At the present moment, however — at a time of increased interest in such European and American
artists as Kozan's near contemporary, Biloxi potter George E.
Ohr, whose work was rediscovered in the 1970s; in 1960s ceramic
artists like Ron Nagle and Ken Price; in outsider
artist and ceramicist Eugene Von Bruenchenhein; and in contemporary
artists working in clay like Kathy Butterly, Andrew Lord, and Arlene Shechet — it is Kozan's more
eccentric sculpted works that resonate.