Sentences with phrase «early objects created»

Early objects created by John McCracken were derived from company logos such as the Chevron corporation logo.

Not exact matches

Its object was to create military discipline among the Muslims, looking back to the early Islamic tradition when every Muslim was a soldier of God.

If an object is massive enough, it can actually create detectable gravitational waves, or ripples in space - time, which scientists saw for the first time earlier this year.

In contrast to earlier observations the team did not observe dust that will later form into planets, but dust created in collisions between small planets of a few kilometres in size — objects called planetesimals that are similar to the asteroids and comets of the Solar System.

NASA's Wide - field Infrared Survey Explorer (WISE), slated for launch no earlier than 6:09 A.M. Pacific Standard Time on December 11, is charged with mapping the sky in the mid-infrared to create an atlas of objects whose emitted light is invisible to human eyes and largely absorbed by Earth's atmosphere.

At least one previous attempt to create an identity system for the internet, Microsoft's Passport initiative of the early 2000s, failed in part because privacy advocates objected to one organisation controlling the process.

In the method created by Khakh's team, different colors of light pass through a lens to magnify objects that are invisible to the naked eye and far smaller than those viewable by earlier techniques.

Visitors can find out about the history of Edinburgh from the earliest times to the present day, discover more about the city, its people, crafts and trades and the beautiful objects they created, learn how the people of Edinburgh have lived over the years.

Emerging in the early 1970s, Austrian artist Franz West (1947 - 2012) created objects that serve to redefine art as a social experience, calling attention to how viewers interact with works of art and with each other.

Lynn Hershman Leeson, Lorna, 1979 - 84, earliest interactive laser disc, created with original software, this installation includes a recreation of objects in Lorna's room in the TV: including a remote, television set, wallet, watch and furniture all in «video colours», plus two storyboard prints.

In the early 1950s, when Rauschenberg was living with artist Susan Weil in a one - room apartment on West 95th Street in Manhattan, they produced a series of cyanotypes — images produced without a camera, by shining an ultraviolet light on an object or nude model resting on blueprint paper, exposing the paper where the light isn't blocked and creating a negative shadow of the object or model's outline, similar to the way an X-ray is done.

While the earlier forms were created from accessible materials and objects, generally coated in gesso to create hauntingly white forms, the new sculptures are cast bronze with a white patina creating a very similar effect.

Born hard - of - hearing and diagnosed early with autism, the Belgian artist creates work from strange juxtapositions of everyday objects, revealing new facets of their daily existences.

Some of the earliest works by Christo and Jeanne - Claude were «wrappings» in which the artists wrapped a variety of objects in tightly bound fabric, creating abstract sculptures out of everyday items.

Having garnered an international reputation as one of the leading artists to emerge from the New York Pictures Generation of the 1970s and 1980s, Simmons has thoughtfully and methodically moved through her various photographic series, such as Early Black and White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with humaObjects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with humaobjects animated with human legs.

Dario Robleto Setlists for a Setting Sun (The Crystal Palace)(2014), a work that features a range of found and constructed objects, images, and sounds that pay homage to an early moment of future shock: the earliest known recording of a live musical performance, created in 1888.

She created some of the most important early works in this practice, including Rhythm 0 (1974), in which she offered herself as an object of experimentation for the audience, as well as Rhythm 5 (1974), where she lay in the centre of a burning five - point star to the point of losing consciousness.

The show presents a selection of paintings, photo - objects and assemblages created and conceived between mid-1980s and the early 1990s.

The notion of jewelry as miniature sculpture is nothing new — in the early 20th century, big names like Pablo Picasso, Salvador Dali, and Max Ernst began creating wearable objects, while Alexander Calder went on to produce one - of - a-kind pieces as a part of his extended artistic practice, crafting almost 2,000 during his lifetime.

Joep began as a solo artist, creating objects in brightly colored polyester - the material that became his trademark beginning in the early 1980s.

His early projects — including environments made with found objects; wry, narrative photo works; and a novel copied by hand — began a career - long practice of creating works that prompt both reading and looking, and that intertwine fact with fiction.

