Sentences with phrase «edge art gallery»

Her past experiences have ranged from: Managing Joann Fabrics and a division of the River's Edge Art gallery (currently based in Wyandotte, MI.)

Not exact matches

The large marina is the focal point in town, where shops, art galleries, accommodation properties, and restaurants renowned for superb local seafood are perched over the water's edge.
Located in the Central Business District just two blocks from the French Quarter and the art galleries of the Warehouse District, Loft 523 is a cutting - edge hideaway ideal for those seeking spacious and trendy accommodations.
From the knife's edge you walk along with lush jungles and rivers to each side, to the plateau with art galleries and gorgeous rice fields; there's no shortage of pretty things to look at.
Bucerias Azul lies on the southern edge of Bucerias, just a stroll from nightlife, beach activities, restaurants and art galleries.
Born out of the vision to support and boost cultural exchange and art, the Katara village is a multidimensional cultural project boasting of beautiful theatres, exhibition galleries, and various cutting - edge facilities, thus including it in one of the best multi activities centers in the world.
Situated on the western edge of Lionshead Village, the hotel is located near many boutique shops, art galleries and gourmet restaurants.
MAJOR TOURIST DESTINATION IN BALI - Uluwatu Temple - Cliff - top temple with spectacular ocean views -(30 km away)- Tanah Lot Temple - The coastal temple of Tanah Lot, perched on a rock at the edge of the shore line -(17 km away)- Denpasar - Bali's capital and main business & government offices area -(20 km away)- Ubud - Beautiful landscape of rice fields, art galleries, sacred monkey forest, craft and jewelries -(35 km away)- Kuta - Busy tourist area, great shopping and night life -(10 km away)- Nusa Dua - Masterfully planed tourist area famous for its white sandy beach, golf course, convention and exclusive retails complex -(28 km away)- Besakih Temple - Located on the slopes of Mount Agung, often referred to as the «mother temple» -(85 km away)- Rice Paddies at Jatiluwih -(50 km away)- Sacred Spring and Palace at Tampaksiring -(40 km away)- Padang Padang Beach - famous surfing spot for professional surfer -(30 km away) ESSENTIAL INFORMATION Bali's Airport is listed as «Denpasar» (DPS) which is the name of the island's capital.
Sooke Harbour House is a luxury boutique hotel on the edge of the Pacific Ocean, featuring a spa, fine dining, and an art gallery.
This year's Armory Show Focus edition highlights art from the Middle East, North Africa, and the Mediterranean (Armory Focus: MENAM), curated by Whitechapel Gallery's Omar Kholeif, and presented in partnership with Edge of Arabia and Art Jameart from the Middle East, North Africa, and the Mediterranean (Armory Focus: MENAM), curated by Whitechapel Gallery's Omar Kholeif, and presented in partnership with Edge of Arabia and Art JameArt Jameel.
Art Basel artbasel.com Since 2002, Art Basel Miami has provided a platform for the world's most cutting - edge artists and galleries.
