Western Outlaw: Wanted Dead or Alive 2003 In this first - person shooter inspired by the old Clint
Eastwood spaghetti westerns, players take on the role of the Stranger — a gunslinger who must rescue a kidnapped girl from an evil land baron.
Red Deads Revoler's story is a homage to the old Clint
Eastwood spaghetti westerns.
The good, the bad and the ugly... a clint
eastwood spaghetti western was it not?
Not exact matches
This is my Southwest spin on the classic Italian recipe «Eggs in Purgatory» and is a breakfast fit for Mr.
Spaghetti Western himself, Clint
Eastwood.
-LSB-...] can't say good bye to our first annual
Spaghetti Western Week and celebration of Clint
Eastwood's birthday without a knock «em dead cake, can we?
We can't say good bye to our first annual
Spaghetti Western Week and celebration of Clint
Eastwood's birthday without a knock»em dead cake, can we?
All that i kept thinking of was «Will i look like Clint
Eastwood in a
spaghetti western?»
These worthies have forgotten that Locke was Oscar - nominated for her portrayal of a suicidal small - town girl in Heart is a Lonely Hunter (1968) while
Eastwood was still grinding out
spaghetti westerns.
The defining
spaghetti western pits a charismatic Clint
Eastwood against partner and nemesis Eli Wallach and perpetual enemy Lee Van Cleef.
Clint
Eastwood owes a great deal to Sergio Leone, who jump - started the actor's movie career with the Dollars trilogy of «
spaghetti westerns.»
A Pistol for Ringo & The Return of Ringo: Two Films by Duccio Tessari (1965) The original Ringo films introduced another iconic hero to the
spaghetti western; a clean - cut sharp shooter who was markedly different to Clint
Eastwood's Man With No Name.
11:00 am / 10:00 am — AMC — The Good, the Bad, and the Ugly Sergio Leone's most definitive
spaghetti western finishes off his «Man with No Name» trilogy starring Clint
Eastwood.
It's impossible to contest the importance of Sergio Leone's A Fistful of Dollars, the movie that popularized the
spaghetti Western worldwide, launched the big - screen career of Clint
Eastwood, and inspired a wave of future filmmakers like Quentin Tarantino.
The (anti--RRB- heroes face plenty of wayward friendly fire before Colt comically mistakes them for actual heroes advancing the front into enemy territory, and a late scene lampoons
Eastwood's
spaghetti westerns, as our boys face off — on a war - torn French lane — with the Nazi enemy.
Since there's nothing consequential here, Burton and
Eastwood could have played these roles in their sleep (and let's face it, they pretty much do), but it's a novelty to see acting - legend Burton play against rising star
Eastwood, fresh from his
spaghetti -
western fame.
However, once you get past the fact that Ted Post, who directed
Eastwood in the
spaghetti Western wanna - be Hang Em High, has chosen to mostly ignore the first film's visual appearance, it's easy to enjoy Magnum Force as a straight - forward action vehicle, with a tongue - in - cheek premise of the dirtiest cop on the force coming to terms with his own feelings as far as seeing known criminals get away with murder.
12:15 am (1st)-- TCM — Dirty Harry
Eastwood hung up his
spaghetti western spurs and picked up a cop's sidearm to play Harry Callahan, a cop who doesn't always play by the rules but definitely gets what he's after; in this case, a serial killer who begins to play a cat - and - mouse game with Callahan.
12:00 N — TCM — The Good, the Bad, and the Ugly The final film of the Leone -
Eastwood Man With No Name series, and possibly the height of the
spaghetti western genre.
Actor and director Clint
Eastwood as Monco in the
spaghetti western «Per qualche dollaro in più» («For a Few Dollars More»), 1965.
While both Clooney and
Eastwood stand out as flawed, yet powerful and resourceful enigmas (which I suspect is how many Europeans see America) Leone's
spaghetti westerns not only imported
Eastwood's badass - itude but a uniquely American genre to be emulated and turned on its ear.
On a larger scale, it builds on the concept of the
western antihero, studying avarice and folly with the same keen eye Sergio Leone and Clint
Eastwood would employ a decade later in their more self - aware
spaghetti westerns.
Spaghetti westerns peaked in popularity at the end of the 1960s with Sergio Leone's cross-Atlantic hit trilogy of Clint
Eastwood films and Once Upon a Time in the West.
It may shock many that I was never a John Wayne fan (an actor I felt always played every part, the same way), but loved the classic films of Audie Murphy, Clint
Eastwood's
spaghetti -
western series and of course THE MAGINIFCENT SEVEN.
8:00 pm — TCM — The Good, the Bad, the Ugly The final film of the Leone -
Eastwood Man With No Name series, and possibly the height of the
spaghetti western genre.
The analysis of TV
westerns is fascinating as is the making of the first
spaghetti western in which an entire genre was invented in a collaboration / clash between
Eastwood and Sergi
It features three difficulty levels dubbed The Good, the Bad and the Ugly, a direct hint towards Sergio Leone's eponymous
spaghetti western movie, starring Clint
Eastwood.
The whole soundtrack is great though, and one could easily lift the music from this game and place it in a Sergio Leone
spaghetti western with Clint
Eastwood and it'd still work.
On the other side of the gallery, Gioj, who has been replicating cinema props out of clay, presented All The Cigars Smoked by Clint
Eastwood in Sergio Leone's
Spaghetti Westerns.