Not exact matches
Recent solo
exhibitions include Evil
Earth System, Good Children Gallery, New Orleans (2016); Evil
Earth, Culture Center Tobacna, Ljubljana (2015), The Eumenides, UNO Campus
Art Gallery, New Orleans (2014), How to do Things With Words, SKUC, Ljubljana (2014); No Country Other Than Liberty, SIZ at Mali Salon, Rijeka (2013); andWhatever the Object, GfZK, Leipzig (2013).
Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his
art form, to Ana Mendieta, who carved and shaped her own figure into the
earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the
exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.
He returned to his artistic practice in 2005, and has since exhibited in several group
exhibitions including State of Mind: New California
Art Circa 1970 co-organized by the Berkeley
Art Museum and the Orange County Museum of
Art; Ends of the
Earth:
Art of the Land to 1974 at the Museum of Contemporary
Art, Los Angeles; and Afterlife: A Constellation, curated by Julie Ault as part of the 2014 Whitney Biennial.
Recent solo
exhibitions include Song of the
Earth at Freight + Volume (NYC) and Image, Music, Text at the Untitled
art fair in Miami Beach (2012).
Join the artists Flora Kao and Leanne Lee in creating multilayered works of
art inspired by the
exhibition Mark Bradford: Scorched
Earth.
Recent solo and major notable museum
exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British
Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary
Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu
Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC /
ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
ART Foundation for Contemporary
Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City
Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern
Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego
Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art Museum, San Diego, USA (2012); «Human Culture:
Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).
- Recent solo
exhibitions include: If Only You Could See What I've Seen with Your Eyes, Kumu
Art Museum, Tallinn, 2018; CC Foundation &
Art Centre, Shanghai; If Only You Could See What I've Seen With Your Eyes, 57th Venice Biennale, Estonian Pavilion, Venice;
Earth Potential, City Hall Park, Public
Art Fund, New York, 2017; Approximation (Storm Time), Greene Naftali, New York; Dawn Mission, Kunstverein Hamburg, Hamburg, 2016; Life Update, Kunsthalle Lisbon, Lisbon, 2015;
Art Basel Hong Kong, 2015; Pattern of Activation,
Art Basel Statements, Basel; Green Growth, Salts, Basel; Spirit, Curiosity and Opportunity, Kraupa - Tuskany Zeidler, Berlin; Urgently «Yesterday», Mottahedan Projects, Dubai, 2014; miart, Milan, 2013; Macro Expansion, Kraupa - Tuskany Zeidler, Berlin, 2012; Appendix, Portland; Hotel Palenque, French Riviera, London; Katja Novitskova and Timur Si - Qin, CCS Bard, Annadaleon - Hudson, New York; # 8 Health Club, Czarny Neseser, Wrocław, Poland; Profit Decay, Arcadia Missa, London, 2012; sunny n shiiite, The State, thestate.tumblr.com, 2011.
Rituals since 1851», Fondazione La Triennale di Milano, Milan, Italy (2015); «Chercher le Garçon», MAC / VAL, Paris, France (2015); «Staying Power: Photographs of Black British Experience 1950s - 1990s», Victoria and Albert Museum, London, England (2015); «Progress», The Foundling Museum, London, England (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», Frankfurt MMK, Germany; travels to Smithsonian National Museum of African
Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2014); «Education», Vögele Kultur Zentrum, Pfäffikon, Switzerland (2013); «Victoriana: The
Art of Revival», Guildhall
Art Gallery, London, England (2013); «
Earth Matters: Land as Material and Metaphor in the
Arts of Africa», Smithsonian Institute, National Museum of African
Art, Washington DC, USA (2013); «The Desire for Freedom:
Art in Europe since 1945», Deutsches Historisches Museum Berlin, Berlin, Germany (2012); «Six Yards, Guaranteed Real Dutch Wax
Exhibition», Museum of Modern
Art, Arnhem, Netherlands (2012); and «Migrations: Journeys into British
Art», Tate Britain, London, England (2012).
In her Artist Lab residency and
exhibition, she will create an environment for investigations into the intersections of
art and activism through the explorations of materials made from the
earth's elements, including pigment, paper, soil, and water.