CONTEXT ART MIAMI NOVEMBER 29 — DECEMBER 4 Midtown Wynwood Arts District 118 NE 34th Street FL 33127 Miami www.contextartmiami.com CONTEXT Art Miami, sister fair to Art Miami, has established itself as a serious marketplace for top collectors to acquire important works from a collection of specially curated international galleries representing emerging and mid-career artists producing cutting - edge works of aART MIAMI NOVEMBER 29 — DECEMBER 4 Midtown Wynwood Arts District 118 NE 34th Street FL 33127 Miami www.contextartmiami.com CONTEXT Art Miami, sister fair to Art Miami, has established itself as a serious marketplace for top collectors to acquire important works from a collection of specially curated international galleries representing emerging and mid-career artists producing cutting - edge works of aART MIAMI NOVEMBER 29 — DECEMBER 4 Midtown Wynwood Arts District 118 NE 34th Street FL 33127 Miami www.contextartmiami.com CONTEXT Art Miami, sister fair to Art Miami, has established itself as a serious marketplace for top collectors to acquire important works from a collection of specially curated international galleries representing emerging and mid-career artists producing cutting - edge works of aArt Miami, sister fair to Art Miami, has established itself as a serious marketplace for top collectors to acquire important works from a collection of specially curated international galleries representing emerging and mid-career artists producing cutting - edge works of aArt Miami, sister fair to Art Miami, has established itself as a serious marketplace for top collectors to acquire important works from a collection of specially curated international galleries representing emerging and mid-career artists producing cutting - edge works of aArt Miami, has established itself as a serious marketplace for top collectors to acquire important works from a collection of specially curated international galleries representing emerging and mid-career artists producing cutting - edge works of aArt Miami, has established itself as a serious marketplace for top collectors to acquire important works from a collection of specially curated international galleries representing emerging and mid-career artists producing cutting - edge works of artartart.
Now in its 10th year, the show combines galleries showcasing over 500 leading contemporary artists with five days of cutting edge art, Spotlight Galleries, Art Labs, Art Talks, entertainment, and special evenart, Spotlight Galleries, Art Labs, Art Talks, entertainment, and special evenArt Labs, Art Talks, entertainment, and special evenArt Talks, entertainment, and special events.
The exhibiting galleries are among the world's most respected art dealers, offering exceptional pieces by both renowned artists and cutting - edge newcomers.
Traveled to Musée Marmottan Monet, Paris (February 12 — May 11, 2008) Be — Bomb: The Transatlantic War of Images and all that Jazz in the 1950s, Museu d'Art Contemporani de Barcelona (MACBA), Spain (October 5, 2007 — January 7, 2008) Contemporary and Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, Connecticut (September 29, 2007 — January 6, 2008) Twentieth - Century American Women Artists from the Frances Lehman Loeb Art Center, Vassar College, Gallery at the Park Avenue Bank, New York, New York (September 17 — November 2) Americans in Paris: Abstract Painting in the Fifties, Tibor de Nagy Gallery, New York (July 16 — September 29) French Kiss, JGM Galerie, Paris, France (May 25 — July 13) When Art Worlds Collide: The 60s, Woodward Gallery, New York (May 17 — July 14) An Architect Collects: Robert D. Kleinschmidt and a Lifetime of Fine Arts Acquisitions, Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana - Champaign (April 20 — July 29) Gestes, Signes, Traces, Espaces: Figures de la peinture moderne française dans les collections publiques normandes, Musée d'art moderne André Malraux, Le Havre, France (February 17 — April 30).
Chris Jones in «The First Cut: Paper at the Cutting Edge» exhibition at Manchester Art Gallery.
«Painterly Pasted Pictures» an exhibition of 20th century painters of collage curated by E. A. Carmean Jr. @ Freedman Art, New York, NY 2013 «Color & Edge» with Lauren Olitski Poster and Ann Walsh @ Sideshow Gallery, Brooklyn, NY 2012 «Extreme Possibilities: New Modernist Paradigms» The Painting Center, NYC, NY curated by Karen Wilkin 2009 «Direct Sculpture: A Dialogue in Polymers», Student Union Gallery, Univ. of Massachusetts Amherst, Amherst, MA 2006 «Greenberg in Syracuse; Then and Now», Company Gallery, ThINC, Syracuse NY 2005 «Studies in Abstraction: Lauren Olitski, Susan Roth, and Ann Walsh», curated by Wendy S. Evans, Student Union Gallery, Univ. of Massachusetts, Amherst, 2005 «Rural Artists / Urban Sensibilities», C. W. White Gallery, Portland ME 2003 «The Clement Greenberg Collection», Joe & Emily Lowe Gallery, Syracuse, NY 2003 «Clement Greenberg, A Critic's Collection», Portland Art Museum, Portland, Oregon 2001 «The Mirvish Teaching Collection», Agnes Ethrington Gallery, Queens University, Kingston, Ont.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
Traveled to Wriston Art Center / Lawrence University Appleton, WI Shoshana Wayne Gallery «The Ends of Painting: The Edges of Abstraction» curated by David Pagel (catalogue) Santa Monica, CA 1989 Knoedler & Co..
