Sentences with phrase «edge line painting»

Hard Edge Line Painting, 1963 seems an elegant and minimal take on the knee joint of a leg, and indeed, most, if not all of Feitelson's work, grew out of an increasingly reductive view of the human body, a view of the body in the oldest sense, a matter of pure form and crisp ideals.

Not exact matches

Weeding, edging, mulching and mowing are all things you should do — and if it needs it, paint it, even the roof line.

Bake a foil - lined cookie sheet to kill any little critters or buggies, then paint the edges with some pretty glittery paint.

The other mirror was painted in Pure White and then the edges were gently sanded to add more definition to the lines and curves.

Make sure you brush over the edge of every line of paint after each brushstroke so you don't create too many brushstroke ridges in the paint.

Because I went with a two - tone look I really wanted a crisp line to distinguish the stain and the white paint so I used ScotchBlue ™ Painter's Tape for Multi-Surface withAdvanced Edge - Lock ™ Paint Line Protector to create that really clean lline to distinguish the stain and the white paint so I used ScotchBlue ™ Painter's Tape for Multi-Surface withAdvanced Edge - Lock ™ Paint Line Protector to create that really clean lLine Protector to create that really clean lineline.

Note how I start each chevron by placing three dots in the center of each nail and paint a line from the edge to the dot.

Be sure to press the edges well so the paint gets nice clean lines.

5 - inch high - resolution TFT colour display, Coolant temperature gauge, External temperature gauge, Front and rear park assist, Oil temperature gauge, On board computer, Porsche Communication Management (PCM) including DVD navigation, Power steering plus, Remote tailgate / fuel filler releases, Service interval indicator, Sports button in centre console, 2 speed front wipers + intermittent wipe, Auto dimming interior + exterior mirrors, Automatic headlights, Body colour door handles, Colour coded bumpers, Day running lights, Electric windows + anti trap protection + one touch open / close drivers side, Electrically adjustable and heated door mirrors, Front fog lights, Grey tint in upper edge of windscreen, Heated rear windscreen, Heated washer jets, Integral rear antenna, Intermittent rear wash / wipe, Painted side air intakes, Painted tailgate strips with platinum silver, Platinum silver roof spoiler separation edge, Power foldback door mirrors, Privacy glass, Rain sensor, Stainless steel door entry guards, 5 12V sockets, 60 / 40 asymmetric split folding rear seats, Active carbon filter, Adjustable headrests (except centre rear), Air quality sensor, Automatic air recirculate, Delay courtesy light function, Door safety lights - front and rear, Engine Compartment Light, Fabric roof lining, Floor mats, Footwell courtesy lights front and rear, Front and rear cupholders x 2, Front and rear door entry lights, Front centre armrest, Front reading lights, Front seatback pockets, Ignition Lock illumination, Illuminated air conditioned glovebox, Illuminated ashtray, Illuminated centre console storage, Illuminated driver / passenger vanity mirrors, Illumination of luggage compartment, Isofix system on outer rear seats, Leather door armrests + grab handles on centre console, Manual height / reach adjust steering wheel, Passenger under seat storage tray, Pollen filter, Porsche crest embossed in front and rear headrests, Rear centre armrest with storage compartment, Rear reading lights, Retractable Loadspace Cover, Retractable luggage net, Roof mounted sunglasses holder, Stainless steel pedals, Steering wheel gearshift paddles, Storage bins on all doors, Storage compartments in cargo area side walls, 3 point front / outer rear seatbelts + pre-tensioners + force limiters on front seats,Anti - lock Brake System + ABD,Anti - slip regulation, Curtain airbags, Electronic Damper Control, Electronic parking brake, Front seat belts warning, Front side airbags, Full size driver and passenger airbags, Height adjustable front seatbelts, Hill hold control, Passenger airbag deactivation system, PTM (Porsche Traction Management), Alarm system + interior ultrasonic protection + inclination sensor, Electronic transponder immobiliser, Preparation for vehicle tracking, Remote central locking, Two stage locking, 100 litre fuel tank, Diesel particulate filter, Porsche stability management (PSM), Integrated cluster with black bezels, Trim strip in silver, Wheel centres with full colour Porsche crest

The test Edge, a top - of - the - line, all - wheel - drive SEL model, was painted a stunning «Blazing Copper,» with charcoal trim and chrome wheels.