In the early 1980s, Weiwei moved to New York where he got influenced by pop art and started creating conceptual artworks made of altered readymade objects that brought him worldwide exposure.

Early in her career, the British sculptor avoided the familiar associations of representational objects by creating purely abstract works.

The catalogue notes that the work «is one of the earliest and largest of Freestanding Combines Rauschenberg made,» adding that the artist «created a structure that would be used, not so much as a set, but as an object in space which the dancers would communicate with on state.»

With a complete selection of over 90 works in different media such as painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons of this artist, and ending with his gallery of manufactured objects, his animation projects, his connection to the world of fashion, and his compelling works of recent years.

In answer to questions about an artwork's appearance they created newfangled forms, such as Donald Judd's early wall objects in 1962, which were neither paintings nor sculptures; or Dan Flavin, who opted for fluorescent tubing instead of conventional painting or sculpting media; or Fred Sandback, who saw the partition of a space as a sculpture; or Michael Asher, who intervened in the material conditions of the exhibition space; or indeed Lawrence Weiner, who described his works in a range of materials linguistically.

His «objets peints» which he created since the early 1980s are always Janus - faced - their double identity refers both to the painted image of an object as well as to its real identity.

While initially creating collages using found photographs, objects, and painting, Mapplethorpe turned to photography in the early 1970's, through which — using a Polaroid SX - 70 camera — he quickly became known for the portraits he took of his wide circle of friends, including famous artists, musicians, porn stars, and socialites.

Driven by early training in printmaking, Smith challenges the romantic mythology of the artist by creating mixed - media compositions that combine the handmade with manufactured and found objects to examine the value of originality versus facsimile.

She conducted extensive research in archives, both online and physical, but instead of presenting a video or a gallery installation, as she had done with earlier pieces based on found objects, she created an Off Off Broadway solo show.

His happenings were performed in fabricated environments created in his studio and galleries and staged around soft props that were early incarnations of the large - scale, sagging sculptures of mundane objects, such as Floor Burger (1962), which the artist later developed.

At the AC Project Room can be seen the somewhat pretentious, but still engrossing «Self Portrait as Still Life,» by AKI FUJIYOSHI, a combination of videotape and photography in which the artist creates a found - object still life and tells you all about it, creating a layering of images and narratives reminiscent of Joan Jonas's early performances.

While his early works in the 1970s were mostly created using recovered objects, in his later work Cragg has used more traditional materials, such as wood, bronze and marble, continually renewing his repertoire of forms, reaching towards an abstract appreciation of the human body.

The show brings together several sculptures created early in the artist's career, including painted scrolls and performative objects, illustrating the artist's experiments with stone, ceramic, wood and paper, influenced by his time in Japan from 1958 onwards.

The works in Shell Game represent a major departure for Gruzis, whose earlier work used intensive ink washed to create hazy, funky riffs on the objects and places that make up a kind of pop - culture landscape by way of Los Angeles.

Early on in her career she experimented with textile, creating erotic objects from crochet, sequins, beads, feathers and ribbon and had some of her work shown at the 1973 Whitney Biennial.

In his early work, Dine created mostly assemblages in which he attached actual objects to his painted canvases.

Whether they explore staged encounters or random intimacies among objects and bodies, they create fictions we recognize from the urban spaces and suburban interiors of the early 21st century city.

Artschwager's training in cabinetry stayed with him, however, and by the early 1960s he had developed the idea of creating sculptures that mimicked everyday objects such as chairs and tables.

After creating an early body of work made up of closed form wooden objects, heavily - lacquered by hand, in the mid-1960s he «decided to remove the skin altogether and reveal the structure.»

American painter and graphic artist, Robert Rauschenberg's early works anticipated the movement using non-traditional materials and objects to create innovative combinations.

So as early as 1799 a prototype object was created the mass of which was deemed to be one kilogram.

Building on earlier technology developed by Izadi's team, KinÊtre supports 3D objects created by scanning the shape of a real - life object with a Kinect camera.Pre - created 3D models can also imported.