Group exhibitions include: «GENERATION: 25 Years of Contemporary Art in Scotland», Scottish National Gallery of Modern Art, Edinburgh (2014); «A Picture Show», Gallery of Modern Art, Glasgow (2013); «Studio 58: Women Artists in Glasgow Since WWII», Mackintosh Museum, The Glasgow School of Art (2012); «Edge of the Real», The Whitechapel Gallery, London (2004); «Painting Not Painting», Tate St. Ives, Cornwall (2003); and «Matisse and Beyond», San Francisco Museum of Modern Art, San Francisco (2003).
, Galerie Jean Fournier, Paris (June 20 — August 22) Paintings by Joan Mitchell, Lithographs by Willem de Kooning, Sculpture by Raoul Hague, Lennon, Weinberg, New York (June 10 — August 4) The Collection of Sue and Eugene Mercy, Jr.: Paintings, Drawings, and Sculpture, Richmond Art Center, Loomis Chaffee School, Windsor, Connecticut (May 18 — June 11) New York Action and Edge: 1950s and 1960s: John Ferren, Balcomb Greene, Stephen Pace, Esteban Vicente, Jimmy Ernst, Al Held, Joan Mitchell, Milton Resnick, Katharina Rich Perlow Gallery, New York (April — May 3) Papel papel, Galerie Jean Fournier, Paris (March 11 — April 15) Seven from the Seventies: Diebenkorn, Frankenthaler, Krasner, Martin, Mitchell, Scully and Stella, Knoedler and Company, New York (February 8 — March 4) XXV Years: An Exhibition Celebrating the 25th Anniversary of John Berggruen Gallery and Saluting the Opening of the New San Francisco Museum of Modern Art, John Berggruen Gallery, San Francisco (January 13 — February 25)
«Invisible: Art about the Unseen 1957 — 2012 ′, Hayward Gallery, London, UK «An Incomplete History of Incomplete Works of Art», Francesca Minini, Milan, Italy «Reflecting on Reflection», Galeri Mana, Istanbul, Turkey «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «The Edge In Landscape», The Towner Art Gallery, Eastbourne, UK «Où donc, et quand?»
Housed in the Empire State Plaza's underground Concourse gallery, this sprawling bunker of generic hard - edged abstract painting and minimal sculpture was regarded by students and faculty alike as something of an embarrassment of riches, the last vestiges of overblown Greenbergian dictates on advanced art.
«The Satirical Edge in Contemporary Prints and Graphics,» Alsdorf Gallery, Mary & Leigh Block Museum of Art, Northwestern University.
Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..
Few collectors of emerging artists devote as much time, energy, and resources to ferreting out the cutting - edge as Michael and Susan Hort, who trawl the nooks and crannies of galleries and art fairs to find work by up - and - comers that catch their eye — and who often, with their support, go on to widespread renown.
My work was included as part of the Art Marathon Festival via Eastern Edge Gallery in Newfoundland.
In addition to a foundation of exhibitions throughout the year, the gallery participates in a number of international art fairs, continuing to expand its exhibition program by introducing cutting edge contemporary artists to Los Angeles and
This immediately reinforced the CONTEXT fair as a proven destination and serious marketplace for top collectors to acquire important works from the leading international galleries representing emerging and mid-career cutting - edge works of art.
CONTEXT is the sister fair to Art Miami dedicated to the development and reinforcement of emerging and mid-career artists.CONTEXT's open atmosphere creates a meaningful dialogue between artists, galleries and collectors while providing the ultimate platform for established and emerging galleries to present cutting - edge and emergent talent.