Isaacson also elaborates on Leonardo's innovative approaches to painting, such as sfumato, the shading of edges through shadow rather than lines.

One for the painting and one with clean water for softening off the edges of some of the lines.

I also paint the line of shadow between the edge of the shutter and the wall and indicate shadow under the hinges.

Throughout 1968 I made paintings with rollers, stains, hard edge borders and lines across intense colored fields.

She turns up the retinal volume again and again in the grounds of her paintings — vast seas of cerulean blue edged by crisp white lines, or enveloping acts of domestic violence; equally riveting cadmium reds, oranges, and crimsons saturating the picture plane beneath angry gorillas, dancing Chubby Checkers, and kissing lovers; Day - Glo yellows that push up against sharp blacks as «bad guys» in black suits point guns and walk up and down staircases — and employs unusual compositional strategies to draw our attention to these expanses of high - key color.

As in earlier works drawing is achieved via construction, lines are real, the edges of joined or overlapping parts but the plywood gives the «drawing» more precision, more clarity when compared with lines created in earlier paintings by joining or grouping canvases, which are inherently softer.

I had also done a painting that was two squares on a canvas and it was divided down the middle with charcoal lines — that was the edge.

Painted on rectangles of sky blue with thin hard edge black lines describing simple yet complicated designs; a few of his sky blue paintings had black numbers stenciled on the surface corresponding to his own arcane system of height and width.

Young also made a couple of sky blue paintings with white hard edge lines.

In St. Augustine, I painted an asymmetrical, emotionally intense, abstraction that combined several styles and expressions in one picture; hard edge borders, hard edge lines, stacks of painterly brushed smears, on a deep red field.

Partly a reaction against Abstract Expressionism, best known in the thickly layered paintings of American artists Willem de Kooning and Jackson Pollock, Hard - Edge emphasized angular lines, reduced forms, precise surfaces, and rich colors.

The line cutting through the oil paint is never a clean dark path — the stylus makes an edge and the oil paint moves away in its own fashion; also the areas of white oil color have their own character and vary in density resulting from Lee's method of application.

[13] Begun around 2001, the Piths, canvases with deliberately frayed edges and covered in thick black strokes of paint, indicate Truitt's interest in forms that blur the lines between two and three dimensions.

This selection of paintings from the 1970s shows a range of Minimalist - inspired experimentations with abstraction: hazy, striped plexiglas paintings by Thomas Chimes (1921 - 2009), a Day - Glo round - edged canvas by Ralph Humphrey (1932 - 1990), atmospheric grid - based oil paintings by Warren Rohrer (1927 - 1995), subtly - lined acrylic monochromes by Sean Scully (b. 1945), and a pencil drawing by Sol LeWitt (1928 - 2007), are seen in relation to more recent paintings by Lee Ufan (b. 1936) and Pat Steir (b. 1940), who continue to explore the legacies of line and gesture in abstract painting today.

The exhibition includes several of Andrade's major Op art paintings, which combine hard - edged geometric forms and lines into illusory, and sometimes hallucinatory, compositions.

From the metal, mechanical edges of Chimes» constructions to the sinuous drips in Steir's paintings, line takes different forms in this group exhibition of paintings predominantly from the 1970s.

There were little burrs on the edge of the paint that were so miniscule and then sometimes at the end of the line there was a little spiral of curled up paint that had been carved out through the incising.

The pointy, hard - edged shapes and lines, carefully masked and meticulously painted, are familiarly geometric, but also quirkily unpredictable.

Hard edge painting and its artists relied on color, shape and line to make impersonal artworks of entirely abstract art.