Curated by Karim Crippa, the
exhibition press release, written by Penny Rafferty, describes a speculative future where life on mars is ruled by a matriarchal system that respects the
arts and leaves behind «the macho matter and their binary tech gadgets» of patriarchal
earth.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for
Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine
Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video
Art and the Human Body, Cheekwood Museum of
Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance /
exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance /
exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary
Art, Athens, Greece (performance /
exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College
Art Center, NY Traveled to: Firehouse
Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary
Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary
Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance /
exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas,
Art in General, NY La Hijas de la Tierra (The Daughters of the
Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary
Art, Lake Worth, Florida (brochure) 2001
Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'
Art Santa Monica, Barcelona, Spain Smirk: Women,
Art, and Humor, curated by Debra Wacks, Firehouse
Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance /
exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The
Art of the Screen Saver, Stanford
Art Museum / Cantor
Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu,
Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person
exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual
Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
Tags: painting, rachelle krieger, susan eley, susan eley fine
art, upper westside galleries Posted in Art Events, Exhibition, Info, NYC Comments Off on Of Earth and Sky: Recent Paintings by Rachelle Krieger at Susan Eley Fine
art, upper westside galleries Posted in
Art Events, Exhibition, Info, NYC Comments Off on Of Earth and Sky: Recent Paintings by Rachelle Krieger at Susan Eley Fine
Art Events,
Exhibition, Info, NYC Comments Off on Of
Earth and Sky: Recent Paintings by Rachelle Krieger at Susan Eley Fine
ArtArt
(Consider, for example, the Gagosian Gallery's
exhibition of huge aluminum sculptures by the
earth artist Michael Heizer, whose
art is more at home on the range.)
Marlborough Fine
Arts Gallery in London just dedicated its rooms to the explosive canvases of the British artist Hughie O'Donoghue in its new
exhibition Scorched
Earth.
Select group
exhibitions include Ends of the
Earth, MOCA, Los Angeles, CA which traveled to the Haus der Kunst, Munich, DE (2012) and the Royal Academy of
Arts, London (2011).
As the first major museum
exhibition on Land
Art, «Ends of the Earth» provides the most comprehensive historical overview of this art movement to da
Art, «Ends of the
Earth» provides the most comprehensive historical overview of this
art movement to da
art movement to date.
Wise
Earth:
Art & Land in Texas
Exhibition EXHIBITION DATES: FEBRUARY 11 - MARCH 3, 2012 APPLICATION DEADLINE: TUESDAY, JANUARY 31, 2012 Application
Exhibition EXHIBITION DATES: FEBRUARY 11 - MARCH 3, 2012 APPLICATION DEADLINE: TUESDAY, JANUARY 31, 2012 Application
EXHIBITION DATES: FEBRUARY 11 - MARCH 3, 2012 APPLICATION DEADLINE: TUESDAY, JANUARY 31, 2012 Application fee: $ 35
Earthwise Gallery presents an open call for artists from Texas along with artists working with the theme of sustainability, land, or food for an annual group
exhibition, Wise
Earth:
Art & Land in Texas, February 10 — March 3, 2012.
«This is not the
earth, where things are weighed down»; this
exhibition imagines a fictional space, following a long tradition of dystopian
art and literature (such as Porpentine Charity Heartscape's novella Psycho Nymph Exile).
Contemporary Chinese Photography and the Cultural Revolution, Staatliche Mussen zu Berlin, Berlin, Germany (2017); The
Exhibition Go Annual Contemporary
Art in China, Beijing Minsheng
Art Museum (2016); Silk Road International,
Art Museum of Nanjing University of
Arts, Nanjing, China (2016); New Capital: Huang Yu Collection
Exhibition, Museum of Contemporary
Art, Chengdu, China (2016); Guns and Roses, Kunstraum, Potsdam c / o Waschhaus, Germany (2016); Links — Locality and Nomadism, The Galaxy Museum of Contemporary
Art, Chongqing, China (2015 - 2016); Beyond the
Earth — The First Xi'an Contemporary Photography
Exhibition, Xi'an
Art Museum, Xi'an, Shaanxi Province, China (2015); Chinese Photography: Twentieth Century and Beyond, Three Shadows Photography
Art Centre, Beijing, China (2015); Unfamiliar Asia: The Second Beijing Photo Biennial, CAFA
Art Museum, Beijing, China (2015); China 8: Contemporary
Art from China on the Rhine and Ruhr, Folkwang Museum, Essen, Germany (2015); 2nd Three Shadows Experimental Image Open
Exhibition, Three Shadows Photography
Art Centre, Beijing China (2015); and Pull Left — Not Always Right,» Urban
Arts Space, Ohio State University, Columbus, OH (2014), Hillstrom Museum of
Art, Saint Peter, MN (2014); and Unboundedness, China Cultural Center, Berlin, Germany (2013 - 2014).
Barbara Knezevic pictured in the Hennessy
Art Fund for IMMA Collection 2018
exhibition space beside her artwork The Last Thing on
Earth (2016).
Shunk - Kender photographed artworks, events, and landmark
exhibitions of avant - garde movements of the era, from Nouveau réalisme to
Earth art.