Attendees will discover countless ways to appreciate the exhibited art and take home work from offered by our cutting - edge artists and galleries.
Monday served as a teaser with back - to - back openings of a handful of cutting - edge galleriesGallery Diet among them with an outstanding one - person show of Ann Craven's moonscapes — that are pioneering new, almost hot art zones in Little Haiti and Little River.
Recent group shows include Above and Below the Surface: Eight Artists, Berggruen Gallery, San Francisco, When the Stars Begin to Fall: Imagination in the American South, The Studio Museum in Harlem, New York and Black and the Abstract, Part 2: Soft Curves / Hard Edges, Contemporary Arts Museum Houston, (all 2014).
In 2017 the gallery ran a successful Art Happens to bring Doug Fishbone's cutting edge Leisure Land Golf art installation to their Artist GardeArt Happens to bring Doug Fishbone's cutting edge Leisure Land Golf art installation to their Artist Gardeart installation to their Artist Gardens.
1990 TIME, A Portfolio of Etchings, Marc Richards Gallery, Santa Monica, CA The Ends of Painting / The Edges of Abstraction, Shoshana Wayne Gallery, Santa Monica, CA 1990 Phoenix Triennial, Phoenix Art Museum, Phoenix, AZ Past & Present, RosamundFelsen Gallery, Los Angeles, CA Eastern Aesthetic, Allport Gallery, San Francisco, CA
1998 American Abstract Art of the 1930s and 1940s: The J. Donald Nichols Collection, Wake Forest University, Winston - Salem, NC Defining the Edge: Early American Abstraction, Selections from the Collection of Dr. Peter B. Fischer, Laguna Art Museum, Laguna Beach, CA; Michael Rosenfeld Gallery, New York, NY
From the Ashes: Rebirth of the Human Spirit, Group Exhibition 2014 Gallery for Good, The Community Foundation, Washington, DC Group Exhibition 2014 Biggs Museum of American Art, Dover, Delaware, Picture Landscape, Group Exhibition 2014 Black Rock Center for the Arts, Germantown, MD, Invitation to a Metaphor, Solo Exhibition 2014 Thelma Harris Gallery, Oakland, California, Group Exhibition 2014 Rogue Community College, Grants Pass, Oregon, The Subject of War, Group Exhibition 2014 Charles Krouse Reporting Fine Art, Washington, DC, Beyond Red and Blue, Group Exhibition 2014 WAH Center, Brooklyn, NY, Over the Edge: Paperworks Unbound, Group Exhibition 2014 Pittsburgh State University, Pittsburg, PA..
Launched in 2012, CONTEXT Art Miami's open atmosphere creates a meaningful dialogue between artists, galleries and collectors while providing the ultimate platform for the presentation of mid-career, emergent and cutting - edge talent by emerging and established galleries.
Recent selected exhibitions include: In Conversation, Touchstones Rochdale, 2014; Without an Edge There is No Middle, Pluspace, Coventry, 2013; Summer Show, Malgras Naudet, Manchester, 2013; Treatment, PS Mirabel, Manchester, 2013; 60 Drawings, Bankley Gallery, Manchester; International Drawing Project, PR1 Gallery, UCLAN, Preston; Salon Neu, Embassy, Edinburgh, 2012; The Manchester Contemporary, Spinningfields, Manchester 2012; We Are All In This Together, Bureau, Manchester; Unrealised Potential, Northern Gallery for Contemporary Art (NGCA), Sunderland, 2011; Industry & Idleness, Contemporary Art Society, London, 2010 - 11; Unrealised Potential, Cornerhouse, Manchester, 2010.
