlafdiebin (The Sex Thief, 1998) with a Gerard Richter on the wall — another artist conspicuously engaged with multiple forms of peculiarly German afterness.4
The studio
probably won't be happy with the comparison, but the
film it reminded me most of was last year's John Carter, another go - for - it
film that was drawn from
earlier works, but didn't come across as the result of a committee or some grand marketing exercise.
«The Descendants» (Toronto — Fox Searchlight Pictures)
Probably the
film that makes the most sense for an
early Telluride bow (and I'm hearing it'll show up there), Alexander Payne's first
film in seven years could be another dramedy master stroke, with George Clooney starring.
«We Were Here»: You've
probably read the interview I conducted with «We Were Here» co-director David Weissman, in which he explains why he felt this
film about the
early days of the AIDS epidemic was an important one to make.
Back in
early September, which feels longer ago than it
probably should, regular commenter Chris offered the following (non-Oscar-related) prediction: You need to see «A Prophet», I saw it two days ago, and it's such an amazing
film.
While Dirty Deeds is
probably closer to the those two
films than the ones I mentioned
earlier it still has a few things holding it back from being a much more enjoyable movie.
Of course, the
film probably benefited from a Wakandan assist; according to Fandango's survey of 1,000
early ticket - buyers, 60 percent said that their excitement to see Infinity War was at least, in part, a reaction to Black Panther's success.
Scheduling and all that kind of stuff
probably needs to be sorted, but we'll likely know soon as
filming is tentatively scheduled for
early next year.
Probably named after
film director James Cameron, a lot of whose
early films were partially horror.
But even today, some misconceptions exist —
probably due to those funny silent
films mentioned
earlier.