«Aaron Curry: Grove» presents three aluminum sculptures originally commissioned for the solo
exhibition Melt to
Earth, which was installed in the plaza of Lincoln Center for the Performing
Arts, New York in 2013.
On the Verge: Contemporary Ceramics coordinates with the nationally touring
exhibition Innovation and Change: Great Ceramics from the Ceramic Research Center, Arizona State University
Art Museum Collection at the Wichita
Art Museum from May 10 — June 28, 2009 and Fired
Earth: 1945 — 2008, at the Wichita Center for the
Arts from March 13 — May 17, 2009.
In the past few years, the artist has participated in numerous group
exhibitions including Landscapes, Revisited at the Olympic Sculpture Park at the Alvord
Art Lab in Seattle, Blind Field at the Krannert
Art Museum in Champaign, Illinois and the Broad
Art Museum in Michigan, curated by Tumelo Mosaka and Irene Small as well as Ground, Materiality # 2 (
Earth) at the Sorø Kunstmuseum in Denmark.
Norton Museum of
Art (aka Norton Museum of
Art) $ 20,000 West Palm Beach, FL
Art Works — Museum To support the
exhibition,»
Earth Works: Mapping the Anthropocene — Photographs by Justin Brice Guariglia,» and an accompanying catalogue and programs.
In the
Art in the Age of Altamira
exhibition catalog, Jill Cook wrote that, after his cave visits, «Miró's preference for working off the easel on larger format works painted against a wall or on the ground, as well as his use of ochre pigments and
earth tones developed.»
Recent
exhibitions this past year include A Promise Is A Cloud, Public
Art Fund, New York; Structure & Absence, White Cube, London; The Anxiety of Photography, Aspen
Art Museum, Aspen, Colorado; To What
Earth Does This Sweet Cold Belong, The Power Plant, Toronto, Ontario; and in 2010, Still, Flat and Far, Institute of Contemporary
Art, Philadelphia.
The Institute of Fine
Arts (IFA) at New York University continues its ongoing Great Hall
Exhibition Series with the installation of Charles Simonds's monumental sculpture Mental
Earth (2002) in the Great Hall Gallery.
I have in my gallery Yasuhisa Kohyama's Slice of
Earth; it was on the cover of the
exhibition catalog for a contemporary ceramics show at Boston's Museum of Fine
Arts in 2005.
A series of Language shows heralded conceptual
art, while the
exhibition Earth Works ushered in land
art.
Ends of the
Earth: Land
Art to 1974 is the first major museum
exhibition on Land
Art.
Several of Loretta's paintings have also been juried into Fusion
Art's online
exhibitions - «Elemental — Air, Fire,
Earth, Water in 2015; «Waterscapes», «Animal Kingdom», «2nd Annual Figures & Faces» in 2016; and she won an Honorable Mention award in «Colors» in 2017.
Brimblecombe - Fox held another successful solo
exhibition «Untethering Landscape: From
Earth - Bound Horizons» in September and she was also invited again to enter the Tattersall's Landscape $ 30,000
Art Award, Brisbane.
Solo
exhibitions include Scorched
Earth at the Hammer Museum (2015), Sea Monsters at the Rose
Art Museum (2014) and Aspen
Art Museum (2011), Maps and Manifests at Cincinnati
Art Museum (2008), and Neither New Nor Correct at the Whitney Museum of American
Art (2007).
In 2011, Lanzisero work was part of the «
Earth Matters»
exhibition at the Heckscher Museum of
Art.
Art Enables» newest group
exhibition, elemental, explores water,
earth, wind, and fire.
For this
exhibition, she created
Earth Paintings, a series of nature inspired abstract works, including Wind and Crepe Myrtle Concerto (1973) which
art historian Sharon Patton considers «one of the most Minimalist Color - Field paintings ever produced by an African - American artist.»
As the
exhibition toured its European
art capitals, painters must have slunk home from the
exhibition in shock and despair, electrified by what they had seen and wondering how on
earth it could be rivalled.
Pushing things even further is the
exhibition «Baody: Air, Water and
Earth» presented by Henrique Faria Fine
Art.
Recent solo
exhibitions include The World's Greatest Planet on
Earth, Studio Voltaire, London, UK (2016); Nudge the Judge, Tanya Leighton, Berlin, Germany (2015); Crypod, JTT, New York, NY (2015); Detroit Affinities, Museum of Contemporary
Art Detroit, MI (2015).
Important
exhibitions include: On Line: Drawing Through the Twentieth Century at The Museum of Modern
Art, New York (2010); Ends of the
Earth: Land
Art to 1974 at the Museum of Contemporary
Art, Los Angeles and Haus der Kunst, Munich (2012); Alice in Wonderland at Tate Liverpool, UK (2012); and FORTY at MoMA P.S. 1 (2016).