Artists Lorser Feitelson (Lorser Feitelson and the Invention of Hard Edge Painting, The Late Paintings, and The Kinetic Series: Works from 1916 - 1923), Karl Benjamin (Karl Benjamin: Paintings from 1950 — 1965, Drawings from 1950 — 1965, Dance the Line: Paintings by Karl Benjamin, and Karl Benjamin and the Evolution of Abstraction) and Helen Lundeberg (Helen Lundeberg and the Illusory Landscape, Infinite Distance — Architectural Compositions by Helen Lundeberg) have each been featured in extensive retrospective exhibitions.

But dealer George Adams was moved by the crisp lines and jarring angles of the artist's brief foray into Hard Edge, a style associated with Color Field painting and Op Art.

While the paint is still thoroughly wet, a brush loaded with black oil paint is dragged horizontally in a straight line from the top left edge of the painting almost to its right edge.

Other recent shows include: Alter, Vegas Gallery, London, 2012; The Fine Line, Identity Gallery, Hong Kong, 2013; Without an Edge There is no Middle, Pluspace, Coventry, 2013; and The Discipline of Painting, Harrington Mill, Nottingham, 2013.

Unexpected Portrait (2016) is a large - scale acrylic - on - canvas painting where a long tube - shaped orange line with dark edges glides across the work defining a cartoon - like head...

The lines at the edges of Olitski's paintings frame the airy voids of his sprays, while the welded metal of Caro's sculptures traces out shapes in space.

This would not seem particularly remarkable were it not for the fact that Haggerty breaks this linear formation at the edges of the painting — and occasionally also at the symmetrical center of the composition — by bending the lines in a different direction as they approach the boundaries of the painting support.

This change took form in the artist's iconic Beveled - edge and «Drape» paintings, in which canvases are liberated from their stretchers and suspended from walls and ceilings, blurring the lines between painting and sculpture.

With text and analysis by museum director Bill Arning, curator Dean Daderko and senior curator Valerie Cassel Oliver, Outside the Lines details, in three sections, Arning's UIA (Unlikely Iterations of the Abstract) and Painting: A Love Story; Daderko's Outside the Lines and Rites of Spring; as well as Cassel Oliver's Black in the Abstract: Epistrophy and Black in the Abstract: Hard Edges / Soft Curves.

Ribbon - like and meandering, his lines are elongated and thinned, stretched and pulled impossibly toward the upper right, as they curve their way, path like, toward the painting's upper edge.

The lines in between the black paint stripes fuzz slightly on the unprimed canvas; the industrial paint on notched canvas works have edges covered by what looks like duct tape.

The stitched lines, visible where the canvas panels are joined, recall the sharp edges between areas of color characteristic of hard - edge abstract paintings.

Scene 004, São Paolo, 2009, jagged black lines are painted to overlay the edges of a ceiling corner.

As students we were doing lots of things around our paintings while we were making miniatures: checking our colour palette and tools at the edge of the paper, trying out different kinds of lines while making the borders, even tracing figures then hiding them behind a thick layer of paint.

As he applied layer after layer of paint, the top layers kept a more refined edge and didn't seep as much, so the top levels remained glossier and the lines more distinct.

And the only kind of horizontal lines we have are really on the top left and the bottom right, and otherwise, even the edges, the side edges, of this painting are diagonal, so they almost shoot you out to another artwork or whatever else might be in the room.

For many hard - edge paintings, the relationship betweek color didn't matter, as long as they were individually rich and saturated, defined by clear lines and evoking flat surfaces.

The black lines in Composition with Red, Blue, Black, Yellow and Grey (1921) fall short of the canvas edges while the white paint, surprisingly textured when you get up close, unapologetically nudges into grey.

A quiet gem I recommend paying special attention to is the work of Keltie Ferris, which will prompt you to check the prescription in your eye - ware, with its contrasting fuzzy edged and hard lined areas of paint.

The move towards a more hard - edge style of abstraction, the clear lines, high contrast of color and its various hues, along with the rejection of the tactile application of paint were seen as the dominant features of such movement [2].

Its meager painted elements consist of thin, mechanically crisp lines and bars of blue enamel, mostly along the edges but also trisecting the surface horizontally.