2003 Painting Lesson, Galleria Cardi & Co., Milan (catalogue) Conversations: Influence and Collaboration in Contemporary Art, Evergreen House, Johns Hopkins University, Baltimore, MD (catalogue) A Notion of Time, Ingrao Gallery, New York Intersection... Art / Design / New Media, Jan Abrams Fine Art, New York Fall Colors: Group Show, Baldwin Gallery, Aspen, CO On the Edge: Contemporary Art from the DaimlerChrysler Collection, The Detroit Institute of Arts, Detroit, MI On: Inaugural Show, Galerie Xippas, Athens Unframed First Look, Lehmann Maupin Gallery, New York The DaimlerChrysler Collection, Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany The Past of the Present: Selections from the ABN AMRO Collection, Shanghai Art Museum, Shanghai, China; travelled to Singapore Art Museum, Singapore; Pinacoteca do Estado de São Paulo, São Paolo Painting: from Rauschenberg to Murakami, 1964 — 2003, 50th Venice Biennale, Venice (catalogue) American Beauty, McClain Gallery, Houston, TX Recent Screenprints, Maya Stendhal Gallery, New York New York Contemporaries, Maya Stendhal Gallery, New York White on White, Galerie Xippas, Paris
Established in 1999 and curated by American art dealer H Earnest Lee, H Gallery offers an exciting and diverse range of contemporary art exhibitions covering the photography, painting and sculpture, with the main focus on cutting edge art coming from Asia.
Its freshly cut cornerstone is the Minnesota Street Project, three converted warehouses at the city's industrial edge that will comprise the non-profit San Francisco Arts Education Project, temporary exhibition spaces, dining from Daniel Patterson Group, and 10 commercial galleries, including vital, younger spaces like Et al and a number displaced from their original locations by rising rents.
It features monthly rotations of both Thai and international cutting edge art, but as the name suggests, gallery's main focus is on artwork from the Himalayas, Tibet, and Southeast Asia.
Coinciding with Art Miami is Context, Art Miami's cutting - edge, contemporary art fair that featured a curated group of 50 galleries representing emerging and mid-career artisArt Miami is Context, Art Miami's cutting - edge, contemporary art fair that featured a curated group of 50 galleries representing emerging and mid-career artisArt Miami's cutting - edge, contemporary art fair that featured a curated group of 50 galleries representing emerging and mid-career artisart fair that featured a curated group of 50 galleries representing emerging and mid-career artists.
The cozy NEWD Art Show, on Johnson Avenue, featured the Lower East Side gallery Regina Rex, which displayed several of Hannah Barrett's playfully deviant folk - arty takes on the traditional portrait and still life; Greenpoint's 106 Green, an artist - run space showing gently noirish figurative paintings by Beijing - raised Xinyi Cheng; and Greenpoint Terminal, offering Eric Shaw's meticulous but sardonically wobbly hard - edge abstractions.
This new exhibition at Edge Gallery exhibition is a tribute to the Smithsons show, «Parallel of Life and Art» from 1953.
As the premier showcase for Western contemporary art, the Ann Korologos Gallery proudly offers a wide array of Western artists working in a variety of techniques and representing diverse artistic traditions: Bold Post-Expressionist still lifes by Angus Wilson, delicate realism in the style of Chardin by Sarah Lamb, Plein Air landscapes by Dan Young, cutting - edge Macro Photography by Gayle Waterman and meticulous linocut prints by Sherrie York.
We both felt that the Metrowest Boston area really needed a cutting - edge contemporary fine art gallery that would connect the region's many talented artists with art - lovers and collectors.
After Nierendorf's sudden death due to a heart attack in 1947, Fine was represented by Betty Parsons, whose gallery (opened in September of the year) had become the leading showplace for cutting - edge art in New York.
YSP, 200 hectares (500 acres) of beautiful countryside and sculpture — outdoor and indoor — on the edge of Wakefield, won from a shortlist that included Tate Britain, the Hayward Gallery, the Sainsbury Centre for Visual Arts in Norwich, Ditchling Museum of Art + Craft, East Sussex, and the Mary Rose museum in Portsmouth.
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