2009 Abstract Cabinet Show, Eastside projects, Birmingham, UK Paper Moon, Sommer & Kohl, Berlin, Germany Summer in the City, Martin Asbaek Gallery, Copenhagen, Denmark The Golden Record - The Sounds of
Earth, The Collection, Lincoln, England; touring to g39, Cardiff, UK Nus, Fortes Vilaça, São Paulo, Brazil Collection
Art Foundation Mallorca, CCA Kunsthalle Andratx, Mallorca, Spain 2008 Chambres a part II, la Réserve Paris, Paris, France 100 Years 100 Artists 100 Works of
Art, A Foundation Gallery, London, England Golden Record - the Sounds of the
Earth, Collective Gallery, Edinburgh, Scotland Supernatural, Kunsthalle Andratx, Majorca, Spain Pendre la crémaillère, Sommer & Kohl, Berlin, Germany Space to Draw, Jerwood Space, London, England
Art on the London Underground, Rochelle School, London, England 2007 Star Dust, Musée d'
Art Contemporain du Val - de-Marne (MAC / VAL), Paris, France Cult Fiction, Hayward Gallery, London; toured to New
Art Gallery, Walsall; Nottingham Castle, Nottingham; Leeds City
Art Gallery, Leeds; Aberystwyth
Art Gallery, Aberystwyth; Tullie House, Carlisle, UK (catalogue) Drawing 2007 Biennial Fundraiser, The Drawing Room, London, England 2006 Drawing Inspiration, Abbot Hall
Art Gallery, Cumbria, UK The Starry Messenger: Visions of the Universe, Compton Verney, Warwickshire, England (catalogue) 2005 Sonnenblume Titanic, Kjubh Kunstverein, Cologne, Germany Ticker, carlier gebauer, Berlin, Germany; curated by Aurélie Voltz The Failure, Korridor, Berlin, Germany Ten Year Anniversary
Exhibition, Stephen Friedman Gallery, London, England Post Notes, ICA, London; toured to Midway Contemporary
Art, Minneapolis, USA Communism, Project, Dublin, Ireland; curated by Grant Watson
The selection mixed gallery artists with invited guests in an eclectic display of pure and simple quality: an
exhibition that sought to prove world - class contemporary
art needn't cost the
earth.
She has held over forty photo
exhibitions in Korea, Southeast Asia and Europe, including Imagine
Earth (2012), Delpire & Cie (2011), UNESCO APCEIU (2006 ~ 2009), Sarah Moon (2008), Green
Art Festival (2004 ~ 2008) & Seoul International Photo Festival (2008).
Recent notable group
exhibitions include «Body & Void: Echoes of Moore in Contemporary
Art», The Henry Moore Foundation, Perry Green, Hertfordshire, UK (2014); Drawing Biennial 2013, Drawing Room, London, England (2012 - 2013); «Zeichen und Wunder», Kunsthaus Nürnberg, Nürnberg, Germany (2012 - 2013); «The Golden Record - The Sounds of
Earth», The Collection, Lincoln, England; toured to g39, Cardiff, UK (2009); «Nus», Fortes Vilaça, São Paulo, Brazil (2009).
New Mexico Museum of
Art provides a «Free Friday Evening» with
Earth Now: American Photographers and the Environment and other
exhibitions currently on display, tonight, September 2nd.
Client: Society of Illustrators Museum
Art Direction: Kate Feirtag, Tara Jacoby, Jessica Yeomans Created for an
exhibition called
Earth: Fragile Planet
His work has been widely exhibited and has been shown in solo
exhibitions (such as Scorched
Earth at the Hammer Museum (2015), Sea Monsters at the Rose
Art Museum (2014)-RRB-, as well as in group shows at LACMA Los Angeles County Museum of
Art (2014), Whitney Museum of American
Art (2013), the 12th Istanbul Biennial (2011), Seoul Biennial (2010), the Carnegie International (2008), São Paulo Biennial (2006), and Whitney Biennial (2006).
Recent group
exhibitions include The Uncanny Valley, Wysing
Arts Centre, Cambridge (2015); Sunscreen, online and at Venice Biennale (2015); A Plague of Diagrams, ICA, London (2015), WEC - Whole
Earth Catalyst, The Composing Rooms, Berlin (2015); h y p e r s a l o n,
Art Basel Miami, (2014); Vestige: The Future is Here, Design Museum, London (2013) and Multinatural Histories, Harvard Museum of Natural History, Massachusetts, USA (2013).